O único sobrevivente conta os torcidos eventos duma luta com pistolas num bote, quanfo cinco criminais eram levados pela polícia.O único sobrevivente conta os torcidos eventos duma luta com pistolas num bote, quanfo cinco criminais eram levados pela polícia.O único sobrevivente conta os torcidos eventos duma luta com pistolas num bote, quanfo cinco criminais eram levados pela polícia.
- Ganhou 2 Oscars
- 37 vitórias e 17 indicações no total
Resumo
Reviewers say 'The Usual Suspects' is acclaimed for its intricate plot, iconic twist, and masterful storytelling. Kevin Spacey's performance and the ensemble cast are praised for depth and believability. Themes of manipulation and betrayal are central, with Verbal Kint as a complex figure. Bryan Singer's direction and Christopher McQuarrie's screenplay are noted for precision and suspense. The atmospheric direction, sound design, and score enhance immersion. Despite criticisms of the convoluted plot and twist's impact on coherence, it is a seminal crime thriller.
Avaliações em destaque
I couldn't help but set rather high expectations for 'The Usual Suspects' as I went into watching this. I knew this was no action movie or any of the crap we get nowadays. This was true cinema! I was excited 'The Usual Suspects' is a mystery film about what cargo was on board the ship when it was destroyed and the events leading up to it as we are told from the only known survivor of that accident.
Around 45-50 minutes into the movie, I was starting to find myself a bit tired and thought the movie may perhaps have dragged along just a bit. I was becoming rather disappointed. Then the film truly began to change in such a way that I find it rather hard to explain. The characters began to get a little more entertaining, the pacing certainly began to pick up, the dialogue was getting more interesting and overall, I was more excited.
Then comes the amazing final twenty minutes with the plot twist and the story finally closing in perfectly, making the story more understandable. However, the final 5 minutes of the movie are some of the best moments of movie ever made and that is the ultimate plot twist which surprised the hell out of me! It was a cheering end to what ended as a great movie and a movie I would be more than happy to check out again and again! A-
Around 45-50 minutes into the movie, I was starting to find myself a bit tired and thought the movie may perhaps have dragged along just a bit. I was becoming rather disappointed. Then the film truly began to change in such a way that I find it rather hard to explain. The characters began to get a little more entertaining, the pacing certainly began to pick up, the dialogue was getting more interesting and overall, I was more excited.
Then comes the amazing final twenty minutes with the plot twist and the story finally closing in perfectly, making the story more understandable. However, the final 5 minutes of the movie are some of the best moments of movie ever made and that is the ultimate plot twist which surprised the hell out of me! It was a cheering end to what ended as a great movie and a movie I would be more than happy to check out again and again! A-
Out of the mind of Christorpher McQurrie comes this incredible story of a man in search of the devil. The film is called " The Usual Suspects" and what could be more appropriate than an unusual movie about five suspects who are anything but usual. The story originates with the only survivor of what the police conclude was a murderous and explosive drug deal gone bad. His name is Roger Kint (Kevin Spacey is perfect) also known as 'Verbal.' From the mouth of this innocent storytelling, con-artist comes the fantastic tale of how he and his fellow criminals, Stephen Baldwin, is Michael McManus, Benicio Del Toro is Fred Fenster and Kevin Pollak as Todd Hockney were originally assembled and then set-up. Beginning with a mix-up by law enforcement to put several guilty men together in the same line up, the tale proceeds cross country and culminates with a powerful, but mysterious kingpin by the name of Keyser Soze. It's through his attorney, Kobayashi (Pete Postlethwaite), the men learn they are marked for death unless they undertake a dangerous assignment. The center piece of the Unusual group is their leader, a remarkable individual named Dean Keaton (Gabriel Byrne, incredible performance). What transpires in this movie from moment to moment is a lesson in sleigh of hand. What we and the police Dave Kujan, (Chazz Palminteri) are told is not what we see. Conversely, what we see is not what we have been told. In the end, this film with it's haunting theme by John Ottman, is nothing short of incredible. A superb classic in both mystery and action entertainment, by Bryan Singer. A great film indeed. ****
Boasting petty criminal characters conceived so brilliantly they achieve near-mythological status, The Usual Suspects is known for riveting suspense and action, an intriguing plot line and a jaw- dropping twist at the end. It also features some of the most memorable lines of the 1990s: "How do you shoot the devil in the back--what if you miss?" The characters, Roger "Verbal" Kint (Kevin Spacey), Dean Keaton (Gabriel Byrne), Michael McManus (Stephen Baldwin), Fred Fenster (Benicio Del Toro), Todd Hockney (Kevin Pollak), Dave Kujan (Chazz Palminteri) and Kobayashi (Pete Postlethwaite) have real character details and cues.
The film is set in the aftermath of a ship fire that totally burns the cargo and crew. Though meek and disabled, Verbal is the only survivor to walk away from the incident unscathed. He is taken into custody and grilled by the police. Brilliantly played in a characteristic, understated style that earned Spacey an Academy Award for Best Supporting Actor, Verbal is cleared and allowed to leave. But before he can go, agent Kujan from US Customs shows up to interrogate him. Kujan is trying to build a case against Keaton and he wants Verbal to testify in exchange for immunity. Verbal refuses, but Kujan still bullies Verbal into recounting his story of Keaton, McManus, Fenster and Hockney, leading up to the explosion on the ship.
What follows is a fantastic yarn of lies and half-truths sprinkled within the facts of the case. It is all masterfully portrayed as a series of flashbacks while Verbal and Kujan sip coffee and talk in the LA police station. The story begins six weeks earlier in New York City as Verbal and the other four criminals are brought in to stand side-by-side in a police lineup. None of them are formally charged with a crime, and there are indications Keaton has actually gone straight prior to the roundup. But before they are released, the five hatch a plan to get revenge on the corrupt NYPD and make a large sum of money in the process by robbing a police-protected jewel smuggler and leaking news of the police involvement to the press. Keaton is reluctant and must be coaxed into it with the promise that no one will be killed in the heist. He agrees and the quintet pulls off the robbery to perfection. The acting and writing take chances that pay off, with each actor fully immersing himself in his role. Del Toro creates a uniquely colorful persona in his portrayal of Fenster, Baldwin conveys a reckless abandon and lust for violence, Pollak shows steely courage and resolve, Byrne is a complex mesh of toughness with motives pulling him in all directions. Each actor is at the top of his game.
The five criminals go to Los Angeles to lay low in the aftermath of the New York heist. There, they are enticed into another robbery that is also supposed to involve no killing. Unfortunately, this LA heist goes horribly wrong. As Verbal recounts this carnage, its aftermath and the growing problems and hostility in the crew, agent Kujan receives a tip from one of his colleagues who has a survivor pulled from the water near the charred wreckage of the ship. The witness is badly burned and cannot speak English, but insists that the man responsible for the destruction of life and property on the ship is named Kaiser Soze.
Whether it is attributable to lies in Verbal's yarn or odd casting decisions, several characters in The Usual Suspects add to the film's mystique. Chief among these is the Irish Postlethwaite cast as the Japanese Kobayashi. There is a strong clue at the end that the name Kobayashi is used solely to mislead Kujan. But Kobayashi is not the only instance of a character's name failing to match his appearance. Another example is McManus' contact in LA, Redfoot, which one would expect to be the name of a Native American. But Redfoot appears to be caucasian. Again, at the end there is an indication that Verbal used Redfoot to avoid giving Kujan a real name. Strange ethnic inconsistencies crop up constantly. Kaiser Soze is said to be Turkish, possibly with a German father. These mixed-up character portraits add a layer of complexity to the plot, but one must always consider the source, Verbal Kint, and his motives.
The dynamic between Kujan and Verbal itself is pure entertainment. A kind of cat-and-mouse game, nuances are thrown into the proceedings that make it more interesting and add depth to the characters. Even the way the interrogation is filmed is unique. Verbal didn't achieve his nickname for no reason. He knows how to run his mouth and Kujan has a difficult challenge in corralling him. Underlying the interrogation is Kujan's suspicion of Keaton and his belief that Keaton manipulated Verbal. But Verbal is hard to pin down and Kujan occasionally resorts to bully tactics. But who is Kaiser Soze? Did he orchestrate the police lineup in New York, and pull all the strings ever since? Is the cargo of the ship drugs or only human cargo? Why did Verbal survive unharmed while so many others did not? Did Keaton really die, as Verbal insists, or did he slip away, as Kujan believes? Is Verbal telling the truth? Much is revealed in the final moments of the film, which wash over the viewer like an enormous wave of recognition. Snippets of dialogue from earlier in the film are montaged over the complex score, providing spine-tingling clues about exactly what part of Verbal's yarn was fact and what was fiction. The final snippet of dialogue, followed by a fortissimo string finale is especially powerful: "and like that...he was gone."
The film is set in the aftermath of a ship fire that totally burns the cargo and crew. Though meek and disabled, Verbal is the only survivor to walk away from the incident unscathed. He is taken into custody and grilled by the police. Brilliantly played in a characteristic, understated style that earned Spacey an Academy Award for Best Supporting Actor, Verbal is cleared and allowed to leave. But before he can go, agent Kujan from US Customs shows up to interrogate him. Kujan is trying to build a case against Keaton and he wants Verbal to testify in exchange for immunity. Verbal refuses, but Kujan still bullies Verbal into recounting his story of Keaton, McManus, Fenster and Hockney, leading up to the explosion on the ship.
What follows is a fantastic yarn of lies and half-truths sprinkled within the facts of the case. It is all masterfully portrayed as a series of flashbacks while Verbal and Kujan sip coffee and talk in the LA police station. The story begins six weeks earlier in New York City as Verbal and the other four criminals are brought in to stand side-by-side in a police lineup. None of them are formally charged with a crime, and there are indications Keaton has actually gone straight prior to the roundup. But before they are released, the five hatch a plan to get revenge on the corrupt NYPD and make a large sum of money in the process by robbing a police-protected jewel smuggler and leaking news of the police involvement to the press. Keaton is reluctant and must be coaxed into it with the promise that no one will be killed in the heist. He agrees and the quintet pulls off the robbery to perfection. The acting and writing take chances that pay off, with each actor fully immersing himself in his role. Del Toro creates a uniquely colorful persona in his portrayal of Fenster, Baldwin conveys a reckless abandon and lust for violence, Pollak shows steely courage and resolve, Byrne is a complex mesh of toughness with motives pulling him in all directions. Each actor is at the top of his game.
The five criminals go to Los Angeles to lay low in the aftermath of the New York heist. There, they are enticed into another robbery that is also supposed to involve no killing. Unfortunately, this LA heist goes horribly wrong. As Verbal recounts this carnage, its aftermath and the growing problems and hostility in the crew, agent Kujan receives a tip from one of his colleagues who has a survivor pulled from the water near the charred wreckage of the ship. The witness is badly burned and cannot speak English, but insists that the man responsible for the destruction of life and property on the ship is named Kaiser Soze.
Whether it is attributable to lies in Verbal's yarn or odd casting decisions, several characters in The Usual Suspects add to the film's mystique. Chief among these is the Irish Postlethwaite cast as the Japanese Kobayashi. There is a strong clue at the end that the name Kobayashi is used solely to mislead Kujan. But Kobayashi is not the only instance of a character's name failing to match his appearance. Another example is McManus' contact in LA, Redfoot, which one would expect to be the name of a Native American. But Redfoot appears to be caucasian. Again, at the end there is an indication that Verbal used Redfoot to avoid giving Kujan a real name. Strange ethnic inconsistencies crop up constantly. Kaiser Soze is said to be Turkish, possibly with a German father. These mixed-up character portraits add a layer of complexity to the plot, but one must always consider the source, Verbal Kint, and his motives.
The dynamic between Kujan and Verbal itself is pure entertainment. A kind of cat-and-mouse game, nuances are thrown into the proceedings that make it more interesting and add depth to the characters. Even the way the interrogation is filmed is unique. Verbal didn't achieve his nickname for no reason. He knows how to run his mouth and Kujan has a difficult challenge in corralling him. Underlying the interrogation is Kujan's suspicion of Keaton and his belief that Keaton manipulated Verbal. But Verbal is hard to pin down and Kujan occasionally resorts to bully tactics. But who is Kaiser Soze? Did he orchestrate the police lineup in New York, and pull all the strings ever since? Is the cargo of the ship drugs or only human cargo? Why did Verbal survive unharmed while so many others did not? Did Keaton really die, as Verbal insists, or did he slip away, as Kujan believes? Is Verbal telling the truth? Much is revealed in the final moments of the film, which wash over the viewer like an enormous wave of recognition. Snippets of dialogue from earlier in the film are montaged over the complex score, providing spine-tingling clues about exactly what part of Verbal's yarn was fact and what was fiction. The final snippet of dialogue, followed by a fortissimo string finale is especially powerful: "and like that...he was gone."
"The Usual Suspects" is a complicated puzzle of a movie that I bet you can't watch just once. The film deals with five career crooks who have big plans after they are all brought together in a police lineup. However, their mayhem is interrupted by a mysterious character named Kaiser Sose who plans to eliminate all five of the crooks after they all crossed him in various ways during their checkered pasts. An amazing original screenplay and tight direction keep up a substantial amount of tension throughout. Gabriel Byrne, Stephen Baldwin, Benicio Del Toro, Kevin Pollak, Pete Postlethwaite, and Chazz Palminteri all give top-notch performances. But it is Kevin Spacey (in an Oscar-winning part) that makes "The Usual Suspects" work on all levels. This part put him in a higher class of actors and can be compared to Robert DeNiro's star-making job in "The Godfather, Part II". 5 stars out of 5.
10Agent10
Such films like this should be enshrined in museums, simply due to the fact it destroyed the entire genre of mystery films. While this film was unique and captivating, no other mystery will ever accomplish this sort of cult status, single handedly shaping a genre. While most mysteries try to shock you too often with twists and even more twists, it turns out to be overkill. This film encompassed such ideas with flair and originality, which is probably the reason Brian Singer is sticking to sci-fi action films. Only Memento and The Game are the only recent mystery movies worthy enough to stand beside this film. Sadly, Singer has somewhat sold out by doing the X-Men movies, but I guess trying to make films like this would be too taxing. This film will always bring a smile to my face when I watch it with someone who hasn't seen this movie. A good viewing every time I watch it, the new special edition DVD is awesome.
Você sabia?
- CuriosidadesThe idea for this movie started only with the concept of a movie poster of five men in a lineup.
- Erros de gravaçãoDuring Verbal's interrogation, his coffee mug is empty when he takes the first sip. In the next scene, it is fine.
- Cenas durante ou pós-créditosThe editor, John Ottman, edited the movie on film. He felt that all the editing done electronically at the time was horrible because all the good editors were still working on film (which is much more difficult). Because of this he thought about putting "Edited on a piece of s*** Steenbeck" at the end of the credits, but instead settled for the more subtle line "Edited on film." Tim Robbins was directing 'Dead Man Walking' at the time and heard about John's idea, which sparked that film's credit ending of "This film was edited on old machines."
- Versões alternativasThe Australian television version left the line-up scene unedited for language. However, all other scenes with strong language, such as McManus's call for payback at the discovery of Finster's body, were shortened or removed.
- ConexõesEdited into Keyser Söze: Lie or Legend? (2002)
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Sospechosos comunes
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 6.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 23.341.568
- Fim de semana de estreia nos EUA e Canadá
- US$ 645.363
- 20 de ago. de 1995
- Faturamento bruto mundial
- US$ 23.342.724
- Tempo de duração
- 1 h 46 min(106 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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