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IMDbPro

Memórias de Ontem

Título original: Omoide poro poro
  • 1991
  • Livre
  • 1 h 59 min
AVALIAÇÃO DA IMDb
7,6/10
40 mil
SUA AVALIAÇÃO
Yoko Honna, Miki Imai, Alison Fernandez, and Daisy Ridley in Memórias de Ontem (1991)
Trailer for Only Yesterday
Reproduzir trailer1:43
3 vídeos
99+ fotos
Adult AnimationAnimeComing-of-AgeHand-Drawn AnimationIyashikeiJoseiSlice of LifeAnimationDramaRomance

Uma funcionária de vinte e sete anos viaja para o campo enquanto recorda sua infância em Tóquio.Uma funcionária de vinte e sete anos viaja para o campo enquanto recorda sua infância em Tóquio.Uma funcionária de vinte e sete anos viaja para o campo enquanto recorda sua infância em Tóquio.

  • Direção
    • Isao Takahata
  • Roteiristas
    • Hotaru Okamoto
    • Yuuko Tone
    • Isao Takahata
  • Artistas
    • Miki Imai
    • Toshirô Yanagiba
    • Yoko Honna
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,6/10
    40 mil
    SUA AVALIAÇÃO
    • Direção
      • Isao Takahata
    • Roteiristas
      • Hotaru Okamoto
      • Yuuko Tone
      • Isao Takahata
    • Artistas
      • Miki Imai
      • Toshirô Yanagiba
      • Yoko Honna
    • 147Avaliações de usuários
    • 75Avaliações da crítica
    • 90Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 8 indicações no total

    Vídeos3

    Only Yesterday
    Trailer 1:43
    Only Yesterday
    Only Yesterday - Trailer
    Trailer 1:45
    Only Yesterday - Trailer
    Only Yesterday - Trailer
    Trailer 1:45
    Only Yesterday - Trailer
    Only Yesterday
    Clip 1:30
    Only Yesterday

    Fotos183

    Ver pôster
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    + 178
    Ver pôster

    Elenco principal46

    Editar
    Miki Imai
    • Taeko
    • (narração)
    Toshirô Yanagiba
    • Toshio
    • (narração)
    Yoko Honna
    • Taeko (Child)
    • (narração)
    Mayumi Izuka
    Mayumi Izuka
    • Tsuneko
    • (narração)
    • (as Mayumi Iizuka)
    Mei Oshitani
    • Aiko
    • (narração)
    Megumi Komine
    • Toko
    • (narração)
    Yukiyo Takizawa
    • Rie
    • (narração)
    Masashi Ishikawa
    • Soo
    • (narração)
    Yuuki Masuda
    • Shuji Hirota
    • (narração)
    Michie Terada
    Michie Terada
    • Mother
    • (English version)
    • (narração)
    Masahiro Ito
    • Father
    • (narração)
    Yorie Yamashita
    • Nanako
    • (narração)
    Yuki Minowa
    • Yaeko
    • (narração)
    Chie Kitagawa
    • Grandmother
    • (narração)
    Koji Goto
    • Kazuo
    • (narração)
    Sachiko Ishikawa
    • Kiyoko
    • (narração)
    Masako Watanabe
    • Naoko
    • (narração)
    Hirozumi Sato
    • Abe
    • (narração)
    • Direção
      • Isao Takahata
    • Roteiristas
      • Hotaru Okamoto
      • Yuuko Tone
      • Isao Takahata
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários147

    7,640.1K
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    Avaliações em destaque

    Soujiro

    Simple and Moving

    This is one of Studio Ghibli's less known films. It tells the story of middle-aged Taeko's gradual realization of her love for the Japanese countryside. Through frequent funny and realistic childhood coming-of-age flashbacks we see that even during moments when life seems hopelessly complicated, it's really quite simple. On a similar note, the ability of anime to refine the needlessly complicated to its essence is one of its great qualities in my opinion. The scene in which little Taeko merrily walks into the sky is an (exaggerated) example of this ability. A live action attempt to show childhood elation would be much more strained. The film does glorify farm living, but doesn't gloss over the difficulties to the extent that most films do. I was skeptical of any animated film's ability to inspire emotion for the beauty of the countryside. I mean... it's just drawings that presume to represent the real thing right? Well, the animators obviously did their research. The scenery isn't artificially...scenic, but it is very beautiful in a subdued, natural way. What most impresses me is the constantly calm mood of the film. Where other films would escalate certain situations to cheesy melodramatics, this film keeps it's feet on the ground (except for little Taeko... I love that scene). On a final note, the voice acting was superb, and the famous (among otaku) ending sequence is very uplifting. If Miramax releases a subtitled version of this, do yourself a favor and pick up a copy.
    9aulus7

    A work of art

    This is a very gentle and beautiful film, which could have been done as a 'normal' film with live actors, but it wouldn't have worked one-tenth as well; somehow doing it as an animation allows us to explore the characters much better.

    It tells the story of Taeko, a 27 year old Tokyo office worker who goes to spend a few days in the countryside. She is at a stage where she is starting to question her life, and is haunted by memories of her 10th year.

    One thing that stands out is that there is no great drama, the pace of the film is almost humdrum, the whole emphasis is on the development of the characters: this of course means that it will not be to everyone's taste.
    10laymonite-1

    A complete surprise! A real sleeper.

    I was lucky enough to obtain a set of "Studio Ghibli" anime films on DVD including the some of the best of Myazaki etc. These film are Japanese with English subtitles, I think a LOT would be lost in any dubbed version.

    I thought I'd give this film a try first, never having heard of it...

    It is one of the most amazing films I have ever seen, anime or not. It truly defines "adult anime" in the best sense of the word. I would agree with many of the comments already expressed, especially the use of animation to express the exhilaration of childhood joy.

    The fact is, this film packs in so many genuinely clever, poignant and laugh out loud funny observations on adult and child life I am really surprised it is not more well known. How many films can make eating a pineapple such an utterly fascinating,touching and meaningful scene?!

    This film is basically the story of a 27 year old woman (NOT a middle aged woman!) who is starting to think that life is passing her by and starts thinking of what she really wants and is important in life. She carries the memories of her childhood with her and these flash back as a parallel story to the present in an unbelievably delightful way! We truly see her (very sharply observed and funny/poignant)childhood and what made her character.

    This film is so uplifting! Do be sure to catch all of the ending too! I thought it caught the best parts of My Neighbor Totoro for a 20-something audience!

    Mike.
    8teledyn

    Growing out of growing up

    We've all seen those "coming of age" movies that transition the protagonist from childhood into puberty, and there's heaps of "discover your inner child" movies to put some fun in your life or life in your fun or whatever -- Only Yesterday is a rarity: Unsure and a little lost in her urban complacency, Taeko finds she must step beyond her inner-child shadow before she can grow up and move on with her life.

    Only Yesterday isn't about grade-five, it's about being 27 by way of grade-five. It's a story about stepping out of our childhood, like the way we finally, and graciously, say goodbye to a worn-out favourite pair of shoes, or when, once we get to our destination, we can thank a particularly helpful bus driver and disembark.

    Ugh, that's not much of a review, is it. Fortunately, Takahata says it all ten thousand times better than this :)
    10Dhomochevsky

    Takahata's best movie?

    This is the question to be asked, even for the fans (like me) of "grave of the fireflies". Compared to all the other ghibli movies, this real masterwork has been unfairly unrecognized. Forget about the anime you watched so far, it's completely different, more adult, more realistic, more... life-like. No big eyes (well, the flashback are somehow "very 60's", but that's the purpose!), no screams, no ultrasonic voices; just characters treated as they were true actors. For example the pineapple scene or the mathematics exercise scene are the most incredible daily life pictures i've ever seen! And the final credits will have you wipe some tears... Watch it and make your friends watch it too. Don't be surprised by its length. It's fun, sad, real, touching, moving whatever you want... I still dream it will be released abroad, one day... who knows? Talk about it around you and maybe this could happen. Takahata definitely deserves it!

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The movie is based on a manga series of comic vignettes of a small girl. The scenes in the film portraying Taeko as an adult were created by writer-director Isao Takahata. The adult scenes gave the entire film a plot and connected the original vignettes as recollections of her childhood, making it a cohesive whole.
    • Citações

      Hirota: Rainy days, cloudy days, sunny days... which do you like?

      Taeko: ...cloudy days.

      Hirota: Oh, then we're alike.

    • Conexões
      Featured in JesuOtaku Anime Reviews: Only Yesterday (2012)
    • Trilhas sonoras
      Cantec de nunta
      Written by Gheorghe Zamfir (uncredited)

      Performed by Gheorghe Zamfir and Ansamblul Ciocarlia

      Courtesy of Electrecord Romania

    Principais escolhas

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    Perguntas frequentes23

    • How long is Only Yesterday?Fornecido pela Alexa
    • What is the song in the end credits?
    • What is the significance of the wooden arrow the children carry behind Taeko and Toshio?
    • What year does this movie take place?

    Detalhes

    Editar
    • Data de lançamento
      • 20 de julho de 1991 (Japão)
    • Países de origem
      • Japão
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Official Facebook
      • Official site (North America)
    • Idiomas
      • Japonês
      • Búlgaro
    • Também conhecido como
      • Only Yesterday
    • Empresas de produção
      • Nippon Television Network (NTV)
      • Studio Ghibli
      • Studiopolis
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 453.243
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 14.970
      • 3 de jan. de 2016
    • Faturamento bruto mundial
      • US$ 608.562
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 59 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Stereo
      • Stereo
    • Proporção
      • 1.85 : 1

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    Yoko Honna, Miki Imai, Alison Fernandez, and Daisy Ridley in Memórias de Ontem (1991)
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