Perry Mason: The Case of the Desperate Deception

US marine officer Captain David Berman (Tim Ryan) has been arrested for killing a former Nazi SS officer called Dieter Krugman, whom was living in Paris in the guise of a successful businessman called Felix Altmann. The prosecution has a strong case against the defendant because it was well known among his friends that he had an obsession with tracking down Krugman as his mother Helene (Teresa Wright) is a survivor from a Nazi death camp in which she saw her two brothers murdered by Krugman before her very eyes. Helene is also a close friend of Perry Mason and she persuades him to fly to Paris and prove her son innocent. Mason believes Berman to be innocent because he tells both him and his mother that he wanted to have Krugman arrested and tried under the Crimes Against Humanity Law, which doesn't suggest he wanted to kill him. Nevertheless, that is not enough to win his case. But Mason soon discovers that Altmann's wife Danielle (Yvette Mimieux) has a strong motive for wanting her husband dead because she was having an affair with one of his former employees Andre Marchand (Ian McShane) and needed her inheritance to support his business interests. In addition, Mason has a mysterious Nazi hunter called Otto Rosen (Ian Bannen) to investigate whom refuses to fully explain why he conducts his activities in hiding rather than with the public, which most other Nazi hunters do.

THE CASE OF THE DESPERATE DECEPTION is one of Burr's better latter day movies as Perry Mason, which is easily his most celebrated role. Between 1985-93 he returned to the role over twenty times in a series of made for TV movies. These varied in quality with several suffering from lacklustre scripts, which threw clues at us out of nowhere with no real insight as to how Mason solved them. In addition, the running time was often padded out since the films more often than not were far too long for their plots with the exploits of Mason's sidekick Ken Malansky (William R Moses) who often raced around the States trying to track down a missing witness that was vital to his employer's case with a few fights and car chases thrown in.

Here, however, we have a stronger plot line than usual and George Eckstein's script doesn't just dream up clues out of nowhere and the story moves neatly and logically to its conclusion. It also makes a nice change to see Malansky's part used more effectively, in which the car chases are abandoned in favour of more straight detective work as not to confuse the plot. Raymond Burr is enjoyable as always especially in his courtroom scenes as he grills the real guilty party at the witness stand and we also have a better supporting cast than usual with veteran British actor Ian Bannen who is very good as Otto Rosen. Teresa Wright offers a sympathetic portrayal as Helene Berman who has to relive her horrifying memories of the concentration camp in order to help Perry Mason prove her son's innocence.

When the son of an old friend, a marine stationed at the US Embassy in Paris, is found standing over a dead former concentration-camp officer, with his service revolver on the ground the murder weapon, is there anyone except for Perry Mason to get him freed and the real murderer confessing on the witness stand?

This in an entry in the TV-movie series produced a quarter of a century since the TV series starring Raymond had ended. It's clear that the producers were going for something special. A lot of it is shot in Paris. The accused is Tim Ryan, who looks amazingly like currently-hot movie star Bruce Willis.

Given the Holocaust denial movement, and their rise during the era, this was clearly intended as a statement on the issue. the presence of Teresa Wright as a crippled survivor of the death camps speaks to that.

This story couldn't miss as it featured several big screen stars - and big ones at that: Teresa Wright (Mrs Miniver), Ian Bannen (Flight of the Phoenix), and the still-stunning and almost too-beautiful Yvette Mimieux (The Time Machine and countless others). And that they could act is an understatement. Part of the wonder of the original Perry Mason series was the creative use of senior movie stars. Here that was carried through with great effect - a wonderful relief from the mediocrity of soap opera actors who frequently populate low-budget made-for-TV movies. The story itself was somewhat reminiscent of A Place Called Midnight in the original black and white series. But here there were many new twists but still with the sinister darkness of the Nazis at every turn. This is well worth a watch for Mason fans.

Not a great episode. They could have spared us the long list of clichés about Paris, including a mime in the street... Anyway, a murder is committed in Paris and obviously the French police is in no way involved... that was really absurd.

Aside from that, Ken Malansky is his annoying useless and charmless self, except he's now hitting on a girl when it's never been established that he is not engaged/married anymore.

His girlfriend was not in the previous episode but it was never established that she was out of the picture. She was the only good thing about the introduction of that incredibly bland character. It's in poor taste. She was beautiful, charming, funny, competent, courageous and intelligent. Too good for him?

Captain Berman is in France as he tries to hunt down the Nazi war criminal who took members of his family in the concentration camp years. He is pointed to the location of this `Krugman' and confronts him - only for him to be shot by an unseen killer. As a friend of the family, Mason comes to France to defend him - and gets drawn into a world of deception in the underworld of Nazi hunters.

The films of Perry Mason usually follow the same formula every single time and, in some regards, this film does too. However the plot bravely strikes out into France and a military court-martial hearing involving Nazi's. In doing this the film appears to be more interesting but actually doesn't really succeed in what it is aiming to do. The stuff surrounding the Nazi hunt makes for more than just the usual twist at the end, but it is all a bit tidy and easy and I wasn't really gripped by it. The film scales back on Malansky's investigation and Mason's questions in order to bring in this element in terms of flashbacks, but it only seems to take the pace out of the film and make it seem rather ill at ease with itself.

The Holocaust is a difficult subject and not one that can be easily just `used' as a background for a murder mystery. The film tries to deal with it sensitively but it doesn't really know what to do with it and in the end just slots it into the formula the best it can. Aside from the weakness, I was drawn in by the film attempting to do something different for a change and enjoyed it for having the formula with a reasonable twist.

The cast is pretty average despite having quite a few well known faces. Burr is OK as Mason but parts of the film doesn't really fit his character - particularly the final shot doesn't sit well. Moses is given much less to do than normal but seems happy to just be around. Hale is not in France but, funnily enough, actually gets more lines than usual as a result! An `all star' cast is not that well used, including Ian `Lovejoy' McShane. O'Quinn is pretty good despite hamming it for all he is worth towards the end; fans of Gerry Anderson may recognise the voice of Paul Maxwell or know him from the few big American films he did (Aliens for one).

Overall this film weakens itself by trying to do something different from normal but is still worth seeing for Mason fans as the formula is still recognisable.