AVALIAÇÃO DA IMDb
7,6/10
6,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe emergence and devastation of the AIDS epidemic is chronicled in the lives of several gay men living during the 1980s.The emergence and devastation of the AIDS epidemic is chronicled in the lives of several gay men living during the 1980s.The emergence and devastation of the AIDS epidemic is chronicled in the lives of several gay men living during the 1980s.
- Indicado a 1 Oscar
- 6 vitórias e 6 indicações no total
Avaliações em destaque
When I watched this for the first time, I like many that went through this time period, identified with most of the characters in this movie at one time or another. I had my sister watch this movie (a devoted Pentecostal) she said it was the sadist thing she had ever seen. I felt that she got the message, Gay or Straight, this was a tragedy that had happened to everyday people, and still is happening, and not just to "those people". She, like many, never wanted to see past the homosexual thing. With this film she saw a clip of life, albeit a condensed version, of how something so out of control entered, affected and was handled by people like herself both gay and straight. I told her that was the way it I felt it was for many of us dealing with this disease that had taken so many of my friends and colleagues. I also liked how this movie didn't victimize, or make a villain out of any of the characters nor did it make anyone a saint either. I felt the topic was handled with good taste, considering how it was something most people didn't want to think about. With the majority of the audience being straight and secure in the fact that this only happened to other people who were deserving of what they got. I also felt that this movie showed the truth although a bit Hollywood and too polished (not a docudrama, definitely a movie) it did a good job of making a difficult subject much more palatable and sympathetic to folks that had never had it happen to them or to those they love. The progression of the movie conveyed the feeling most had in regards to how fast things happened. One day someone was here the next they were gone. I also felt that the actors, many non gay, did brilliant performances not playing stereotype's but keeping it real as it should be. Since most gay men and women I know don't act all that different from everyone else. I for one am tired of gays being portrayed as only hair stylist and drag queens, much as I am sure African-Americans were tired of their stereotypes of only being the hired help or as ignorant simpletons. This was not the best movie I have ever seen, but I feel it is one of the best dealing with this subject matter. The end of this movie still gets to me, every time I see it, if only that could happen like that, I too "just want to be there"
I saw this film one night on my local PBS station not knowing what it was about. When the film opens on a crowded disco soundtracked Fire Island (1980) and I realized it was a gay themed film I was about to turn it off being a hetero male, I figured nothing here to relate too. WRONG. I stuck with the film and probably have to rate this as one of my top 10 movies ever. WOW did this film floor me! It follows a group of gay friends and lovers (and a hetero gal pal)through the AIDS plagued 80's decade. This film is truly written with insight and compassion. I found all the characters interesting and realistic with the actors portraying them excellently as well (especially Campbell Scott and Bruce Davidson). The scene with Davidson bringing his lover to his death is heartfelt and emotional but the scene at the end with the 3 survivors walking now on a silent deserted Fire Island beach as all their friends(and others) who died from AIDS milling about as they remembered them brought a lot of tears to my eyes. It is how all of us as humans try to remember those we love who have passed. I recommend this movie to all people both gay and straight because it is a film that transcends these labels and speaks to us as just humans,all in this mystery called life, as one.
As the famous Blondie ballad The Tide Is High opens Longtime Companions the song got me thinking. The Tide was high for LGBT people in 1981 as we began winning more and more battles for civil rights ordinances in various municipalities across the country. Then life and the tide ebbed radically as a bisexual man brought a virus over from Africa that had been decimating population on that continent and it spread like a prairie fire amongst us. Longtime Companions focuses on the intertwining lives of several gay men and how the plague virus affected both the infected and those around them.
I lost so many people in the next 15 or so years I feel like an Ishmael at times, left alive to tell the tale. That's what Longtime Companions does, it tells the tale of the loss of so much from the most famous names of all like Rock Hudson to the most insignificant in the cosmic scheme of things. How much art, music, science, human freedom, name the field could have advanced if these people had lived their allotted normal lifespan. Those who survived and especially those who worked in the field have a responsibility to be Ishmaels.
Longtime Companions boasts a great ensemble cast that functions like a well tuned Rolex watch. Some of my favorites are Patrick Cassidy the soap opera hunk who loses his job and eventually his fight for life. Campbell Scott who throws himself into the fight after losing his Longtime Companion. Most of all lovers Bruce Davison and Mark Lamos and there will be no dry eyes as you see Davison guide Lamos from one world to the next.
Two things standout for me in the Eighties which decade this film covers about AIDS. The first was in 1983 and my first exposure to someone with the virus. In my working life with New York State Crime Victims Board and after I had come out at work, I got a call from a bedridden man in Tribeca whose home health attendant had just robbed him blind of everything and he called us because the cops at New York's 1st precinct refused to go to even take the report. As our office was downtown and my dear friend Ermano Stingo lived there as well, we both went to this man's flat, a rather dingy place overlooking the Hudson River that was pretty well emptied of most of what was there save this bedridden man with lesions going into his last stage of life. Sad to say both of us saw that sight a lot more over the next decade. I filled out my paper work for a claim, witnessed his signature and Ermano went to the 1st precinct to file the report on the victim's behalf. To this day I wish I could recall his name, but Ermano is also now in another world.
The second thing was the hearings for the New York City gay civil rights law. At the many forums the City Council gave us and our opposition to testify for the bill, I remember a lot of the homophobes walking in with surgical masks covering their faces as if that would prevent them from catching the disease from the opposition which they all assumed were sufferers or carriers. How ignorant they were and still are and worse how they did not want to be dissuaded from their firmly held beliefs. A frightening time for all.
To understand AIDS and its impact on LGBT people and society as well you have to see Longtime Companions. And this review is dedicated to both my claimant in the Tribeca flat and to the first person that I knew that died of AIDS, a bartender named Bobby Lynn who worked in a long since gone gay bar in Brooklyn Heights.
I lost so many people in the next 15 or so years I feel like an Ishmael at times, left alive to tell the tale. That's what Longtime Companions does, it tells the tale of the loss of so much from the most famous names of all like Rock Hudson to the most insignificant in the cosmic scheme of things. How much art, music, science, human freedom, name the field could have advanced if these people had lived their allotted normal lifespan. Those who survived and especially those who worked in the field have a responsibility to be Ishmaels.
Longtime Companions boasts a great ensemble cast that functions like a well tuned Rolex watch. Some of my favorites are Patrick Cassidy the soap opera hunk who loses his job and eventually his fight for life. Campbell Scott who throws himself into the fight after losing his Longtime Companion. Most of all lovers Bruce Davison and Mark Lamos and there will be no dry eyes as you see Davison guide Lamos from one world to the next.
Two things standout for me in the Eighties which decade this film covers about AIDS. The first was in 1983 and my first exposure to someone with the virus. In my working life with New York State Crime Victims Board and after I had come out at work, I got a call from a bedridden man in Tribeca whose home health attendant had just robbed him blind of everything and he called us because the cops at New York's 1st precinct refused to go to even take the report. As our office was downtown and my dear friend Ermano Stingo lived there as well, we both went to this man's flat, a rather dingy place overlooking the Hudson River that was pretty well emptied of most of what was there save this bedridden man with lesions going into his last stage of life. Sad to say both of us saw that sight a lot more over the next decade. I filled out my paper work for a claim, witnessed his signature and Ermano went to the 1st precinct to file the report on the victim's behalf. To this day I wish I could recall his name, but Ermano is also now in another world.
The second thing was the hearings for the New York City gay civil rights law. At the many forums the City Council gave us and our opposition to testify for the bill, I remember a lot of the homophobes walking in with surgical masks covering their faces as if that would prevent them from catching the disease from the opposition which they all assumed were sufferers or carriers. How ignorant they were and still are and worse how they did not want to be dissuaded from their firmly held beliefs. A frightening time for all.
To understand AIDS and its impact on LGBT people and society as well you have to see Longtime Companions. And this review is dedicated to both my claimant in the Tribeca flat and to the first person that I knew that died of AIDS, a bartender named Bobby Lynn who worked in a long since gone gay bar in Brooklyn Heights.
Blondie's hit record opens this early AIDS film, a kneejerk reaction to the hysteria that was happening in the world in the wake of so many deaths from what was still viewed as 'the gay plague'.
'Longtime Companion' centres on a group of friends who are affected by AIDS in various different ways - two are victims of the disease, while others survive to remember their friends with affection. There are one or two stereotypes here (the camp Fuzzy, who mimes to disco records), but in the main the characters are played with sensitivity (and a degree of humour): Bruce Davison, Mark Lamos, and Campbell Scott stand out from a good cast.
I particularly liked the moving and celebratory ending, a surreal segue which brings everyone together in a huge, joyous beach party where everyone is alive, in love, and together. This single scene says more about the effects of the AIDS epidemic than many other right-on scenes from more traditional films.
'Longtime Companion' centres on a group of friends who are affected by AIDS in various different ways - two are victims of the disease, while others survive to remember their friends with affection. There are one or two stereotypes here (the camp Fuzzy, who mimes to disco records), but in the main the characters are played with sensitivity (and a degree of humour): Bruce Davison, Mark Lamos, and Campbell Scott stand out from a good cast.
I particularly liked the moving and celebratory ending, a surreal segue which brings everyone together in a huge, joyous beach party where everyone is alive, in love, and together. This single scene says more about the effects of the AIDS epidemic than many other right-on scenes from more traditional films.
i bought the DVD and watched it the other night. cried like a baby. i remember the fairly gay crowd i saw it with originally in the movie theater. two scenes are especially going to stay in my mind forever. the ICU scene and the bedroom scene with Bruce Davison telling someone that its okay and let go. i can believe why he was nominated for an Oscar, i am amazed that he didn't win. does anyone remember who did??
The film faithfully depicts an era of gay life that shocked some people and was applauded by others. its frankness was one of its best features. it was not a soap opera but a slice of real life, both joyous and tragic. as thousands still die every year, apparently a lot of people missed the point. it had no apologies and its many relationships: brother and sister, partner and partner, friend and friend are as vital today as then. gay in those days was based on sexual experimentation, it is unfortunate that the results were/are so deadly. i really suggest young people today find this film and pay attention. and if you haven't seen this, rent it/buy it/watch it. you won't soon forget it.
The film faithfully depicts an era of gay life that shocked some people and was applauded by others. its frankness was one of its best features. it was not a soap opera but a slice of real life, both joyous and tragic. as thousands still die every year, apparently a lot of people missed the point. it had no apologies and its many relationships: brother and sister, partner and partner, friend and friend are as vital today as then. gay in those days was based on sexual experimentation, it is unfortunate that the results were/are so deadly. i really suggest young people today find this film and pay attention. and if you haven't seen this, rent it/buy it/watch it. you won't soon forget it.
Você sabia?
- CuriosidadesThe title refers to the only way that newspapers at the time would allow a gay man's lover to be listed in an obituary.
- Erros de gravaçãoIn the segment marked "July 3, 1981" people dance to the song "Do You Wanna Funk?" by Sylvester, but this song was not released until 1982.
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- Data de lançamento
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- Também conhecido como
- Longtime Companion
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- Orçamento
- US$ 3.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 4.609.953
- Fim de semana de estreia nos EUA e Canadá
- US$ 50.525
- 13 de mai. de 1990
- Faturamento bruto mundial
- US$ 4.609.953
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By what name was Meu Querido Companheiro (1989) officially released in India in English?
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