Havenhurst

This could have been a Gothic horror but sadly it fails. It all starts promising with the dissapearance of a tenant. But once her best friend starts to investigate this flick has nothing really to offer.

It never becomes scary or bloody or at such a house even creepy. I admit, the beginning do shows some red stuff and in the basement there's a gory shot but overall something is missing to make it worth searching out. And the acting was okay but being low profile on the horror it makes it after a while hard to sit through. All characters and cliches are in this flick but it doesn't work out, it's all predictable.

Gore 0,5/5 Nudity 0,5/5 Effects 2,5/5 Story 2,5/5 Comedy 0/5

I would describe Havenhurst as a horror movie of TV-format, which means you won't get any real gore (besides a few glimpses here and there and rather uninspired and pretty standard ones) and the dose of real horror is not a strong one. Acting and production (settings!) is rock solid, and it is nice to watch Julie Benz once again. The ending is of course a little bit obscure and weak (police not searching the house thoroughly etc.) Recommended if you want to kill some time and/or you like to watch Julie.

A troubled young woman takes up residence in a Gothic apartment building where she must confront a terrifying evil.

Director Andrew C. Erin (Embrace of the Vampire) brings us this film from a screenplay co-written with Daniel Farrands (Amityville: The Awakening). We also get music from tomandandy (Mothman Prophecies, The Strangers and a couple Resident Evil films), some of the best in the business. Farrands may be best known for writing "Halloween: The Curse of Michael Myers" or for being involved in various documentaries about 1980s film franchises. He would appear to love that 1980s slasher feel, and (if so) it definitely comes through here. Although ostensibly a haunted house story, this is really a slasher at heart.

The film opens with a pulse-pounding score, superior gore effects and a dazzling cameo from horror goddess Danielle Harris. Unfortunately only a cameo rather than anything approaching a "supporting" role, but the rest of the cast is just great. We have powerful acting from Julie Benz (Dexter, Buffy, Two Evil Eyes), and an evil maternal instinct from Fionnula Flanagan (The Others, Trash Fire).

What sells the film more than anything is the cinematography, as the colorization is rich, and provides a nice palette against which to tell a moving story. The apartment offers up the best possible use of space -- sometimes overly spacial and intricately ornate, sometimes claustrophobic, and with a few nods to other horror classics such as "The Shining" and even "Psycho". The exterior aerial shots look great, and it left me wondering if this is a real building or if some crafty CGI is used.

In recent years, public discourse was concerned about the so-called surveillance state, and those fears come to life here. We even have secrets behind the walls (reminiscent of "Crawlspace") and a plot twist that ties this (fictional) film to the upcoming (factual) "Devil in the White City". Although this story of murder and disappearance could be in any era, this surveillance aspect makes it especially timely, even if not intended by the writers.

I highly recommend "Havenhurst". Though it seems to have been pushed back a year, it will be an early strong contender for great horror films of 2017. The film should be available widely starting on February 10, 2017.

The ending was so botched, I can't help thinking the crew itself got "evicted" half way through the filming (read, ran out of money or fell apart). Despite the weird behavior of several characters, the story had a good potential till it suddenly, stupidly, untimely took a twist that is so used and abused, it doesn't even elicit a chuckle anymore. It just made an impression that the crew abruptly pulled the plug in the middle of all the action. Movies like this make me wonder how someone gets so much money, convinces a bunch of talented people to participate (most of the actors, the operator was pretty good), and is not held accountable for making bad script decisions that inevitably cut any hope for a good payout. Anyway. If you are reading this review, be smarter than me and trust the low rating: it is not an underrated gem. You would waste your time.

Havenhurst is a sprawling Gothic building that has been turned into a halfway house for recovering addicts. Its latest tenant is Jackie (Julie Benz), an ex-alcoholic who discovers that her new abode harbours a horrifying secret: it was once home to one of America's first serial killers, H.H. Holmes, and someone seems to be following in his bloody footsteps.

To be honest, there's not a whole lot of originality going on in Havenhurst, the plot taking the well worn 'creepy old house with a secret' format (complete with hidden passageways and trapdoors) and adding a little Saw-style punishment for good measure, as meted out by cold-hearted landlady Eleanor (Fionnula Flanagan) and her sons whenever their tenants fall off the wagon.

Despite a strong central performance and just a smidge of gruesome gore, the film never really delivers the chills, failing to get the pulse pounding with its hackneyed attempts at eerie atmospherics (the whole building could do with better lighting) and predictable jump scares (I lost count of how many times a creepy figure would suddenly rush past the camera in the foreground or behind a character).

In short, Havenhurst is by no means a terrible film, just not all that inspired.

5.5 out of 10, rounded up to 6 for bumping off Danielle Harris, horror's most over-rated scream queen, as soon as possible.