Delírios

This is a much more watchable film than many of the lightweight vehicles Candy took part in in his post-SCTV career. His part could have been played by any number of comic actors, but John steps in and gives it his best shot. He's always fun to watch on screen, and he has a good time here without going over the top, which he tended to do.

DELIRIOUS is a weird mixture of Groundhog Day, Soapdish, and various Rod Serling scripts in which the characters in a story are being controlled by someone at a typewriter. It's a workable premise, and the actors make the most of the stock soap opera characters they play. David Rasche, Emma Samms, Raymond Burr et al were well-chosen for their parts. Bit parts by Robert Wagner and Marvin Kaplan (the voice of Choo-Choo on TOP CAT) are also memorable. Mariel Hemingway takes some flak on this comment board for her part, but she seemed suited for the role and moved smoothly from her gawky character to the soap opera "devil woman." This is a pleasant comedy but not as consistently funny as SOAPDISH. The script by veteran writers of Gilligan's Island and Bewitched suffers from a lot of unnecessary "language" (for what could otherwise be a family film) but moves along at a brisk pace (except for the longish horse-riding scenes).

I can watch this movie over and over and never get tired (then again, I haven't ever tried watching it 10 times in a row in the same day)... Candy does his own sort of persona with his trademark charm without getting annoying, and the way the film turns constantly as he tries to solve his dilemma is great (particularly when he starts to write while drunk). Not a masterpiece by any standard, but a fun flick...

I have recently re-watched one of John Candy's more interesting films done around the subject of the soap opera. This film stars Candy as a producer of a Soap Opera that ends up being pulled into his own world where he has the opportunity (or misfortune) to interact with the characters that he created to love and hate.

This movie is pretty good. I felt that the entertainment value is fair and it is re-watchable. The cast interacts well and there are some very funny moments. I enjoy this film but unfortunately it falls in around the same basic feel that most comedies had at this time so don't expect the spectacular or a film that is gut wrenchingly funny. If you are looking for a film that is enjoyable and fairly pleasing this one has a good feel to it.

The all time best line in the movie -- John Candy rescuing Emma Samms on horseback -- "This stranger knows no danger!"

A bit spotty -- can't maintain a high comedy level throughout but nonetheless is enjoyable and a vehicle for John Candy to demonstrate comic range. Excited he will get to spend a romantic weekend tryst with Emma Samms (and misunderstanding her feminine wiles), he finds himself lugging umpteen of her suitcases to the taxi cab, then knocks himself out with the trunk door as he tries to load the suitcases. Wakes up in the pleasant little village where she reappears as new character, daughter of Raymund Burr, along with others in town, Mariel Hemingway et al. Plenty of lines for Candy in trying to write the new soap opera about family conspiracies with a stolen formula, and the rapid disintegration of Emma's brother while none in the family seem to notice or care. Again the highlight to me was the rescue chase by Candy when Emma's horse took her on a wild ride and Candy rides up and self congratulates later as modern day Zorro or Lone Ranger. All in all, enjoyable.

This is one superb movie. I can watch it over and over and over again without tiring of it. John Candy is as engaging and as superbly comic as ever in this little gem. Also has a great cast including Emma Samms, Charles Rocket, Raymond Burr and Mariel Hemingway. ONE TO WATCH!