O Silêncio dos Inocentes

Admittedly, I am not the most well versed when it comes to cinema and more importantly well thought-out and thorough reviews of cinema however I wanted to attempt to talk about The Silence of the Lambs.

This is quite possibly one of my most revisited horror films, I find myself returning to it without boredom quite often. Re-watchablity is something I have noticed to be heavily lacking in the horror genre, something I personally equate to the overuse of the jumpscare, which isn't such a terrible thing but the intended effect wears thin by the third viewing.

Silence of the Lambs being a more psychological horror does an immensely interesting job in their depiction of "deranged" or mentally ill criminals. Obviously Hannibal himself can become quite alluring given his disturbed charisma alongside the dustings of his criminal, cannibal, activities. His interactions with Clarice are superb and I don't get tired of watching their bizarre chemistry. Plus Jodie Foster did an excellent job as an up and coming FBI student, evidently a small fish in a large, male dominated pond.

On that note I think the depictions of her relationships with men in the film are rather well executed. I would love to one day do a deeper more insightful reflection on this film and actually take into account story and cinematography, all factors really but I'll leave it here for now.

Sweeping all five major Academy Awards ("Oscars" for Best Movie, Director, Actor, Actress, Screenplay) is quite an accomplishment. Doing it nearly a year after a film was released is a miracle considering the notoriously short attention span of Oscar voters. It is a powerful example of how great a movie can be when superb writers, directors, actors, and others work at the top of their craft.

`Silence of the Lambs' is the story of a young FBI trainee Clarice Starling (Jodie Foster) who is summoned to help find one serial killer called `Buffalo Bill.' by interviewing another. Foster's performance is absolutely brilliant. While Anthony Hopkins receives most of the (well-deserved) praise for his chilling portrayal of incarcerated serial killer `Hannibal ‘the Cannibal' Lector', it is Foster's performance that holds the movie together. The fear she shows just behind her eyes makes Clarice's outward courage all the more interesting and vulnerable. This is the perfect way to play the part because it explains Lector's interest in Clarice. Her only bargaining chip in getting Lector's help is to let him `feed' on her innermost secrets and fears in exchange for his brilliant insights into the psychotic mind. The title of the movie comes from these exchanges and is very poignant.

Director Jonathan Demme is masterful. There is one scene late in the movie that I will not spoil. It is one of the most simply brilliant scenes ever staged in a movie. I don't know if all the credit goes to Demme or the writers, but there is a moment in the film where the suspense builds beautifully to a what seems to be a common movie scene. However, through skillful timing of the direction, the audiences assumptions are used against them and when the truth is revealed (hint: it involves a doorbell) it is shocking and induced a collective gasp from the audience I saw it with at the theatre. It set the stage for an edge-of-your seat climax.

Do not miss this movie.

The movie is incredibly suspenseful and an absolute must see.

I just saw, for the second or third time, this cinematographic masterpiece, during an « UGC culte » evening, in Paris. The list of the Big Five Academy Award winners is short. There are currently three of them, in nine decades: Aconteceu Naquela Noite (1934), Um Estranho no Ninho (1975) and ... O Silêncio dos Inocentes (1991). This is not really surprising, this film being excellent, endowed with a script skillfully elaborated by Thomas Harris, with an irreproachable casting including Anthony Hopkins, Jodie Foster and Scott Glenn. In addition, the director Jonathan Demme delivers a work obviously enjoying an admirable preparatory work.

Without unduly spoiling the script, if you have not seen it yet, by the greatest fluke: a psychopath known as the Buffalo Bill sows terror in the Middle West by kidnapping and murdering young pulpy women, after partially or completely skinning them. Clarice Starling, a young FBI agent, is in charge of interviewing Hannibal Lecter, a well-known former psychiatrist who has also the characteristic of a truly intelligent psychopath focused on cannibalism. Hannibal Lecter is able to provide Clarice Starling with providential information about Buffalo Bill . But he agrees to help her only in exchange for information about the young woman's private life. Between them is established a link of fascination and repulsion.

As a synthesis: a thrilling must see. 9/10 of 10

I'll never forget my first viewing of this movie at the theater and will always look back fondly on it for one reason: helping me quit smoking cigarettes.

I read the book first, was fascinated by it, and couldn't wait for the film to come out. That was the day I picked to quit smoking and I knew this movie would take my mind off that matter. I was expecting an intense movie and I got it. Little did I realize how well-received this film would be and how it propelled Anthony Hopkins to super-stardom.

Although entertaining, this is not always a fun movie to watch, especially with the scenes with Ted Levine who plays the killer, "Buffalo Bill." "Bill" and his kidnapped young woman are sick and profane people, respectively, and their scenes are very unpleasant. This movie is not for the squeamish with those and other scenes involving the infamous Dr. Hannibal Lecter (Hopkins). There also is some extreme crudeness in the jail/dungeon where Lecter and other inmates are held.

Jodie Foster is excellent as the FBI agent "Clarice Starling" and Scott Glenn is low-key and effective as "Jack Crawford." A major part of the film is psychological more than violent as Lecter constantly taunts "Clarice," while she tries her best to manipulate him to help with a case. The by-play between the two is a game in itself.

Hopkins, however, is the actor people remember best from this movie. His portrayal of the refined-yet-cannibalistic serial killer-doctor is one viewers will never forget. I've enjoyed watching him in the sequels, too. The looks on his face, his fascinating vocabulary with intelligent sarcasm and frankness, never ceases to entertain.

"Silence Of The Lambs" has turned into a modern-day "classic." If by some odd chance you have never seen this movie, be warned it is a dark, difficult story to watch at times....but it will get your mind off other things.

The Silence of the Lambs runs two hours.Anthony Hopkins appears for little more than sixteen minutes, yet during those minutes he hasn't bored you for a second, not even after the tenth or eleventh viewing. Such is the power of his performance, it's absolutely impossible to forget him.His character, Dr.Hannibal"The Cannibal" Lecter, is a brutal killer with revolting methods and habits, but he's also very intelligent, charismatic and with good taste(you can interpret that as you like).A clichè by now, but who cares? He still is one of the key elements in this wonderful thriller, which sees Jodie Foster's Clarice Starling asking for Lecter's help to catch another killer.The result is a dangerous yet fascinating relationship between the young, unexperienced FBI-agent and the convicted,but basically omnipotent, psychiatrist.He's a step ahead of everyone all the time, and makes sure everyone notices, with his witty, unforgettable one-liners.If there had to be only one reason to worship this movie, then it would have to be the chemistry between the two leading actors.Never before has a non-sexual man/woman connection been more thrilling.Never before has a film's ending been more unsettling and brilliant and left us asking for more.

Best watched with a nice Chianti...

P.S. dear film-buffs, have the lambs stopped screaming?