Mississippi Masala

In the early 20th century, the English government moved several people from India to Uganda to build the railroad. Some of the Indians stayed and became lawyers, physicians, etc. When Idi Amin came to power in the early 1970s, he expelled all non-black Africans. Some of the Indians moved to Mississippi and began running motels.

"Mississippi Masala" focuses on this. Mina (Sarita Choudhury) is the daughter of an Indian family who fled Uganda for Mississippi. She develops a relationship with Demetrius (Denzel Washington), a local man. Her family does not approve of her dating a black man, and Demetrius' friends don't like him dating an Indian woman.

The movie shows many things, in particular how both the blacks and the Indians were displaced from their ancestral lands. Also, it shows how the blacks are racist towards the Indians and vice versa. As Demetrius reminds Mina's father: "Your skin is just a couple of shades from mine." Regardless of whether or not these sorts of things happen a lot, the movie does a very good job with it all.

This is a very enjoyable, NON-FORMULA film. It manages to show the inescapable ironies of rascism from a variety of viewpoints. The love story is earthy and sensual, yet tasteful as well.

The theme of interracial romance is the setting for this fine drama and focus on the divisions between black Americans and South Asian communities. Denzel Washington and Sarita Choudhury are appealing as the central figures from different backgrounds and struggle to stay together amid the controversy that swirls around them. Washington and Choudhury have a nice chemistry that works very well in this picture and makes their romance even more believable. They have their share of ups and downs and face challenges to their relationship like any normal couple. The movie touches on the origins of the immigrant status of the South Asians which began when they were expelled from Uganda many years earlier. The resentment towards blacks is a recurring theme in the movie as they settle into their new communities in the deep south. The film has a bouncy music score that adds flavor to the story and a nice cast weaves everything together in fine style.

After Salaam Bombay expectations run high with the next outing being "Mississippi Masala" for Mira Nair. And in all honesty "Mississippi Masala" has a soul in itself. There are many layers in the movie which are subtly dealt with and handled succinctly. For starters the plot predominantly centred around Indian family one would expect the usual "laugh-at-me" tracks and should admit it doesn't succumb to it. It's neither taking mickey out of the Black community. Both the sides of the coin are impartially moderated. The director deserves kudos for efficiently managing to do the tight-rope walking.

Sarita Chowdhary:: Essentially the movie is woman-centric and hence she gets the meaty-pie. Has various shades to her role and Sarita seem to be at ease in the garb of Meena. As rightly justified in the movie, she could be easily mistaken for a Mexican. And Mira Nair does portray her "Mistress of Spices" quite well.

Denzel Washington:: His performance surely makes you feel that he delivers goods that is class-apart. The writing should take the blame for any shortcoming on developing his character otherwise he is nothing short of cent percent.

Roshan Seth:: For some reason, I was constantly getting the feeling that I am watching a character who is masked under Naseeruddin Shah. Perhaps the role was written for Naseer in the first place. And yes, Roshan Seth gets the diction spot on.

Sharmila:: Doesn't get much but she is good in her own right.

The other Bollywood crew lend adequate support (Mohan Gokhale, Mohan Agashe & Anjan Srivastava).

Music by L. Subramaniam neatly blends with the narration.

The only part which deserved better writing was the way the lead characters meet and start to like each other which I would safely say is a minor aberration which can be ignored.

Nonetheless, its a good watch.

Some may think that all it is about is the race relations between Asian Indians and Blacks in Southern USA. I saw it as collection of stories, each running along its own thread while impacting others at the same time. There is a love story between a Black guy and an Asian Indian (by way of Africa) girl, there is a man trying to regain his lost homeland (which some may consider artificial), there are others who are trying to fit into the new-new-South, a younger brother who is a bother and a motel owner who doesn't understand the people around him. All in all, a well knit story.