Coisas para se Fazer em Denver Quando Você Está Morto

"Things to Do in Denver... When You're Dead" is a smart little crime flick that may not add anything to the genre but is an enjoyable ride. Andy Garcia is thoroughly charming as the honourable Jimmy the Saint who is under increasing time pressure to fix things before his crew get killed for a botched job. Other cast members also put in good performances, while if you are a fan of Steve Buscemi this film probably contains his "coolest" work to date.

"Things to Do..."'s greatest flaw is its slow exposition. It takes a while for things to get moving, by which time you may be questioning why you are watching this movie. Stick with it - "Things to Do in Denver... When You're Dead" is a crime film worth watching.

When Quentin Tarantino's Pulp Fiction hit the scene in 1994, it took filmmakers and cinephiles by surprise that a film involving murder, betrayal, and theft could also be so wickedly funny and hilariously in its conversational fluidity. Tarantino was fearless, not worried about halting the plot-progression for just a short amount of time so the characters could ramble or comment on something random and completely off topic. As simple as it was, it was surprising to many; here was dialog unrelated to the plot and central story being used with such confidence.

Because of how Tarantino took convention and ordinary crime-drama filmmaking by storm, he obviously spawned many inspirations and "copycats." I only bring this up because, for reasons I have trouble understanding, people have written off Gary Fleder's Things to Do in Denver When You're Dead off as a Pulp Fiction ripoff. Since its release in 1995, the film has gone far under the radar and scrutinized, only to be viewed by the curious cinephile or a hardened crime drama fan; consider me both.

The film stars Andy Garcia, a leading man I, and many, it appears, have forgotten about as much as we forgot about this particular film. He plays "Jimmy the Saint," an ex-con looking to get out of the business and run his own shop where people record their wills for their family and friends before they die. Catering to the business serves as his day job, until he's approached by his paraplegic boss "The Man With the Plan" (Christopher Walken), who requests his services for one more little odd job. Unsurprisingly, the job goes wrong, and this means Jimmy is in the hottest water. Now, Jimmy must find a way to secure his own future, as well as continue to maintain stable connections, while pleasing his newfound love interest (Gabrielle Anwar) through all this chaos. In the meantime, we are introduced to a wide variety of characters played by big-name actors: a quiet hit-man nicknamed "Mr. Shhh" (Steve Buscemi), ex-gangster "Pieces" (Christopher Lloyd), petty-thug "Big Bear Franchise" (William Forsythe), the loquacious "Easy Wind" (Bill Nunn), and the argumentative and angry "Critical Bill" (Treat Williams).

The film bears a relatively age-old story, but the film is complicated by strangely vague dialog and an overabundance of characters with unique names. The dialog itself seems to be describing linear, straight-forward statements and requests and loading them with slang and alienating jargon that takes a great deal of time getting used to.

Once one comes to terms with the dialog, at hand, Things to Do in Denver When You're Dead becomes your average mob flick, comfortably paced, sometimes fun in a gloomy way, and often brooding and dark, like the dapper characters it focuses on. If director Gary Fleder and writer Scott Rosenberg (who's eclectic filmography includes the amiable Kangaroo Jackand the wildly misunderstood Pain & Gain) has anything down here, it's the films tone, which knows when to be comedic and when to be haunting at just the right times.

Consider the scene when this particular operation goes wrong, and Jimmy and his gang land themselves in hot water. Up until this scene, the film has maintained a traditionalist mobster theme of being mildly dark and slightly comedic. When this incident occurs, it suddenly all goes black and the seventy of the gang's actions finally catch up to them. Fleder shows this nicely and packs a lot of character intrigue here with such a great cast.

Films centered around crime and the mobster lifestyle are often broken up into three categories with cinephiles: the classics, Scorsese, and everything else. While Things to Do in Denver When You're Dead exists in the latter, it is nothing shy of an enjoyable and intriguing viewing. The actors possess enough charisma and charm to carry out a screenplay like this, Fleder's direction always seems to hit the right tones, and Rosenbaum's writing always finds ways to take dark and exciting turns. The fact that the film has somehow mingled its way into being mistaken for a clone of one of the most popular crime dramas of all time is quite a shame because of how much quality is in its product to begin with.

Starring: Andy García, Christopher Walken, Christopher Lloyd, William Forsythe, Bill Nunn, Treat Williams, Steve Buscemi, Gabrielle Anwar, Jack Warden, and Fairuza Balk. Directed by: Gary Fleder.

It would be hard to dislike a film that opens with a Tom Waits tune and gives hitherto typecast actors a chance to, oh, I don't know: Act. First, Andy Garcia. What can I say about Andy? He's an attractive guy who all too often gets slated to play "the attractive guy." (His shamefully undeveloped character from Ocean's Eleven comes to mind). In this little indy film he gets a chance to actually embody a character and not simply be Andy Garcia (with capital letters). Then there's his love interest, Gabrielle Anwar (who elevated the already immortal tango in Scent of a Woman). Poor Anwar has been plagued with a lot of stock roles in lame movies since then, but here, like Garcia, she gets to explore her role and show the audience she can do more than make "hey I'm famous. Where's my check?" Al Pacino look good on the dance floor. Also fantastic are Treat Williams, Steve Buscemi, and Christopher Walken (who bests his Annie Hall AND Pulp Fiction cameos). The story is simple: Andy's character is an ex-mob guy who's gone legit then pulled back in for one last job, things go wrong, and he's got 2 days before he's going to be killed. In many hands this would be a B movie, but the writing is so clever and unique that this excessively played mob-movie thing seems like it's done for the first time. There are as many quotable lines in this film as any cult classic; my favorites include: "I knew the kid was lunchy, but not that lunchy." and meeting Anwar's character for the first time: "What's your name?" "Dagney." "Dagney? Wonderful name. Everyone should know a Dagney."

If you like films like Usual Suspects that combine the action genre with actual thought and character development rent this film and see if you can watch it only once. In the same ballpark try Way Of The Gun with Benicio Del Toro and Ryan Phillippe, another film where "pretty boys" are actually allowed to explore their craft of acting.

Things to Do in Denver When You're Dead is directed by Gary Fleder and written by Scott Rosenberg. It stars Andy Garcia, Christopher Lloyd, William Forsythe, Bill Nunn, Treat Williams, Steve Buscemi and Christopher Walken. Music is by Michael Convertino and cinematography by Elliot Davis.

Jimmy the Saint (Garcia) is a ex-gangster who finds one of his debts has been bought up by his ex boss, The Man With the Plan (Walken). The Man wants Jimmy to assemble a crew to put the frighteners on a guy who stole the girlfriend of his son, Bernard (Michael Nicolosi), who has been so traumatised by the break up he has taken to "bothering" young girls. Calling on four of his old comrades in crime, Jimmy feels it's a simple job that will finally clear him of his gangster debt whilst earning his hard up pals some cash. However, in fighting threatens to destabilise the group and when the "job" invariably goes wrong they all have to deal with the vengeful aftermath of The Man With the Plan.

You wanna throw those pathetic yuks some scratch, I applaud your sensitivity.

One of a number of films that surfed in on the wave created by Pulp Fiction, Things to Do in Denver When You're Dead is a nifty and potent picture at times, with sharp dialogue, moments of brutalising and a fire-cracker of a neo-noir finale. Yet it's hurt considerably by the ridiculousness of the set up. Film hinges on a "shake down" arrangement that just comes off as a weak excuse for a film, in fact it's bad writing. There are a myriad of ways to set up a heist gone wrong and then have the crims be on the run for their lives, this set up is just pathetic. Buscemi's hit man is poorly conceived, with some glaring conflicting in the characterisation, while the Anwar (beautiful and leaving a good impression) love interest angle could have had much more made of it if the makers had had the courage of their convictions.

Give it a name.

Still, if you can allow the annoyance of the crappy set up to subside, then there's strong noir themes to indulge in here. A one time bad boy struggling to escape his past and characters stuck in a bleak destiny influenced rut they can't get out of. There's a pervading sense of depression hanging over the film, which in a twisted way makes for good film, while the character dynamics are strong because the characters are very memorable. Helps, too, that they have awesome names like Jimmy the Saint, Critical Bill, Franchise and Mister Shhh! Acting is very good, with Garcia earning his quality pathos stripes, Williams doing psycho with ease, Forsythe a mighty machismo presence, Lloyd resigned and pitiless and Walken turning in another in his long line of bitter scary bastards.

Worthy of interest to neo-noir fans for sure, but frustration sits in the narrative to stop it being an essential viewing. 6.5/10

I feel that a hell of a lot of ppl missed the point on this one; it is less a Tarantino-esque hip, Godfather mob drama, than a meditation on life and death, and the frustration of mortality.

Centered around Garcia's character Jimmy, the film follows him tying up his loose ends, after his gang botch up an 'action', and are given a 48hr suspended death sentence by bitter crimelord Walken, before the deadly assassin Mr Shh (Buscemi) is called in. Feeling responsible, and desperate to tie up as many loose ends in his life, the film finds Jimmy constantly striving to choose between options, and to try and finish nobly, and rectify his perceived wrongs. These include trying to secure his fellow gang members (Lloyd, Nunn, Forsythe and the crazed Williams), ensure the wellbeing of prostitute Balk, and ignore his love for Anwar, to avoid dragging her in with him. Throughout it all, Jimmy only succeeds in isolating himself further, fighting his fears and dreams with his logic and pride. Yet as Warden narrates, there is a sense that Jimmy's peace is just around the corner, if only he can do the right things.

Garcia truly tranmits his character's pain and suffering, most pertinently through the changing look on his eyes and face as the deadline nears - he tries to maintain his grace, but cant quite hide his fears. All the support are great - Walken and Buscemi as per usual are suitably fearful, Williams and Lloyd in particular represent lost souls going down defiantly very well, whilst the underused women are perfect - Anwar doing well with unhelpful scenes, and Balk truly outstanding as the prostitute with the zeal and realism that Jimmy so badly needs. The dialogue is at times cheesy and clunky, and the mob feel somewhat overdone, but the film feels true, and makes a valuable point about targets, and the temporality of life. And it refuses to lose hope, as proved by the final boat scene.

Similar to Spike Lee's new film, the issues of mortality, and aspirations and dreams are key. The film's sombre tone is perfect - not too downbeat (there are many hilarious and happy moments), but enough to make us understand the importance of the issues at stake. Aside from staunch, happy-to-be-cynical other imdb reviewers, the film will affect, and perhaps even instruct. Recommended.