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This movie gives a good look at the first all black squadron of fighter pilots trained in Tuskegee, Alabama. The trials and tribulations of the "Fighting 99th" as they join the 332nd Fighter Group. They gained respect and much deserved recognition by escorting bombers over Germany. The Tuskegee Airmen received over 800 medals for their collective war efforts and never lost a single bomber under their protection. A standard, but memorable WWII flick with its share of 'dog-fights'.

The hard working cast includes: Laurence Fishburne, Cuba Gooding Jr., John Lithgow, Christopher McDonald and Malcolm-Jamal Warner.

NOTE: parts of the movie were filmed in Muskogee, Oklahoma at Davis Field. Local EMTs and firefighters were used as extras.

THE TUSKEEGEE AIRMEN is a film that I tend to get very emotional about. I can never see the ending without tears of appreciation, joy and intense pride.

It all comes home for me as a self admittedly rednecked White bomber pilot says in the final briefing: "I have a crew whose lives are my responsibility. If it's all the same to you Sir, I want the 332nd to take me to Berlin and back".

That cinematic statement is a long overdue Thank You from America to the pilots of the 332nd Fighter Group, both the living and the dead, for a job well done.

I personally owe the Tuskeegee Airmen a sincere vote of thanks, as does EVERY Black person who has ever had the honor of having flown a military aircraft for the United States. The Tuskeegee Airmen blazed the trail that made it possible for others to follow.

I've met a couple of the original Tuskeegee pilots, and I've heard their stories. The discrimination and bigotry shown in the film was NOTHING compared to the realities that they faced day after day. Even after the war, as decorated fighter pilots, the bigotry they faced on their return to the US was unbelievable.

One old fighter pilot told me of how he had just come ashore from the troopship in full uniform, and was almost immediately arrested by the military police in New York City on a charge of impersonating an officer and wearing unauthorized decorations; the MP just KNEW that there was no such thing as a Black fighter pilot.

Another told me of his postwar attempts to gain employment as an airline pilot as the lines geared up for the bright future that they saw coming. Ex military pilots with half his experience who were White were being snapped up without question... but after much beating around the bush, he was finally told that even as impressive as his credentials were, there was no place for him in the industry. He recalled that the airline representative that told him was so ashamed that he couldn't look him in the eye as he said it.

Lawrence Fishburn's portrayal of Lt. Hannibal Lee is probably typical of the men who were part of this, the SECOND "Tuskeegee Experiment". They were college graduates, the best of the best, who had survived a system deliberately designed to eliminate them from flight training.

Andre Braugher's testimony (as Col. Ben O. Davis Jr.) before the Congressional committee says it all when he asks what he, as a Black soldier, should think of a nation that despises him even as he lays down his life to defend it... a nation that asks him to fight for principles that don't apply to HIM personally.

The film has technical flaws... every film does... but beyond them it tells a story that, by design or negligence, has been ignored by American history for almost a half century.

Consider this scenario: The powers-that-be (ostensibly with every good intention), having offered a select group of talented African-Americans the vehicle by which they could prove themselves, then proceed to undermine the laudable efforts of those very same African-Americans. What I have described is one of the major underpinnings of The Tuskegee Airmen.

Sadly, I have also described what occurred in said film's creation and production process.

Thwarted and hobbled by truncated events, a rather thin, basic script, embarrassingly cartoonish air combat dialogue, pedestrian direction, dicey editing, some poor continuity, and a woefully anemic budget, this HBO attempt never reaches the lofty heights that it otherwise could have attained, never realizes what should have been - and what history deserved. The acting notwithstanding, the end result of this unpolished affair amounted to nothing more than an errand list being checked off; such was the quality of the production value. Apart from the "live" air-to-air action, the battle scenes are populated by enough unrestored and colorized WWII stock footage to have temporarily drained the National Archives. Adding further insult, the production elves carelessly managed to drop in approximately five seconds of Vietnam carpet-bombing footage; no excuse here could ever suffice.

Only the impassioned performances of key cast members truly propel this film - at least getting it off the sticky tarmac, but not far enough to fully complete its mission. Noteworthy, though, is Laurence Fishburne as the crazy-for-flying Hannibel Lee Jr., Christopher McDonald as the racist major, dubiously named Sherman Joy, Courtney B. Vance as the pragmatic Lt. Jeffrey Glenn, and - most noteworthy of all - Andre Braugher as Lt. Col. Benjamin O. Davis. I dare anyone to ignore Mr. Braugher when he is running at full-throttle. He is, arguably, this country's best actor, and it is impossible to take your eyes off of him. What a waste of talent!

This tragic squandering is compounded by the fact that a feature drama - anything other than a documentary - was 50 years in coming; now that it has been made, its very existence may defer a proper telling for a long time to come. The significance and gravity of the subject matter deserved a rousing, blockbuster treatment - which broaches this question: why would an unmitigated disaster (both historically and in film content) such as 2001's Pearl Harbor warrant such a great influx of attention and funding, while a story of victory on all levels be denied so much? Anyone interested in answers should look to Hollywood, the almighty marketing and demographics gods, and maybe the other Maj. Joys still out there.

My personal peccadillos aside, in first approaching The Tuskegee Airmen, I feared my penchant for military aviation and historical fairness would pervert my (hopefully) objective critique and unduly merit this HBO effort. On both points, my fears were far off-target. Performances? Within effective range! A good hit! 9 out of 10. Production? A dud! Call out the bomb squad! 3 out of 10. Overall Rating: 6.0

This is a movie that should be viewed by all Americans interested in seeing a slice of Americana which has for so long been ignored. Most will identify with the raw emotion evoked by the plight of these brave and talented men. Black Americans will be moved to tears as we are reminded of what those trailblazers overcame so that future Black soldiers, airmen and every day citizens could take their rightful place in American society, proud of their past and heritage. We all owe a debt of gratitude to the Tuskegee Airmen. This movie makes it clear why.

HBO is by far the best at making original movies and shows. Tuskeegee Airmen is no exception, in fact it's my favorite movie from HBO pictures to date. Stunning acting and a fantastic script. My praise goes out to all involved in this film and I definately hope HBO continues it's long trend of fantastic films and series.