Um profissional de segurança encontra seu passado voltando para assombrá-lo, quando ele e sua equipe única sà o encarregados de recuperar um item particularmente importante.Um profissional de segurança encontra seu passado voltando para assombrá-lo, quando ele e sua equipe única sà o encarregados de recuperar um item particularmente importante.Um profissional de segurança encontra seu passado voltando para assombrá-lo, quando ele e sua equipe única sà o encarregados de recuperar um item particularmente importante.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
Jo Marr
- College-Aged Cosmo
- (as Jojo Marr)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
There are a bunch of movies which might not be GREAT, but really good, and you can watch them over and over again. Rainy day movies. "Sneakers" is without a doubt such a movie.
It is a lightweight caper which gets into a higher division thanks to the acting: Redford is always good, as is Strathairn, Kingsley and McDonnell. The other actors do a really good job as well, but these four stand out in my opinion.
There are twists and turns in the script, Great San Francisco locations and lots of underplayed humor in this film, all contributing to that the movie can be seen several times.
Take it for what it is, and you'll have a really good time in front of the TV.
It is a lightweight caper which gets into a higher division thanks to the acting: Redford is always good, as is Strathairn, Kingsley and McDonnell. The other actors do a really good job as well, but these four stand out in my opinion.
There are twists and turns in the script, Great San Francisco locations and lots of underplayed humor in this film, all contributing to that the movie can be seen several times.
Take it for what it is, and you'll have a really good time in front of the TV.
Sneakers is still fun to watch after 12 years and it was a great look at the time in which it was made. 12 years ago, the Cold War just ended and nobody was really sure how things were going to shape up geopolitically. Sneakers captured that mood perfectly and kept things tense with the soundtrack, locations and set work.
It's got the best balance of technical accuracy verses ease of viewing that I've ever seen on film. Not too many cartoon-like computer interfaces but no staring for minutes at a time at command line interfaces. Sneakers also gets points for being in the Bay Area and traveling among places that I visit every day (Hills Brother Coffee Building for the 'box drop' and the Dumbarton Bridge - for starters). Actors have fun with their roles although it's obvious that Sidney Poitier, Robert Redford, Ben Kingsley and James Earl Jones are not delivering their A-Game. It doesn't matter, it doesn't make it any less fun to watch. I like Phil Alden Robinson's camera movements; don't forget to look for the long, low slide across the Scrabble pieces right in a pivotal moment of the plot.
The movie still retains some relevance today. Ben Kingsley offers that gem " world war. And it's not about who's got the most bullets. It's about who controls the information. What we see and hear, how we work, what we think... it's all about the information!" gains some credibility especially in the face of the post-9/11 news reporting on CNN, MSNBC and Fox News. Trash-diving is still a viable option to gain information on your opponent and social engineering will always work to help you gain some information.
Sneakers is still one of the best mainstream treatments on the subject of hacking. Watch, learn, enjoy.
It's got the best balance of technical accuracy verses ease of viewing that I've ever seen on film. Not too many cartoon-like computer interfaces but no staring for minutes at a time at command line interfaces. Sneakers also gets points for being in the Bay Area and traveling among places that I visit every day (Hills Brother Coffee Building for the 'box drop' and the Dumbarton Bridge - for starters). Actors have fun with their roles although it's obvious that Sidney Poitier, Robert Redford, Ben Kingsley and James Earl Jones are not delivering their A-Game. It doesn't matter, it doesn't make it any less fun to watch. I like Phil Alden Robinson's camera movements; don't forget to look for the long, low slide across the Scrabble pieces right in a pivotal moment of the plot.
The movie still retains some relevance today. Ben Kingsley offers that gem " world war. And it's not about who's got the most bullets. It's about who controls the information. What we see and hear, how we work, what we think... it's all about the information!" gains some credibility especially in the face of the post-9/11 news reporting on CNN, MSNBC and Fox News. Trash-diving is still a viable option to gain information on your opponent and social engineering will always work to help you gain some information.
Sneakers is still one of the best mainstream treatments on the subject of hacking. Watch, learn, enjoy.
This film is the one film of the nineties which I can watch again and again without getting bored. That's not to say it's the best, no no no, but there's something about this movie which I just can't get enough of. It's easily the most frequently used tape in my limited video library.
Mainly it's the cast; quality names down the length of the list, and each one, from Robert Redford heading the motley crew of good guys (Dan Ackroyd and Sidney Poitier especially good) to Ben Kingsley as a deliciously cool but insecure villain. They're all clearly having such a good time as they're making the movie that you can't help but join them; it's infectious.
It's also surprisingly timeless. Seven years have passed since this movie came out, which is a long time in the gadget world in which this film is based, but none of their equipment or techniques (except a brief glimpse of a now outdated version of Windows but that's REALLY nitpicking) seem out of date; it could still be today.
And then there's the moments. This is a film based on a whole load of brilliantly memorable moments. When they find out what the mysterious black box actually does, it's truly chilling. All the little tricks of their trade on display are each a delight, from setting off fire alarms to being on the other end of the phone when the fire service is subsequently called. And the ending, in my opinion, is one of the most satisfying, and hilarious, conclusions ever captured on film.
In case you hadn't noticed, I love this movie. A great score, a great cast, and a whole lot of fun. Whether you got to these comments because you want to know if this film was worth seeing, or whether a training shoe web-search somehow ended you up here against your will, you really should see this film. It's a hugely entertaining piece of the nineties. And Robert Redford has done nothing better since.
Mainly it's the cast; quality names down the length of the list, and each one, from Robert Redford heading the motley crew of good guys (Dan Ackroyd and Sidney Poitier especially good) to Ben Kingsley as a deliciously cool but insecure villain. They're all clearly having such a good time as they're making the movie that you can't help but join them; it's infectious.
It's also surprisingly timeless. Seven years have passed since this movie came out, which is a long time in the gadget world in which this film is based, but none of their equipment or techniques (except a brief glimpse of a now outdated version of Windows but that's REALLY nitpicking) seem out of date; it could still be today.
And then there's the moments. This is a film based on a whole load of brilliantly memorable moments. When they find out what the mysterious black box actually does, it's truly chilling. All the little tricks of their trade on display are each a delight, from setting off fire alarms to being on the other end of the phone when the fire service is subsequently called. And the ending, in my opinion, is one of the most satisfying, and hilarious, conclusions ever captured on film.
In case you hadn't noticed, I love this movie. A great score, a great cast, and a whole lot of fun. Whether you got to these comments because you want to know if this film was worth seeing, or whether a training shoe web-search somehow ended you up here against your will, you really should see this film. It's a hugely entertaining piece of the nineties. And Robert Redford has done nothing better since.
At a key point in the plot, the device that might be able to get past any computer encrypted password needs to be tested. Carl (River Phoenix) is asked what is the hardest computer to hack into, "give me the number for something impossible to access." He answers, "The Federal Reserve transfer node, Culpeper, Virginia." Mother (Dan Aykroyd) adds, "900 billion a day goes through there."
Between December 10, 1969 and July 1992, this same building in Culpeper housed four computers through which the majority of transactions of the 5,700 US banks were processed. It was also a bomb bunker that stored about four billion dollars cash. These cash reserves and computers could be used to keep business transactions going on throughout the eastern half of the United States in the event that Washington DC was bombed in a nuclear war making cash there radioactive and unusable. Interestingly this build was decommissioned in June of 1992 just months before the film "Sneakers" opened in September of 1992. Since 2007 this building has been home to the National Audio-Visual Conservation Center at the Packard Campus of the Library of Congress where over 6 million items of the nation's audio recordings, television and motion pictures are stored and preserved, including the copyright print of "Sneakers."
Between December 10, 1969 and July 1992, this same building in Culpeper housed four computers through which the majority of transactions of the 5,700 US banks were processed. It was also a bomb bunker that stored about four billion dollars cash. These cash reserves and computers could be used to keep business transactions going on throughout the eastern half of the United States in the event that Washington DC was bombed in a nuclear war making cash there radioactive and unusable. Interestingly this build was decommissioned in June of 1992 just months before the film "Sneakers" opened in September of 1992. Since 2007 this building has been home to the National Audio-Visual Conservation Center at the Packard Campus of the Library of Congress where over 6 million items of the nation's audio recordings, television and motion pictures are stored and preserved, including the copyright print of "Sneakers."
A friend and I were discussing River Phoenix yesterday so last night I decided to watch this movie again for the first time in a while. Let me put this out there first. This isnt an Oscar movie but its really fun. Also for 1992 the technology they are showing didn't exist. There is a lot of "you couldnt do that in 1969/1992 on the internet". Those are my only criticisms. That being said a better cast cannot be found. Its got heavy hitters. The chemistry is great. The pacing is well done. I can watch this over and over. Whats disturbing is how well.it actually forecasts the role of data in our lives now. Theres actually dialog that gets very Edward Snowden-ish that I didn't catch in the 90's or early 2000s. But is so in your face in 2021. That being said I would so watch it again.
Você sabia?
- CuriosidadesWhen Martin (Robert Redford) and Cosmo (Sir Ben Kingsley) attempt their initial prank at the beginning of the movie, the façade building seen is the famous Hill Valley clock tower from the De Volta para o Futuro (1985) trilogy.
- Erros de gravaçãoThe ceiling tiles that Martin and Carl use to move around above the floors in the Playtronics building are the hanging type, quite fragile like cardboard and would not be able to support an adult's full body weight.
- Cenas durante ou pós-créditosIn the theatrical trailer, the case members' names were first presented as anagrams, then rearranged to spell correctly. They were: fort red border - Robert Redford a york dandy - Dan Aykroyd kneel by sing - Ben Kingsely carney mend moll - Mary McDonnell rionveih irnep - River Phoenix I edit spin yore - Sidney Poitier ad variant thirds - David Strathairn
- Versões alternativasThe line "Who's going to save the world Marty? Greenpeace?" in the dubbed Spanish version (DVD) becomes "Who's going to save the world Marty? The military?"
- ConexõesEdited into The Green Fog (2017)
- Trilhas sonorasReally
Written by Mike Bloomfield & Al Kooper
Performed by Mike Bloomfield, Al Kooper & Stephen Stills (as Steven Stills)
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
Principais escolhas
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- How long is Sneakers?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Héroes Por Azar
- Locações de filme
- Countrywide Home Loans Corporate Headquarters, Simi Valley, Califórnia, EUA("Playtronics Corporate Headquarters")
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 23.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 51.432.691
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.031.145
- 13 de set. de 1992
- Faturamento bruto mundial
- US$ 105.232.691
- Tempo de duração2 horas 6 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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