AVALIAÇÃO DA IMDb
6,8/10
50 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaR.A.S. agents Miss Bianca and Bernard race to Australia to save a little boy and a rare golden eagle from a murderous poacher.R.A.S. agents Miss Bianca and Bernard race to Australia to save a little boy and a rare golden eagle from a murderous poacher.R.A.S. agents Miss Bianca and Bernard race to Australia to save a little boy and a rare golden eagle from a murderous poacher.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 6 vitórias no total
Bob Newhart
- Bernard
- (narração)
Eva Gabor
- Miss Bianca
- (narração)
John Candy
- Wilbur
- (narração)
Tristan Rogers
- Jake
- (narração)
George C. Scott
- McLeach
- (narração)
Wayne Robson
- Frank
- (narração)
Douglas Seale
- Krebbs
- (narração)
Frank Welker
- Joanna
- (narração)
Bernard Fox
- Chairman
- (narração)
- …
Peter Firth
- Red
- (narração)
Billy Barty
- Baitmouse
- (narração)
Ed Gilbert
- Francois
- (narração)
Carla Meyer
- Faloo
- (narração)
- …
Russi Taylor
- Nurse Mouse
- (narração)
Linda Gary
- Mother Koala
- (não creditado)
Avaliações em destaque
It isn't as good as the immensely charming original, but I enjoyed this very much. You do realise that this was released 13 years after the original, and a lot of the characters had to be animated again. I forgive them for that though, as the animation was surprisingly good, especially the scenes with Marahute, who blew me away at the sight of her. Though Bianca does look different than she was in the original film, she had chubbier cheeks here. Bob Newhart and Eva Gabor are great as Bernard and Bianca, although there was a significant change in both characters. John Candy was hilarious as Wilbur. If there is one element that is better than the original, but only marginally, it is that Wilbur is funnier than Orville. The plot was also very good, on a parallel with the original, but that was the intention, and the music by Bruce Broughton was appropriately fitting. Cody is very likable, but sometimes his dialogue is a bit unnatural, and I know that people commented on his accent. George C. Scott, a fine actor, was suitably menacing as McLeach, although his animation at times was a tad frightening. I really enjoyed this movie, it's not perfect, but it is one of the better animated sequels to come out. 8/10 Bethany Cox
"The Rescuers Down Under" is a wonderful tale, the rare film that surpasses its original in many, many ways. It has more flair, better animation and the characters are much more interesting. It is the sequel to "The Rescuers," which was released 13 years earlier. They took their time making this sequel - and it paid off. Cartoons can often be represented in a dull fashion, and others can take your breath away - this one takes your breath away.
The intrepid mouse explorers Bernard and Bianca (voices of Bob Newhart and Eva Gabor) from the original film return in "The Rescuers Down Under," when they hear word that a small boy in Australia has been kidnapped by a poacher named McLeach (voiced by the creepy George C. Scott). McLeach has also captured a large eagle, and the kidnapped boy, Cody, has a bond with the large beast.
The Rescuers fly Down Under by hitching a ride on the hilarious, never over-the-top albatross Wilbur (voiced by John Candy). Once there, they pick up a local Aussie "kangaroo mouse" named Jake, who indeed resembles a miniature kangaroo. There are also some other delightful new characters, including Frank, a numbskull lizard, and Joanna the goanna lizard, the sidekick of McLeach. The key to this film is that they know how to make great characters - Joanna is just as fun to watch as Frank, and Jake is just as fun to watch as Bernard and Bianca. You never feel any hate towards any characters. My personal favorite was Wilbur, the albatross. He appears at various points in the film, caught in a mouse hospital, caught watching over eagle eggs, and caught hatching eagle eggs. He awaits the return of Bernard and Bianca, and he's too good-natured to just fly away and forget about them. And John Candy's voice talents are priceless.
A lot of the amazing animation on this film takes place in the air, on the back of a soaring eagle. The animation in the original was raspy, dark and creepy. It wasn't nearly as breathtaking, or even enjoyable to watch. There also aren't any musical numbers in this film - at least not that I remember - and that also helps it out a bit. (I hated the original and its songs.) Maybe it's just me, but sometimes musical numbers don't fit into 'toons - and this is one of those.
"The Rescuers Down Under" is one of the best Disney films I have ever seen. The Disney animation of the 1970s, such as "The Rescuers," was the low-point of Disney. The high-point was films like "Pinnochio." And in all honesty, this film is more interesting than both combined. It's got great animation, an intriguing and fun story, and excellent, well-developed characters. Only one thing entered my head when the credits started to roll: Can this possibly be a cartoon?
4.5/5 stars -
John Ulmer
The intrepid mouse explorers Bernard and Bianca (voices of Bob Newhart and Eva Gabor) from the original film return in "The Rescuers Down Under," when they hear word that a small boy in Australia has been kidnapped by a poacher named McLeach (voiced by the creepy George C. Scott). McLeach has also captured a large eagle, and the kidnapped boy, Cody, has a bond with the large beast.
The Rescuers fly Down Under by hitching a ride on the hilarious, never over-the-top albatross Wilbur (voiced by John Candy). Once there, they pick up a local Aussie "kangaroo mouse" named Jake, who indeed resembles a miniature kangaroo. There are also some other delightful new characters, including Frank, a numbskull lizard, and Joanna the goanna lizard, the sidekick of McLeach. The key to this film is that they know how to make great characters - Joanna is just as fun to watch as Frank, and Jake is just as fun to watch as Bernard and Bianca. You never feel any hate towards any characters. My personal favorite was Wilbur, the albatross. He appears at various points in the film, caught in a mouse hospital, caught watching over eagle eggs, and caught hatching eagle eggs. He awaits the return of Bernard and Bianca, and he's too good-natured to just fly away and forget about them. And John Candy's voice talents are priceless.
A lot of the amazing animation on this film takes place in the air, on the back of a soaring eagle. The animation in the original was raspy, dark and creepy. It wasn't nearly as breathtaking, or even enjoyable to watch. There also aren't any musical numbers in this film - at least not that I remember - and that also helps it out a bit. (I hated the original and its songs.) Maybe it's just me, but sometimes musical numbers don't fit into 'toons - and this is one of those.
"The Rescuers Down Under" is one of the best Disney films I have ever seen. The Disney animation of the 1970s, such as "The Rescuers," was the low-point of Disney. The high-point was films like "Pinnochio." And in all honesty, this film is more interesting than both combined. It's got great animation, an intriguing and fun story, and excellent, well-developed characters. Only one thing entered my head when the credits started to roll: Can this possibly be a cartoon?
4.5/5 stars -
John Ulmer
I have always been one of the, maybe, eight or nine big fans of this movie and I have only one small question about it.
WHY CAN'T THEY MAKE MORE LIKE THIS???
If you have not seen this movie yet, you must. It's the first Disney movie to use fully rendered CGI backgrounds throughout and you definately get the sense that the animators wanted to play with this new method. What I'm getting at is that some of you may want to down some motion sickness medicine first.
There are *no* song and dance numbers. Reason being that this is a surprisingly dark, more emotionally complex story for a Disney movie. They went out on a limb and chose not to break the tone up too much.
This is the number two Lost Disney Movie (number one, without a doubt, is "the Hunchback of Notre Dame", which I also love). It's own creators barely acknowledge its existance. The very best evidence of this is on the new video release box's plot summary, where a MAJOR character's gender is misidentified.
On the other hand, I sort of enjoy the idea of a "cult" Disney movie. Instead of marketing "Down Under" to death, Disney can only be accused of the opposite mistake.
So, anyway, here I go again running to this movie's defence. I'll tackle the one major critisism of it before I go. Many critics were expecting another "Rescuers". In my humble opinion, these two movies are two entirely different animals. The original "Rescuers" is an example of where Disney was in the sixties and seventies. "Down Under" is a time capsule of late eighties, early nineties Disney. In other words, you can't really say that one is better than the other as the only thing they have in common are three characters (what I'm getting at is that this should be thought of more as "Rescue Aid Society: the Next Generation").
By the way, I've got an idea that I'm just going to throw out to the proverbial wolves here. Why not make more "Rescuers" movies instead of sequels to Disney movies where follow-up stories make no sence? They are sitting on one heck of a potential franchise here. Just thought I'd let you know.
WHY CAN'T THEY MAKE MORE LIKE THIS???
If you have not seen this movie yet, you must. It's the first Disney movie to use fully rendered CGI backgrounds throughout and you definately get the sense that the animators wanted to play with this new method. What I'm getting at is that some of you may want to down some motion sickness medicine first.
There are *no* song and dance numbers. Reason being that this is a surprisingly dark, more emotionally complex story for a Disney movie. They went out on a limb and chose not to break the tone up too much.
This is the number two Lost Disney Movie (number one, without a doubt, is "the Hunchback of Notre Dame", which I also love). It's own creators barely acknowledge its existance. The very best evidence of this is on the new video release box's plot summary, where a MAJOR character's gender is misidentified.
On the other hand, I sort of enjoy the idea of a "cult" Disney movie. Instead of marketing "Down Under" to death, Disney can only be accused of the opposite mistake.
So, anyway, here I go again running to this movie's defence. I'll tackle the one major critisism of it before I go. Many critics were expecting another "Rescuers". In my humble opinion, these two movies are two entirely different animals. The original "Rescuers" is an example of where Disney was in the sixties and seventies. "Down Under" is a time capsule of late eighties, early nineties Disney. In other words, you can't really say that one is better than the other as the only thing they have in common are three characters (what I'm getting at is that this should be thought of more as "Rescue Aid Society: the Next Generation").
By the way, I've got an idea that I'm just going to throw out to the proverbial wolves here. Why not make more "Rescuers" movies instead of sequels to Disney movies where follow-up stories make no sence? They are sitting on one heck of a potential franchise here. Just thought I'd let you know.
Whilst it's not as good as the original, The Rescuers Down Under is not a disgrace as far as sequels go. Many theatrical sequels tend to be no better than ones released direct-to-video. Down Under is an exception.
Plot-wise, there are a few faults. Some scenes just seemed to be there for the sake of it and the plot is considerably weaker than the original. But there are enough jokes and enough suspense to keep the film going so there's never a dull moment. Some might say that the story is a rehash of the original and that is partly true. That's the only real major flaw I find in Down Under.
Benard and Bianca stay wonderfully in character and the new characters, such as Jake the Kangaroo Rat are very memorable too. Penny may have had Teddy for a friend but Cody has Marahute - a mighty Golden Eagle. Her movements are true to that of a real bird of prey, and yet she has a distinct humanoid quality. Whenever you look into her eyes, you know exactly what she's thinking. Jim Jordan (the voice of Orville) is sadly dead. (God rest his soul). But instead of replacing the voice actor, we have a new albatross - Orville's brother Wilbur. He is a worthy replacement. He provides plenty of comic relief, especially during his nightmarish time in hospital. Joanna the villain's sidekick is like Madame Medusa as a lizard. She looks like she came straight out of the original. McLeach, the evil poacher is a very intimidating villain. He's not as funny as Madame Medusa but he's not meant to be. He's not the sort of person you'd like to run into in the wilderness.
If there's one aspect of this film that's superior to the first, it's the animation. The computer generated shots are spectacular. Sure, they might be dated today, but I think that the hand-drawn animation melds nicely with the CGI. Whilst the jungle in Tarzan looked like plastic, the rocks and cliffs in The Rescuers Down Under look realistic and full of texture. We have a lot of 'high-flying in the clouds' scenes which are a lot of fun and would be brilliant on the IMAX screen. Also, putting a tiny mouse against a vast landscape gives the movie an epic feel. Like the first Rescuers, the backgrounds are beautiful and pave the way for the beautiful scenery seen in The Lion King.
However, Down Under does have its little flaws. One example is that Cody is Australian yet he speaks with an American accent. Also, how on earth did he climb up that huge cliff? There are other little inconsistencies too but they are easily overlooked.
The sequel connects nicely with the original. A lot of the RAS mice from the original are seen again. Also, a lot of character designs are true to the first as well. Benard has hardly changed at all. Only Bianca looks somewhat different.
In conclusion, The Rescuers Down Under is inferior to the original Rescuers, but it's still high-flying fun. This is definitely one of the better Disney sequels. So sit back and enjoy. Remember, you *could* be watching Pocahontas II.
Plot-wise, there are a few faults. Some scenes just seemed to be there for the sake of it and the plot is considerably weaker than the original. But there are enough jokes and enough suspense to keep the film going so there's never a dull moment. Some might say that the story is a rehash of the original and that is partly true. That's the only real major flaw I find in Down Under.
Benard and Bianca stay wonderfully in character and the new characters, such as Jake the Kangaroo Rat are very memorable too. Penny may have had Teddy for a friend but Cody has Marahute - a mighty Golden Eagle. Her movements are true to that of a real bird of prey, and yet she has a distinct humanoid quality. Whenever you look into her eyes, you know exactly what she's thinking. Jim Jordan (the voice of Orville) is sadly dead. (God rest his soul). But instead of replacing the voice actor, we have a new albatross - Orville's brother Wilbur. He is a worthy replacement. He provides plenty of comic relief, especially during his nightmarish time in hospital. Joanna the villain's sidekick is like Madame Medusa as a lizard. She looks like she came straight out of the original. McLeach, the evil poacher is a very intimidating villain. He's not as funny as Madame Medusa but he's not meant to be. He's not the sort of person you'd like to run into in the wilderness.
If there's one aspect of this film that's superior to the first, it's the animation. The computer generated shots are spectacular. Sure, they might be dated today, but I think that the hand-drawn animation melds nicely with the CGI. Whilst the jungle in Tarzan looked like plastic, the rocks and cliffs in The Rescuers Down Under look realistic and full of texture. We have a lot of 'high-flying in the clouds' scenes which are a lot of fun and would be brilliant on the IMAX screen. Also, putting a tiny mouse against a vast landscape gives the movie an epic feel. Like the first Rescuers, the backgrounds are beautiful and pave the way for the beautiful scenery seen in The Lion King.
However, Down Under does have its little flaws. One example is that Cody is Australian yet he speaks with an American accent. Also, how on earth did he climb up that huge cliff? There are other little inconsistencies too but they are easily overlooked.
The sequel connects nicely with the original. A lot of the RAS mice from the original are seen again. Also, a lot of character designs are true to the first as well. Benard has hardly changed at all. Only Bianca looks somewhat different.
In conclusion, The Rescuers Down Under is inferior to the original Rescuers, but it's still high-flying fun. This is definitely one of the better Disney sequels. So sit back and enjoy. Remember, you *could* be watching Pocahontas II.
The first one was overall a cute film, definitely a classic, but nothing to scream about, you know what I mean? Anyways, as a kid I would always take characters who would look cool in some big action powered flick with high drama and adventure. Having a real evil villain that threatens death, and kick the pace up a notch from the original movie.
My wish came true, The Rescuers Down Under was a high powered animated action flick with intense drama and heart-pounding emotion. Severely different from the original, which was about two little mice sent out on a mission to save a little girl held captive by a vile woman in search for a priceless diamond. This time, a young boy named Cody was kidnapped by a poacher named McLeach, who desperately wants to enormous eagle that was just saved from captivity. Despite the dangers, these two little mice named Bernard and Miss Bianca head out on probably the most daring rescue ever assigned to the R.A.S. (Rescue Aid Society). Without a moment to lose, they hop aboard the big bird named Wilbur to a nonstop flight to Australia. From then on its just keeps getting better, and the filmmakers weren't afraid how far they strayed from the kinder hearted tone of the original. That's a good thing.
This was easily put in my top animated films, behind Beauty and the Beast and the Prince of Egypt of course. It was a little shorter than I would have liked, which doesn't make this brilliant film absolutely spotless. None the less I recommend this to anyone looking for menacing fun.
Trust me, this is a brilliant film that may be a little too intense for the younglings, but still a family film which I think will be loved by adults and kids alike.
****/**** stars
The Rescuers Down Under (1990): Rated PG for intense moments
My wish came true, The Rescuers Down Under was a high powered animated action flick with intense drama and heart-pounding emotion. Severely different from the original, which was about two little mice sent out on a mission to save a little girl held captive by a vile woman in search for a priceless diamond. This time, a young boy named Cody was kidnapped by a poacher named McLeach, who desperately wants to enormous eagle that was just saved from captivity. Despite the dangers, these two little mice named Bernard and Miss Bianca head out on probably the most daring rescue ever assigned to the R.A.S. (Rescue Aid Society). Without a moment to lose, they hop aboard the big bird named Wilbur to a nonstop flight to Australia. From then on its just keeps getting better, and the filmmakers weren't afraid how far they strayed from the kinder hearted tone of the original. That's a good thing.
This was easily put in my top animated films, behind Beauty and the Beast and the Prince of Egypt of course. It was a little shorter than I would have liked, which doesn't make this brilliant film absolutely spotless. None the less I recommend this to anyone looking for menacing fun.
Trust me, this is a brilliant film that may be a little too intense for the younglings, but still a family film which I think will be loved by adults and kids alike.
****/**** stars
The Rescuers Down Under (1990): Rated PG for intense moments
Você sabia?
- CuriosidadesThe producers wanted to have all the voice actors from Bernardo e Bianca (1977) reprise their roles for the sequel. However, in the original, Orville the albatross was voiced by Jim Jordan, who died two years before this film was released. The producers didn't want to replace Jordan, so Orville was replaced with the character's brother Wilbur, voiced by John Candy. This is a reference to Orville Wright and Wilbur Wright, the inventors and pilots of the first functional airplane.
- Erros de gravaçãoWhen the French bug, Francois, first greets Bianca at the fancy restaurant, he calls her "Mademoiselle Bianca." After they finish their conversation, he says, "Allow me, Madame." In French, "Mademoiselle" is used for a single woman, and "Madame" for a married or widowed woman (or for very formal address). A native French speaker, as Francois is meant to be, would never use them interchangeably.
- Cenas durante ou pós-créditosThis movie doesn't end with the Walt Disney Pictures logo, only the credits "This motion picture was created by Walt Disney Pictures" and "Distributed by Buena Vista Pictures Distribution, Inc."
- Versões alternativasIn the French version of the movie (which was made in 1991), the beautiful Anne Meson-Poliakoff's Pop song "Bernard Et Bianca Au Pays Des Kangourous" can be heard during the ending credits with Patrice Tison on lead guitar, Bernard Paganotti on bass, Jean-Jacques Milteau on harmonica, Alex Perdigon, Kako Bessot and Patrick Bourgoin on brass ensemble and Charly Doll on drums & percussions. However she and the other musicians appear to be uncredited.
- ConexõesEdited into Curtas Animados Zen: Flight (2020)
- Trilhas sonorasMain Title
Composed by Bruce Broughton
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Bernardo y Bianca en Cangurolandia
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 27.931.461
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.499.819
- 18 de nov. de 1990
- Faturamento bruto mundial
- US$ 27.931.461
- Tempo de duração
- 1 h 17 min(77 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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