AVALIAÇÃO DA IMDb
7,6/10
40 mil
SUA AVALIAÇÃO
Uma funcionária de vinte e sete anos viaja para o campo enquanto recorda sua infância em Tóquio.Uma funcionária de vinte e sete anos viaja para o campo enquanto recorda sua infância em Tóquio.Uma funcionária de vinte e sete anos viaja para o campo enquanto recorda sua infância em Tóquio.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 8 indicações no total
Toshirô Yanagiba
- Toshio
- (narração)
Yoko Honna
- Taeko (Child)
- (narração)
Mayumi Izuka
- Tsuneko
- (narração)
- (as Mayumi Iizuka)
Mei Oshitani
- Aiko
- (narração)
Megumi Komine
- Toko
- (narração)
Yukiyo Takizawa
- Rie
- (narração)
Masashi Ishikawa
- Soo
- (narração)
Yuuki Masuda
- Shuji Hirota
- (narração)
Michie Terada
- Mother
- (English version)
- (narração)
Masahiro Ito
- Father
- (narração)
Yorie Yamashita
- Nanako
- (narração)
Yuki Minowa
- Yaeko
- (narração)
Chie Kitagawa
- Grandmother
- (narração)
Sachiko Ishikawa
- Kiyoko
- (narração)
Masako Watanabe
- Naoko
- (narração)
Hirozumi Sato
- Abe
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This is one of Studio Ghibli's less known films. It tells the story of middle-aged Taeko's gradual realization of her love for the Japanese countryside. Through frequent funny and realistic childhood coming-of-age flashbacks we see that even during moments when life seems hopelessly complicated, it's really quite simple. On a similar note, the ability of anime to refine the needlessly complicated to its essence is one of its great qualities in my opinion. The scene in which little Taeko merrily walks into the sky is an (exaggerated) example of this ability. A live action attempt to show childhood elation would be much more strained. The film does glorify farm living, but doesn't gloss over the difficulties to the extent that most films do. I was skeptical of any animated film's ability to inspire emotion for the beauty of the countryside. I mean... it's just drawings that presume to represent the real thing right? Well, the animators obviously did their research. The scenery isn't artificially...scenic, but it is very beautiful in a subdued, natural way. What most impresses me is the constantly calm mood of the film. Where other films would escalate certain situations to cheesy melodramatics, this film keeps it's feet on the ground (except for little Taeko... I love that scene). On a final note, the voice acting was superb, and the famous (among otaku) ending sequence is very uplifting. If Miramax releases a subtitled version of this, do yourself a favor and pick up a copy.
This is a very gentle and beautiful film, which could have been done as a 'normal' film with live actors, but it wouldn't have worked one-tenth as well; somehow doing it as an animation allows us to explore the characters much better.
It tells the story of Taeko, a 27 year old Tokyo office worker who goes to spend a few days in the countryside. She is at a stage where she is starting to question her life, and is haunted by memories of her 10th year.
One thing that stands out is that there is no great drama, the pace of the film is almost humdrum, the whole emphasis is on the development of the characters: this of course means that it will not be to everyone's taste.
It tells the story of Taeko, a 27 year old Tokyo office worker who goes to spend a few days in the countryside. She is at a stage where she is starting to question her life, and is haunted by memories of her 10th year.
One thing that stands out is that there is no great drama, the pace of the film is almost humdrum, the whole emphasis is on the development of the characters: this of course means that it will not be to everyone's taste.
I was lucky enough to obtain a set of "Studio Ghibli" anime films on DVD including the some of the best of Myazaki etc. These film are Japanese with English subtitles, I think a LOT would be lost in any dubbed version.
I thought I'd give this film a try first, never having heard of it...
It is one of the most amazing films I have ever seen, anime or not. It truly defines "adult anime" in the best sense of the word. I would agree with many of the comments already expressed, especially the use of animation to express the exhilaration of childhood joy.
The fact is, this film packs in so many genuinely clever, poignant and laugh out loud funny observations on adult and child life I am really surprised it is not more well known. How many films can make eating a pineapple such an utterly fascinating,touching and meaningful scene?!
This film is basically the story of a 27 year old woman (NOT a middle aged woman!) who is starting to think that life is passing her by and starts thinking of what she really wants and is important in life. She carries the memories of her childhood with her and these flash back as a parallel story to the present in an unbelievably delightful way! We truly see her (very sharply observed and funny/poignant)childhood and what made her character.
This film is so uplifting! Do be sure to catch all of the ending too! I thought it caught the best parts of My Neighbor Totoro for a 20-something audience!
Mike.
I thought I'd give this film a try first, never having heard of it...
It is one of the most amazing films I have ever seen, anime or not. It truly defines "adult anime" in the best sense of the word. I would agree with many of the comments already expressed, especially the use of animation to express the exhilaration of childhood joy.
The fact is, this film packs in so many genuinely clever, poignant and laugh out loud funny observations on adult and child life I am really surprised it is not more well known. How many films can make eating a pineapple such an utterly fascinating,touching and meaningful scene?!
This film is basically the story of a 27 year old woman (NOT a middle aged woman!) who is starting to think that life is passing her by and starts thinking of what she really wants and is important in life. She carries the memories of her childhood with her and these flash back as a parallel story to the present in an unbelievably delightful way! We truly see her (very sharply observed and funny/poignant)childhood and what made her character.
This film is so uplifting! Do be sure to catch all of the ending too! I thought it caught the best parts of My Neighbor Totoro for a 20-something audience!
Mike.
We've all seen those "coming of age" movies that transition the protagonist from childhood into puberty, and there's heaps of "discover your inner child" movies to put some fun in your life or life in your fun or whatever -- Only Yesterday is a rarity: Unsure and a little lost in her urban complacency, Taeko finds she must step beyond her inner-child shadow before she can grow up and move on with her life.
Only Yesterday isn't about grade-five, it's about being 27 by way of grade-five. It's a story about stepping out of our childhood, like the way we finally, and graciously, say goodbye to a worn-out favourite pair of shoes, or when, once we get to our destination, we can thank a particularly helpful bus driver and disembark.
Ugh, that's not much of a review, is it. Fortunately, Takahata says it all ten thousand times better than this :)
Only Yesterday isn't about grade-five, it's about being 27 by way of grade-five. It's a story about stepping out of our childhood, like the way we finally, and graciously, say goodbye to a worn-out favourite pair of shoes, or when, once we get to our destination, we can thank a particularly helpful bus driver and disembark.
Ugh, that's not much of a review, is it. Fortunately, Takahata says it all ten thousand times better than this :)
This is the question to be asked, even for the fans (like me) of "grave of the fireflies". Compared to all the other ghibli movies, this real masterwork has been unfairly unrecognized. Forget about the anime you watched so far, it's completely different, more adult, more realistic, more... life-like. No big eyes (well, the flashback are somehow "very 60's", but that's the purpose!), no screams, no ultrasonic voices; just characters treated as they were true actors. For example the pineapple scene or the mathematics exercise scene are the most incredible daily life pictures i've ever seen! And the final credits will have you wipe some tears... Watch it and make your friends watch it too. Don't be surprised by its length. It's fun, sad, real, touching, moving whatever you want... I still dream it will be released abroad, one day... who knows? Talk about it around you and maybe this could happen. Takahata definitely deserves it!
Você sabia?
- CuriosidadesThe movie is based on a manga series of comic vignettes of a small girl. The scenes in the film portraying Taeko as an adult were created by writer-director Isao Takahata. The adult scenes gave the entire film a plot and connected the original vignettes as recollections of her childhood, making it a cohesive whole.
- ConexõesFeatured in JesuOtaku Anime Reviews: Only Yesterday (2012)
- Trilhas sonorasCantec de nunta
Written by Gheorghe Zamfir (uncredited)
Performed by Gheorghe Zamfir and Ansamblul Ciocarlia
Courtesy of Electrecord Romania
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Only Yesterday
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 453.243
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.970
- 3 de jan. de 2016
- Faturamento bruto mundial
- US$ 608.562
- Tempo de duração1 hora 59 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Memórias de Ontem (1991) officially released in Canada in French?
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