Casados há quatro anos, Sara e Martin parecem o casal perfeito mas escondem uma vida de ciúme e violência. Para escapar, ela finge a própria morte e foge para recomeçar com nova identidade. ... Ler tudoCasados há quatro anos, Sara e Martin parecem o casal perfeito mas escondem uma vida de ciúme e violência. Para escapar, ela finge a própria morte e foge para recomeçar com nova identidade. Mas um dia, Martin percebe que foi enganado.Casados há quatro anos, Sara e Martin parecem o casal perfeito mas escondem uma vida de ciúme e violência. Para escapar, ela finge a própria morte e foge para recomeçar com nova identidade. Mas um dia, Martin percebe que foi enganado.
- Prêmios
- 2 vitórias e 4 indicações no total
Bonnie Johnson
- Mrs. Nepper
- (as Bonnie Cook)
John Ward
- Theater Student
- (as John David Ward)
Patt Noday
- Amusement Park Guy #2
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
What a great movie. One of Julia Robert's best performances.
The start of the movie seems fine Laura and Martin seem like a happily married couple, then you see a scene where Martin berates her about hanging the bathroom towels out of order and then, Laura desperately tries to arrange the tins in the cupboard exactly right. Everything is definitely not alright when you see Martin punch Laura in the head.
This is the story of how Laura fakes her own death and tries to make a new life for herself.
You really feel for Laura and Martin is a really evil guy, who is portrayed very scarily.
The music is beautiful and sad, one of the loveliest soundtracks I have ever heard.
I really recommend this film to other women, although it is not aimed entirely at the female audience, I feel we get more out of it
The start of the movie seems fine Laura and Martin seem like a happily married couple, then you see a scene where Martin berates her about hanging the bathroom towels out of order and then, Laura desperately tries to arrange the tins in the cupboard exactly right. Everything is definitely not alright when you see Martin punch Laura in the head.
This is the story of how Laura fakes her own death and tries to make a new life for herself.
You really feel for Laura and Martin is a really evil guy, who is portrayed very scarily.
The music is beautiful and sad, one of the loveliest soundtracks I have ever heard.
I really recommend this film to other women, although it is not aimed entirely at the female audience, I feel we get more out of it
Sleeping with the Enemy is possibly my favourite Julia Roberts film. It tells the story of Sara who is in abusive relationship with Martin played by Patrick Bergin. Finally she decides she needs to get out.
Patrick Bergin is truly menacing in his role as the controlling abusive husband, and Roberts is captivating in her role as his timid wife.
Though some parts of the story may not be believable. (like her departure) it still is an extremely emotional film to see what some people go through living with emotional, mental and physical abuse by partners whilst feeling trapped and living on eggshells.
This is truly a classic film and highly recommended.
Patrick Bergin is truly menacing in his role as the controlling abusive husband, and Roberts is captivating in her role as his timid wife.
Though some parts of the story may not be believable. (like her departure) it still is an extremely emotional film to see what some people go through living with emotional, mental and physical abuse by partners whilst feeling trapped and living on eggshells.
This is truly a classic film and highly recommended.
Sleeping with the Enemy is a 1991 American romantic psychological thriller film directed by Joseph Ruben and starring Julia Roberts, Patrick Bergin and Kevin Anderson. The film is based on Nancy Price's novel of the same name of 1987. Roberts plays a woman who escapes from her abusive husband, from Cape Cod to Cedar Falls, Iowa, where she captures the attention of a kindly college drama teacher.
I found this movie, if not terribly believable, very moving and emotional when I saw it some years back. Julia Roberts brings a real vulnerability to all her roles, and is perfect here as the affluent but both mentally and physically abused wife.
The sad tale revolves around an apparently perfect upper middle class couple who share a beach home...the beautiful young Laura (who has every material comfort) and her obsessive and abusive husband, Martin. Laura lives in terror of her abuser, finally seizing a chance to escape by faking her own death and and fleeing to another town, where she assumes an entirely new identity. Meanwhile, Martin becomes ballistic when he discovers that his wife is not really dead and goes after her...
I admit it, the plot is pretty far fetched, a lot of holes in the story, some events depicted not very believable. Leave your logic behind. Still, I was able to overlook all this and focus my attention on Laura's plight, hoping she could evade (or eliminate) this intellectual brute, and build a new life for herself with a new love.
The portrayal of Laura's terror is vivid as she tries to appease her obsessive husband, who becomes violent if she fails to keep the pantry shelf items in perfect alignment. The most chilling scene of all is the rape, with its accompaniment of Martin's favorite classical music, a piece which thereafter haunts his young wife. No sympathy here for the husband, whose unfolding actions simply go from unspeakable to unthinkable.
Not a particularly believable plot but engrossing, nevertheless, and a pair of vividly drawn characters who elicit strong emotions. However, the best part of this movie is definitely its message. Contrary to the typical image, spousal abuse is no respecter of social class. It would have been much more difficult for me before this film than it is now to picture an affluent, educated, sophisticated abuser.
The sad tale revolves around an apparently perfect upper middle class couple who share a beach home...the beautiful young Laura (who has every material comfort) and her obsessive and abusive husband, Martin. Laura lives in terror of her abuser, finally seizing a chance to escape by faking her own death and and fleeing to another town, where she assumes an entirely new identity. Meanwhile, Martin becomes ballistic when he discovers that his wife is not really dead and goes after her...
I admit it, the plot is pretty far fetched, a lot of holes in the story, some events depicted not very believable. Leave your logic behind. Still, I was able to overlook all this and focus my attention on Laura's plight, hoping she could evade (or eliminate) this intellectual brute, and build a new life for herself with a new love.
The portrayal of Laura's terror is vivid as she tries to appease her obsessive husband, who becomes violent if she fails to keep the pantry shelf items in perfect alignment. The most chilling scene of all is the rape, with its accompaniment of Martin's favorite classical music, a piece which thereafter haunts his young wife. No sympathy here for the husband, whose unfolding actions simply go from unspeakable to unthinkable.
Not a particularly believable plot but engrossing, nevertheless, and a pair of vividly drawn characters who elicit strong emotions. However, the best part of this movie is definitely its message. Contrary to the typical image, spousal abuse is no respecter of social class. It would have been much more difficult for me before this film than it is now to picture an affluent, educated, sophisticated abuser.
I have this movie on tape also. Come to think, I have a lot of Julia Roberts' movies. Anywho, I liked how she used her timidity to get the hell out of a crazy psyho relationship with a guy who thought he was entitled to beat his wife. She planned everything down to the T, and I liked that. However, you knew he was gonna find her again and wreak havoc on her new life. It grew a little wasteful at that point because the poor guy had only that abusive husband turned psycho side to play with. Not much to chew on really when you're in the movie about 5 times in 20 minutes. You understood she had to see him at least and the point was she had to move on and assert her independence. Sucks that psycho was rich with a nice pad. Plus, why didn't she just pawn the ring instead of attempting to flush hard gold down? Or take it with? Even a toilet isn't that stupid. Maybe she should have eaten it first and it would have been disguised better. I mean, that was the only thing that tipped him off for goodness sakes. She was smart to a point like most chicks in these types of movies. Guess there wouldn't be much of a movie otherwise.
Você sabia?
- CuriosidadesJulia Roberts, who was 22 when the film was shot in the spring of 1990, became the youngest actress to earn a seven-figure fee for a single performance.
- Erros de gravação(at around 14 mins) When Laura throws a stone at the street light by the beach, the stone clearly misses the bulb, yet it breaks anyway.
- Cenas durante ou pós-créditosThe 20th Century Fox logo plays without the fanfare.
- Versões alternativasWhen Laura first goes to Ben's house for dinner and the pot roast is on fire she knocks and says "Fire Department." In an alternate cut she knocks and asks "Is this what they mean by warm welcome?".
- Trilhas sonorasRunaround Sue
Written by Dion DiMucci and Ernie Maresca
Performed by Dion DiMucci (as Dion)
Courtesy of Laurie Records
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Detalhes
Bilheteria
- Orçamento
- US$ 19.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 101.599.005
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.777.943
- 10 de fev. de 1991
- Faturamento bruto mundial
- US$ 174.999.005
- Tempo de duração1 hora 39 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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What is the streaming release date of Dormindo com o Inimigo (1991) in Canada?
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