AVALIAÇÃO DA IMDb
8,5/10
42 mil
SUA AVALIAÇÃO
Uma coleção de cenas da vida humana e de religiões fotografadas profissionalmente.Uma coleção de cenas da vida humana e de religiões fotografadas profissionalmente.Uma coleção de cenas da vida humana e de religiões fotografadas profissionalmente.
- Prêmios
- 2 vitórias e 2 indicações no total
Patrick Disanto
- Journeyman
- (não creditado)
Avaliações em destaque
Baraka is an ancient Sufi word, translated as a blessing or as the essence of life from which the evolutionary process unfolds. With the theme of man's diversity and his impact upon the environment, Baraka is a documentary photographed on six continents in 24 countries including Tanzania, China, Brazil, Japan, Nepal, the U.S. and Europe. It has no story and no dialogue, yet transcends geography and language to provide a sensual and spiritual experience that enables the viewer to look at the world in a totally different way.
When the film opens, a lone snow monkey sits in the middle of a hot spring, biding its time. The expression on its face is one of deep reflection and weariness. When it looks up at the stars, then closes its eyes, shutting itself off from its surroundings, I sensed my own inner longing for the infinite.
As the film progresses, we see the edge of a volcano in Hawaii, the Church of the Holy Sepulcher in Jerusalem, the Ryoan-Ji temple in Kyoto, Lake Natron in Tanzania, and the fire plains of Kuwait, their oil fires burning after the 1991 Gulf War. Through Fricke's camera, we glimpse various forms of religious expression from the chanting of monks to tribal celebrations in Africa and Brazil.
Baraka is almost like an updated version of Godfrey Reggio's 1983 film, Koyaanisqatsi. Using speeded-up images of hectic big city life with its homelessness and deprivation, interspersed with mountain vistas and forests, it depicts the mechanical nature of modern life as contrasted with the beauty of the natural world.
This film allowed me to see things I never knew existed, and to glimpse patterns of interconnectedness and a sense of balance and proportion in the world I was barely aware of. I was moved to simply look into people's faces and have them look back at me, allowing me to connect with the universality of the human spirit.
Fricke has said that Baraka was intended to be "a journey of rediscovery that plunges into nature, into history, into the human spirit and finally into the realm of the infinite." Unique in its beauty, sensitivity, and perception, Baraka succeeded, in the course of 90 minutes, in moving me from the humdrum of everyday reality to a calmer and more spiritual space
When the film opens, a lone snow monkey sits in the middle of a hot spring, biding its time. The expression on its face is one of deep reflection and weariness. When it looks up at the stars, then closes its eyes, shutting itself off from its surroundings, I sensed my own inner longing for the infinite.
As the film progresses, we see the edge of a volcano in Hawaii, the Church of the Holy Sepulcher in Jerusalem, the Ryoan-Ji temple in Kyoto, Lake Natron in Tanzania, and the fire plains of Kuwait, their oil fires burning after the 1991 Gulf War. Through Fricke's camera, we glimpse various forms of religious expression from the chanting of monks to tribal celebrations in Africa and Brazil.
Baraka is almost like an updated version of Godfrey Reggio's 1983 film, Koyaanisqatsi. Using speeded-up images of hectic big city life with its homelessness and deprivation, interspersed with mountain vistas and forests, it depicts the mechanical nature of modern life as contrasted with the beauty of the natural world.
This film allowed me to see things I never knew existed, and to glimpse patterns of interconnectedness and a sense of balance and proportion in the world I was barely aware of. I was moved to simply look into people's faces and have them look back at me, allowing me to connect with the universality of the human spirit.
Fricke has said that Baraka was intended to be "a journey of rediscovery that plunges into nature, into history, into the human spirit and finally into the realm of the infinite." Unique in its beauty, sensitivity, and perception, Baraka succeeded, in the course of 90 minutes, in moving me from the humdrum of everyday reality to a calmer and more spiritual space
10Fredichi
Very few movies can actually be truly inspirational. A lot of movies make you feel good while watching it. This is different. This movie can breathe life back into your soul. It will brighten your outlook. It will make you think and keep you thinking long after the movie has ended. And even the most bitter of cynics (like me) cannot deny it's beauty. It will always remain one of my favorites. I cannot make it my favorite movie since it is so powerful and different I don't consider it a movie but an experience. It requires just a smidge of patience to suck you into it. But once it does you cannot avert your eyes. The most spectacular images ever. Not an ounce of pretention to it. No hollwood bull. Brilliant. Moving music. Do not miss this!!!! If you have a DVD buy this one. Watching it on a small screen will severely cut it's impact.
Simply one of the most beautiful films you will ever see. If it's near you on the big screen, you must not miss it. Otherwise, pour a glass of wine, sit closer to the TV than your Mom would prefer, and drop in. Welcome to the world as it is in real, bigger-than-life images of humanity, and all the colors of the spectrum. It moves a bit slowly, but you'll want for more.
i've noticed quite a few people are sick and tired of the message this film was allegedly trying to hammer home. you folks need to relax. it's nothing more than a collage of images showing an extremely broad range of subjects. i personally thought it was extremely well made and i did think it was visually stunning and the music was also excellent. so it included kids picking through landfills. so what? it's something that goes on in our world and the director wisely chose to include it. i never got the impression that someone was trying to tell me that technology is responsible. it showed busy city streets, and it also showed serene mountain and jungle environments. was it trying to convince me one should be chosen over the other? i didn't think it was. it was doing what the film's creators were trying to do.... show various aspects of life. different going on's in our world. what was the point of showing jews at worship in jerusalem? what was the point of showing monks going about their daily lives? how about the funeral pyre in india (i'm assuming that was india)? people walking down sidewalks? was the director trying to tell anyone "technology bad!". none of these subjects have anything to do with technology. if you got the "technology bad!" message, then you're probably a little hypersensitive and are trying to defend yourself against accusations that haven't been made (at least not by this film). reading way too much into a collection of predominantly neutral and stunning images from around the world.
the sheen
the sheen
'Baraka' is a work of art which rates amongst the greatest achievements in the field. As with any masterwork, it is something one will have to pursue. For those that seek it out at the proper time, 'Baraka' can act as a milestone of revelation. What the viewer takes from this film will solely be determined by the life experience they bring to it. 'Baraka' is unique in that it actually requires a commitment of time and concentration. This is a film that communicates its message without utilizing standard film language. Those that try to make the images conform to the conventional notions of Hollywood story telling are likely to give up in frustration. For a film with no plot,characters or dialog, it communicates an astonishing number of profound themes. Those who are familiar with National Geographic or the works of David Attenbourough will have little trouble in identifying the fascinating locals and tribes, but be forewarned: there are reasons that there are no subtitles or text on screen. Personal discovery is at the heart of the filmmaker's intentions. The ambient soundtrack by Michael Sterns weaves the images together on a separate plain, producing a hypnotic pathway for the images to flow. Once you allow yourself to be pulled along by this current of sound the images will link themselves together and the true revelations hidden within 'Baraka' will make themselves apparent. You may find as I did that your subconscious will be at work on 'Baraka' for many weeks after the experience, unlocking doors to a greater understanding.
Você sabia?
- CuriosidadesThe shot with the monk on the streets of Tokyo was unplanned. The crew went to a factory for filming but after many hours of searching for ideas, they disbanded the place, finding it unsuitable for filming. On their way back to the hotel, producer Mark Magidson saw the monk walking and stopped the cars and asked director/cinematographer Ron Fricke to film him. After obtaining the footage, the crew gave the monk some money and left. The monk never stopped his prayer and never looked into the camera.
- Erros de gravaçãoThe city Istanbul is misspelled in the movie twice, as Instanbul.
- ConexõesEdited into Ciclo da Vida: Uma Fábula Ambiental (1995)
- Trilhas sonorasHost of Seraphim
by Dead Can Dance
Principais escolhas
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- How long is Baraka?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 2.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.332.110
- Fim de semana de estreia nos EUA e Canadá
- US$ 26.812
- 26 de set. de 1993
- Faturamento bruto mundial
- US$ 1.349.880
- Tempo de duração1 hora 36 minutos
- Cor
- Proporção
- 2.20 : 1
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By what name was Baraka - Um Mundo Além das Palavras (1992) officially released in India in English?
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