A Vida de Josephine Baker

Josephine Baker (Lynn Whitfield) grew up in poverty and, at a very young age, displayed her talents on Vaudeville. Unhappy with the treatment of African Americans in the 1920's in her homeland, she travels to France and makes it big as an exotic dancer and singer. Loved by the Europeans, Josephine's manager/boyfriend (Rubin Blades) decides to have her return to Broadway. She fails miserably. Yet, Josephine remains a strong, outspoken person who soon takes her show on the road and turns heads. She also finds time to try to elevate the treatment of African Americans and to do acts of charitable worth. But, will Josephine ever be truly happy?

This is a brief look at a complex woman. Her indomitable spirit is brought to life in Whitfield's strong performance. Josephine is remembered for her scandalous costumes and risque dancing yet, as this movie proves, she had much more to contribute to humanity. The performance by Blades is also top-notch. As for the costumes, they are revealing yet always stunning. In summary, this movie deserves an audience and one wider than the African-American community. On the next trip to the video store or library, give it a try. Viewers will be entertained as well as enlightened by Baker's admirable life story.

In the early 20th century there weren't many avenues of success for Black people in America. Josephine Baker found that out early and made a break for it and went to France. She was going to do things her way no matter what whether that meant dancing semi-nude, or coming back to America to perform, or adopting twelve kids. That was both good and bad. It helped her rise to the heights she rose to and it also caused her to fall as hard as she fell. When she wasn't appreciated in the U.S. for her talents, she took them overseas to France and became a sensation. France was far more progressive and tolerant than the U.S. and wasn't threatened by a Black woman's talents.

Not many people go out on top in sports and entertainment and Ms. Baker was no exception. Fortunately, she wasn't undone by drugs and alcohol like so many. If anything, her biggest impedance was her own stubbornness and good ol' American racism.

This is certainly a well-intentioned movie, and the star, Lynn Whitfield, certainly gives a very moving performance. Much of the movie focuses on Baker's career after the War, where she becomes involved in the civil rights movement. It's very well-meaning, certainly, but not the part of her life and career that interests me, so I found that that part of the movie dragged. Her years in Paris as a performer in the 1920s and 30s get short shrift, and that's a shame, because it's what made a star of her.

The movie takes its particular stance on how Baker saw her early Paris performances. While it's an interesting interpretation - very sincere - I don't know how accurate it is. The one aspect of Baker's performances that doesn't get developed in this movie is her role as a comedian. In certain ways, she was something of a Black Fanny Brice. Something of that comes through her early newsreels, but it's missing from the way Ms. Whitfield was directed to portray Baker.

In the end, for me, this amounted to a very fine performance by Whitfield. But how accurate a depiction of Baker it provided, at least for her early years as a successful performer, I don't know.

I enjoyed this movie but felt there was one major problem that prevented it from being an even better film. Even though Baker was VERY famous for her semi-nude dancing in France in the early 20th Century, showing these nude dances in the film make this a poor choice to show kids. And, the problem is, this is EXACTLY the audience that could really benefit from learning about Miss Baker. In other words, how can kids learn about a great African-American if their parents tell them they can't see the film because of its "high boobie quotient"? If they had used a few photographic techniques, they could have made this a PG movie and appropriate for all.

Apart from this, the movie is very competently made. The acting and direction are fine. Give it a try and then try to get a copy of ZOU ZOU--a film actually starring Josephine Baker. Then, you can compare the bio with the real lady.

An entertaining and informative film about Josephine Baker, the well-known dancer who subsequently became a leading civil rights campaigner. Lynn Whitfield is quite a bit lighter-skinned than the real Josephine Baker, but she still gives an excellent performance (although the end credits do acknowledge the use of a 'dance double'). Understandably, the film does simplify some aspects of Josephine's life (particularly her complex private life). Louis Gossett and Ruben Blades are also excellent in supporting roles. One minor criticism (only added because my original wording was too short for IMDB) is that the film devotes a bit too much time to the notorious racist journalist and broadcaster Walter Winchell.