Dollman: 33 cm de Altura... e Atira!

You will have a campy good time watching Dollman. It's about a guy from another planet who comes to earth, but due to earth's gravity, he is about the size of a GI Joe Doll. He is chasing down a criminal (or just the head) from his home world and the criminal is also small. What makes this a classic B film is that over acting of the main character. The lines are cheesy, the plot is stupid, the concept is ridiculous and it all works gloriously together in one insanely stupid and laughable film. This is the type of film you get together with buddies and do your own version of Mystery Science Theater 3000 commentaries. So I give the film a 5 in my book.

Despite some gruesome and bloody scenes, this movie keeps your interest due to Thomerson's tongue-in-cheek humor and his almost Eastwood-like presence. This is a strange and unique science fiction that keeps you giggling just enough to keep you watching.

Only a director like Albert Pyun could handle material like this. The director of many B sci-fi/martial Arts projects (the "Nemesis" series, "Cyborg"), a teen video game adventure, and a post-apocalyptic musical, Mr. Pyun loves to combine genre tropes into stimulating, unique experiences. Pyun asked what many B-filmmakers did in the Tarrantino administration: why bother with new material when it has all been done so well before?

The 90s direct-to-video market thrived simultaneously with this era of genre hybrids; those movies that recycled old genre tropes, archetypes, and approaches into new material. In "Dollman" Pyun makes a tasty salad out of various conventions from "Dirty Harry", "Honey I shrunk the Kids", "Suburban Commando", "Time Cop", various gang films, and the action and sci-fi conventionality of its era.

Tim Thomerson plays recurring Pyun character Brick Bardo who, in this incarnation, is a futuristic bad-cop who is inter-dimensionally displaced via space ship into the Bronx with his his WMD-packing floating head nemesis Armbruiser. During their trip, the two are shrunken into action figure proportions. After Bardo's spaceship is abducted by a young boy, he must struggle against various domestic terrors (the family dog, a cockroach) while Armbruiser shops his WMD to a dangerous local gang headed by the dangerous Braxton Red (Jackie Earle Hayley in a hammy, vicious performance).

Fortunately "Dollman" delivers in every way you want it to. The shrunken person tropes are satisfying and realized; the action scenes are intense; and its science fiction backbone is always present. Pyun juggles these elements well and has fun with the formulas at play.

Although it suffers from Pyun's tendency toward awkward pacing, "Dollman" is one of his strongest and most controlled films.

I love this kind of movie.

It's one of those things you either love or hate, and a lot of the venom getting tossed at it isn't needed. It's just a movie folks.

Innocent fun.

It's about this alien cop who winds up crashed on earth only to find out he's the size of a ken doll, here.

Lucky he's got his "Ruger," the most powerful handgun in the universe (don't ask). This little thing blasts holes in his foes as if it was a .357 magnum (and, as i recall, it literally blew people apart on his home planet).

It's not Citizen Kane, but it's clever and tongue in cheek. I can actually see a silver age comic book like this.

Dollman (1991) was a cheesy science fiction/action film that didn't try to pretend it was anything but. Tim Thomerson stars as Dollman, a diminutive alien who's travels through space and time to capture a galactic fugitive. The low budgets of this film shows through when the film maker uses a lot of bad trick photography and repeated use of film stock in several places to pad out the film's running time. Does Dollman get his man? How will he adjust to Earth's strange people and planetary environment? To find out you'll need to track down a copy of DOLLMAN.

Recommended for cheesy film fans.