Passos de Paixão

Almost 10 years ago, it happened one night that I got into the theater ( a kind of B-movie theater of double feature ) in the back street of Seoul in Korea. I didn't even know the title of this film when I bought the ticket. Now I am studying film in Art School in San Francisco and still remember the powerful imagery and storytelling of the film. This film shaked my fundamental concept of the film itself and it still gives me the energetic interaction of the very unique aesthetics and visual ecstacy. I could not forget the night of watching this film still now. I think Hector Babenco should adore this film.

Vincent D'Onofrio is beyond gorgeous in this pretentious little ditty. It's a gorgeous film, very "foreign" and decadent and moody, but what of sense? It's silly - I get it, the tango is sensuous. Yeah, I got that. Wow, she's naked and he's cruel and hot. Wow, he's good in bed and it took a lot to get him to do it. He's not a whore, but she was forced to be! Tell me, isn't this film reminiscent of a "Kids in the Hall" episode with Francessca Foray (a Scott Thompson character, "International B - Movie Star") and everyone was speaking in movie metaphors? Yeah, it is. It's overwrought but I enjoyed this movie. Dumb yes, but it was fun and glorious to look at, from the bondage - bed scenes to Vincent all lean and dressed to the nines. Good Lord that man 's a typhoon of hottness (how's that phrase for you?)

I can see why many people dislike this film. Some of the scenes in it are more suggestions of reality than reality itself. I personally liked it. The settings were superb. The dancing wonderful. Cholo, melting the girl's heart just by fancy footwork is amazing.

Argentinian Tango musicians will tell you that they have witnessed many couples copulating while they dance the tango, hence the blindfolded trio makes this suggestion. (Since writing that I have been informed that tango musicians WERE sometimes blindfolded in real life.)

The costumes and especially the lighting are terrific.

The relationship between the two central characters is complex: less talk more S & M.

To me, Naked Tango is the dance portrayed as a film. The intensity, brutality, cold and yet seductive passion between the `dancers' and the camera left me drawn to the pain and pleasure. I saw the blood as the rose, the actors as the dancers and the viewers as spectators (where we are part of the film). Defiantly a film that gets tattooed on the brain!

In spite of a strong cast, including the very talented Fernando Rey, and sumptuous settings, this movie is simply a pretentious failure. The story revolves around the sado-masochistic relation between a hoodlum and a hapless woman, the latter abducted into forced prostitution in Argentina. There is surprisingly little eroticism in this movie, even with the presence of the ever lovely, and ever nude, Ms. May. The ill-fated couple tango their way to romance, but the utter lack of chemistry between D'Onofrio and May, compunded by a poorly scripted story line, strains the viewer's credulity. I admire Mr. Schraders' work in other films, but this one was definitely off-the-mark. The video is hard to find but it is most assuredly not a lost masterpiece.