Billy Bathgate - O Mundo a Seus Pés

While hanging out with friends in 1935 New York City, Prohibition-era poor Loren Dean (as Billy "Bathgate" Behan) notices notorious gangster Dustin Hoffman (as Arthur "Dutch Schwartz" Flegenheimer) doing his dirty work. After admiring Mr. Dean's ability to juggle four balls, Mr. Hoffman gives the younger man a job with the mob. Dean begins by sweeping the floor, but is quickly promoted to keeping smoking hot girlfriend Nicole Kidman (as Drew) satisfied under the sheets...

One of the problems with "Billy Bathgate" is that Dean appears as a fully grown man who is being treated, and often acts, like he's a 14-year-old kid. Sometimes he is made to appear shorter and younger, but it's really a lost cause. Consequently, the scenes with Dean and the other men seem silly. And, even on his own, top-billed Hoffman's character registers nothing but ugly.

Dean is more convincing with Ms. Kidman, who has a brief "full frontal" moment after a swim. A highlight is the "Saratoga" horse-racing sequence, with Dean, Kidman and Steve Buscemi (as Irving). Kidman has a husband (Xander Berkeley) who likes to unbutton a man's shirt on the couch, and another (Bruce Willis) who gets to try on a pair of Hoffman's cement shoes...

***** Billy Bathgate (11/1/91) Robert Benton ~ Loren Dean, Dustin Hoffman, Nicole Kidman, Steven Hill

Some review comments about it having an "abrupt ending" were peculiar since the ending was HISTORICAL. The chop house shooting happened. The characters could have been drawn better, much better, especially regarding motivations. Perhaps this is why people were left unsatisfied at the ending; they didn't care about the characters. A major reason for that is the lead title character was completely forgettable. Yes, Nicole Kidman struts around stark naked; you'll see more of her here than in "Eyes Wide Shut". (She's really a little too thin). If you stumble across the movie check it out; better yet, read the book.

It's 1935 NYC. Dutch Schultz (Dustin Hoffman) has Bo Weinberg (Bruce Willis) tied up. The movie flashes back to hustler Billy Bathgate (Loren Dean) on the streets. He ingratiates himself into Dutch's grace with his timely audacity. Dutch is a lead gangster. Otto Berman (Steven Hill) is his second in-command. Bo is his master fixer who can be trusted to do anything. Drew Preston (Nicole Kidman) is Bo's married girlfriend. Dutch is battling another gang as he grows suspicious of Bo. After Dutch kills Bo, he takes Drew as his. He has a trial in upstate New York and tries to win over the locals with his generosity.

There is something off-putting about Loren Dean portrayal of Billy Bathgate. He's a wide-eyed bland puppy who's always hanging around and listening. He lacks the needed intensity to lead a movie that has Dustin Hoffman acting up a storm. I imagine a modern version could be played by Eddie Redmayne who would give this role much needed energy. With Kidman bringing all of her damaged sexuality, Loren Dean brings the heat of a 12 year old boy. It's partly the character but mostly it's left on Loren's doorstep. How much of it is director Robert Benton's doing is hard to tell. This movie should be a lot better with so many great supporting actors involved.

This film can't make up its mind what it wants to be. Ostensibly it's about the 1930s gangster Dutch Shultz. However, the story predominantly rotates around the romance between Kidman and Deans characters. Yet it doesn't really sufficiently deal with either the romance or the life of Schultz. Neither does Schultz or the romance act as a secondary story to the other. So the movie loses out by not knowing what it is.

The big screen adaptation of E. L. Doctorow's novel shows impressive credentials and handsome production values; so why is the finished film so inert? Is it because the story itself, about a fresh-faced Bronx kid who, during the Depression, learns the hard facts of criminal life from mobster Dutch Schultz (and falls for the boss' girlfriend) is so familiar? Could it be the abrupt, anti-climactic ending to the film's clever hopscotch structure? Or is it because the movie is too much about Billy (played by clean-cut newcomer Loren Dean, a throwback to pre-Touchstone Disney) and not his psychotic mentor? No evidence is visible of the much publicized production problems other than a few scenes where dialogue was obviously overdubbed, but the film still looks as if it were made under duress. A strong supporting cast, and Dustin Hoffman's exciting performance as the vulgar Dutch, are saving graces.