Adicionar um enredo no seu idiomaFramed for the murder of a record company president in 1952 Hollywood, young, aspiring singer Aggie O'Hanlon is sentenced to life in prison and tries to adjust to her life life behind bars i... Ler tudoFramed for the murder of a record company president in 1952 Hollywood, young, aspiring singer Aggie O'Hanlon is sentenced to life in prison and tries to adjust to her life life behind bars in a hellish womens prison where she is befriended by other "lifer" inmates who help her ou... Ler tudoFramed for the murder of a record company president in 1952 Hollywood, young, aspiring singer Aggie O'Hanlon is sentenced to life in prison and tries to adjust to her life life behind bars in a hellish womens prison where she is befriended by other "lifer" inmates who help her out when Aggie finds herself marked for murder by an unknown source who thinks she knows mor... Ler tudo
- Direção
- Roteiristas
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- Miranda
- (as Angie Ray McKinney)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Also, as it is set in the 1950's, Anne Heche gets to wear some clothes that would look right at home on Grace Kelly.
Outside of these shower scenes was the cheesiest dialog that I have ever heard. I cannot believe this movie even had a script. I am sure the actresses were told just told use whatever cheesy prison dialog you can think of. It was painful to listen to. They threw in dialog about the Korean War and McCathyism to set the times, but it was just terrible.
It would have been a much better production if they had 80 minutes of shower scenes and 3 minutes of dialog, instead of the other way around.
The prison style is taken from the 1950s, and the manner of presentation from the 1990s. The characters, as in a number of other works included in the almanac "Rebel Highway", are exaggerated, and the surroundings are more like a theatrical scenery. In the background, characteristic details of the past flicker, referring to once pressing political views, smoldering conflicts and street movements - hence a peculiar parallel suggests itself, that everyone fights for his / her dignity or goals and values, what he / she considers to be truly true, as best he / she can.
Obviously, you shouldn't expect something on the level of "The Shawshank Redemption" (1994). It's a typical genre B-movie with no hint of depth, but within its niche it looks quite solid.
The original film was shot in 1956, "Girls in Prison", the story revolved around the property of a bank.
Most of the laughs in the film are unintentional rather than written. Parts of this movie (especially the truly unbelievable climax) defy belief.
Some parts simply make no sense at all. It looks like this movie had no script, the actresses were told just to use whatever dialog they could think of.
The only scenes with quality in dialog, comes from Anne Heche. It looks like they were more her idea rather than scripted or directed. Heche is great as the bad girl and is the only one, who knows what she's doing. The lack of acting from the rest of the cast are sometimes good for a big laugh.
The movie has two graphic shower scenes. Although poorly filmed, the girls are nice to look at (Heche bares her gorgeous breasts).
Outside Heche the movie is really bad... and not to recommend....
" It's supposed to be a police action "
" Yeah ? Then why the hell didn't they send cops "
Which is dialogue that will be forever synonymous with Samuel Fuller who used the line in another film set around The Korean War . But after this exchange strange things start happening where we're shown live footage for the battlefront , something that didn't happen till 'Nam . The McCarthy witch hunts are alluded to but somehow feel overblown and false while someone refers to an ashtray that was given to him by " The King " . What in 1952 ? Maybe he meant the King of England ?
I won't go into too much detail but in a contrived series of events a teenage girl called Aggie O'Hanlon finds herself serving a life sentence for a crime she didn't commit , and it's essential for anyone wanting to enjoy this TVM that they turn off their brain because there's plenty of things that don't make sense . For example a couple of inmates called Melba and Carol promise to protect Aggie . It's never revealed why they do this . Obviously being lesbian lovers it's very easy to jump to the conclusion that they want to involve the sweet and innocent Aggie in female love games but this isn't their motive at all because there is never any explanation for their motive , the audience just have to accept this without question .
The audience have to accept a lot of things that defy credibility as the plot twists and turns but I have to confess I felt very involved in all this , yeah I know melodramatic and far fetched doesn't even begin to describe this movie but it is enjoyable thanks to the good looking cast ( Yes there is some T&A ) and some impressive pastal coloured cinematography from Jean De Segonzac
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Jennifer: I sell direct... to high-school girls.
Lucky: I know all of Jennifer's haunts. I'll pick up her trail and track her down and conk her. Strip her naked and drive her out to the country... cuff her, grill her, starve her, grill her, starve her until she signs she butchered Johnson and stole your song. But I won't kill her.
- ConexõesEdited into Rebel Highway: Girls in Prison (1994)
- Trilhas sonorasEndless Sleep
Written by Dolores Nance & Jody Reynolds
Published by Beechwood Music Corp./Elizabeth Music Co. (BMI)
Performed by Concrete Blonde
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- Girls in Prison
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