AVALIAÇÃO DA IMDb
7,9/10
11 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaYoung Krishna struggles to survive among the drug dealers, pimps, and prostitutes in the back alleys and gutters of India.Young Krishna struggles to survive among the drug dealers, pimps, and prostitutes in the back alleys and gutters of India.Young Krishna struggles to survive among the drug dealers, pimps, and prostitutes in the back alleys and gutters of India.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 13 vitórias e 8 indicações no total
Ram Murthy
- Mad Man
- (as Ram Moorti)
Sarfuddin Qureshi
- Koyla
- (as Sarfuddin Quarassi)
Anita Kanwar
- Rekha Golub
- (as Aneeta Kanwar)
Krishna Thapa
- Nepali Middleman
- (as Kishan Thapa)
Avaliações em destaque
10tegg96
Having just returned from an extended trip to India I was keen to see a quality Indian film (not bollywood drival)and I have come across one of the most realistic and moving films I have ever seen. Having been involved in helping street kids in India I was pleased to come across this film which so accurately depicts life, love and death around a group of street boys in Bombay.
SALAAM BOMBAY is the story of a 12-year-old street boy surviving and etching out an existence on the squalled streets of Bombay. The interactions these kids have with each other made me feel I was watching a doco. The kids in India are so much like Chipau and the others depicted in Salaam Bombay its amazing. They all have there individual lives and dreams like us all but are burdened with extreame poverty.
The story lines in the film are about the prostitution business, drug addiction and homeless children. All these elements combine so as we see the people and lives behind them. These issues are rarely dealt with on such a personal and emotional level as we see in this film. This ain't Hollywood and it sure ain't Bollywood.
For me my favorite all time film. You may have difficulty in finding this film at your local video library but it truly is worth viewing.
Recently we showed this film to a group of street kids in Pune, India. They were amazed at its realism. All thought they were watching real people not actors,(These kids have grown up watching Bollywood films). This same group would have watched this film 5 times now. And all could identify with the characters.
SALAAM BOMBAY is the story of a 12-year-old street boy surviving and etching out an existence on the squalled streets of Bombay. The interactions these kids have with each other made me feel I was watching a doco. The kids in India are so much like Chipau and the others depicted in Salaam Bombay its amazing. They all have there individual lives and dreams like us all but are burdened with extreame poverty.
The story lines in the film are about the prostitution business, drug addiction and homeless children. All these elements combine so as we see the people and lives behind them. These issues are rarely dealt with on such a personal and emotional level as we see in this film. This ain't Hollywood and it sure ain't Bollywood.
For me my favorite all time film. You may have difficulty in finding this film at your local video library but it truly is worth viewing.
Recently we showed this film to a group of street kids in Pune, India. They were amazed at its realism. All thought they were watching real people not actors,(These kids have grown up watching Bollywood films). This same group would have watched this film 5 times now. And all could identify with the characters.
Writer/Director Mira Nair presents the tribulations of life on the streets of Bombay, India through the eyes of a young, homeless boy. His arduous story is captured in spectacular cinematography by Nair, whose use of heavy tones and color combined with intriguing camera angels lend to the film's melancholic nature. Not a commercial blockbuster in the United States, this is moving piece of work that deserves every bit of the critical claim it received. A film that stays with you long after viewing!
A brilliant but sad film in which we follow abandoned Krishna on his quest to make enough money to return to his village. Along the way we meet the street kids, prostitutes, pimps and dealers he shares everyday life with.
An amazing aspect is that all the child actors in the film are real street kids picked after attending workshops run by Nair and friends. In particular the central performances of Krishna, Manju and Coalpiece (his songs!) are superb. Despite their hardships there are some great moments when you see glimpses of the playful kids within.
The film never wanders into over-sentimentality and at times its hard to believe you're not watching a documentary. Hindi-film music and escapism seeps into everyday life, actors mingle with ordinary people and the whole film is shot in real locations around Mumbai that just drip with atmosphere. This sadly includes the chiller room which was filmed as they found it along with the soul-crushing 'Flowers that never bloom' prayer.
The story wanders and can be slow but this only serves to draw you into their world and leave you sad and angry at the end - at the loss of childhood for these kids and countless others. Still relevant today.
An amazing aspect is that all the child actors in the film are real street kids picked after attending workshops run by Nair and friends. In particular the central performances of Krishna, Manju and Coalpiece (his songs!) are superb. Despite their hardships there are some great moments when you see glimpses of the playful kids within.
The film never wanders into over-sentimentality and at times its hard to believe you're not watching a documentary. Hindi-film music and escapism seeps into everyday life, actors mingle with ordinary people and the whole film is shot in real locations around Mumbai that just drip with atmosphere. This sadly includes the chiller room which was filmed as they found it along with the soul-crushing 'Flowers that never bloom' prayer.
The story wanders and can be slow but this only serves to draw you into their world and leave you sad and angry at the end - at the loss of childhood for these kids and countless others. Still relevant today.
Came across this film on a Public channel last night, by mistake... or should I say, by luck! Amazing film, so many layers deep, it got me thinking. I've been a fan of Mira's work since "Mississippi Masala", but had never heard of Salaam Bombay. She demonstrates in this fine film a sense of lighting and composition that's nothing short then breathtaking. The locations were rich as the characters, the acting was touching and sincere... this is a film I won't forget.
i have been late in watching it, but after watching it u feel that you can never be late in watching such a movie. The movie is excellent. Perhaps Mira Nair's best. I was particularly moved by the story and the picturization. you see the striking poverty and its madness, but Mira has been brilliant to show life in it. a lost boy in a big city with a dream to get back home, keeps himself in control, while everything around him is so much polluted with drugs, and prostitution. Poverty is never neat, in the movie also it is validly not shown as such. But the innocence and strength of children, and them growing up in such conditions, makes them more enduring than adults. to say the least the movie is all about life. it is there to show that no matter how hard it is, life exists in slums, in poverty, and people are living it. the movie is a collectors item. one of the best about India - from India...watch it. Salaam Bombay.
Você sabia?
- CuriosidadesNana Patekar accidentally got stabbed by the child actor. The actor did not understand the director's instructions properly.
- Erros de gravaçãoThe day Chaipav escapes the Child Reformation Home, the Superintendent and his assistant are watching the Semi-Final of the 1987 Cricket World Cup (as evident from the commentary), which was held on 5th November, 1987. But when Chaipav returns to the red-light district the same day, a procession can be seen carrying a huge Ganpati idol, so the day must be Ganesh Chaturthi (installation day) or Anant Chaturdashi (Ganpati Visarjan- immersion day). However, in 1987, the dates for Ganesh Chaturthi and Anant Chaturdashi were 28th August and 6th September, respectively. Thus, the semi-final and Ganesh Chaturthi/Visarjan did not take place on the same day.
- Citações
Rekha Golub: [To Baba] Just like a customer.
- Cenas durante ou pós-créditosEnding credits: no guts no glory 52 locations 52 days what problem? no problem
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- How long is Salaam Bombay!?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Hello Bombay!
- Locações de filme
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 2.080.046
- Faturamento bruto mundial
- US$ 2.080.758
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