Adicionar um enredo no seu idiomaAn all-enveloping darkness. Suddenly, a child's voice, frightened, questioning, pierces the darkness... The first flickering rays of light begin to sculpt mysterious shapes out of the darkne... Ler tudoAn all-enveloping darkness. Suddenly, a child's voice, frightened, questioning, pierces the darkness... The first flickering rays of light begin to sculpt mysterious shapes out of the darkness ... Among them, a very old man. He reassures the child, exhorting him to see the wonder... Ler tudoAn all-enveloping darkness. Suddenly, a child's voice, frightened, questioning, pierces the darkness... The first flickering rays of light begin to sculpt mysterious shapes out of the darkness ... Among them, a very old man. He reassures the child, exhorting him to see the wonders of the earth. And it is with this child's eyes that we will witness the creation of the ... Ler tudo
- Direção
- Roteirista
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- 1 indicação no total
- Narrator
- (English version)
- (narração)
Avaliações em destaque
Through a series of painterly images, and the calming, soothing narration of Omero Antonutti (Paul Scofield in the English version,) we are hand-led from the creation of man (in simple, elemental, but effective brush-strokes) to the fall of man, to what constitutes the longest segment of the film, Noah's construction of the ark, and the first of mankind's redemptions. Omero Antonutti plays the old man, the prophet-vessel of God himself as his boat is the vessel of a new humanity. The loading of the animals, the sense among Noah's extended family during the voyage that they are part of something greater than themselves, the dove at Ararat with the olive branch in its mouth, the vista of a subsiding ocean, all create, with the simplest of means, an impression that can be sublimely moving. And we ask ourselves why. What special gift can make a film director convert images, words, and sounds into the sacramental?
The music and musical selections by Ennio Morricone (with a great deal of Bulgarian women's chants incorporated) create a haunting impression as well. One does not have to be a great believer or even a believer at all, to be swayed by this work of wondrous poetry.
This film covers a period in the Bible that is difficult to dramatise. There are so many characters in bloodline between the creation of man and the birth of Noah that you can't pick a main protagonist. The film makers could have dealt with this in two ways:
OPTION 1 - Break this period down into three or four separate stories linked together by a narrator i.e 1)The Creation, 2) Adam & Eve 3)Cain & Able, 4) Noah
OPTION 2 - Use a narrator to read the Bible.
In this film they use a narrator to read the Bilble and it seems as if he is reading the Bible almost word for word. The "actors" rarely speak. I'm not even sure if they are actors as their faces rarely convey any emotion. The actors from the silent movie period such as Charlie Chaplin were able to convey emotions without speaking. The actors in this film however just move from one scene to another with blank faces whilst the narrator reads from the Bible.
I gave this film 1/10 because the score by Ennio Morricone was soothing. The score was the only redeeming factor.
An Italian retelling of the Bible stories narrated by Paul Scofield and Omero Antonutti who also played Noah . The title is a bit of a misnomer as the film only covers the first 22 chapters of the first book of Genesis . It covers various Biblical episodes and and open with the Creation of the World and arrive at the Garden of Eden with Adam and Eve, Cain and Abel and Noah and the Flood . It features overlong , slow takes , non-actors in authentic locations , sensitivity , passionate humanism and even some non-sense Iraq war scenes . Rousing and extraordinary soundtrack by Ennio Morricone , including chorus music . Gorgeous and evocative cinematography shot on usual location in Morocco . There is another better adaptation titled : The Bible in the beginning (1966) by John Huston with Michael Parks , Stephen Boyd , George C Scott , Ava Gardner , Richard Harris and Franco Nero play brothers-turned-enemies .
This strangely mounted production was produced by Rai 1 , Lux Vide , Lube, Biblical Studio Morocco and being well directed by ErmannoOlmi , though it doesn't gives the feel of a Cecil B De Mille spectacle . Olmi was a good and artistic filmmaker who made thought-provoking and sensitive films . Olmi was really influenced by the work of Roberto Rosselini. He usually includes social commentaries , overlong , slow-moving takes and using non-actors in authentic locations who frequently participate in dances . His best films were : The Tree of Wooden Clogs (1978) , The Legend of the Holy Drinker (1988) and Il mestiere delle armi (2001) . He also directed and produced a lot of documentaries. Rating 6/10 . The film will appeal to religious people .
I only wish I knew what the woman was singing in the background throughout many of its scenes. The film ends on a note implying God holds mankind accountable for human life.
Hard to fault a film with that message!
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- CuriosidadesThe film had its world premiere on September 6, 1994, out of competition at the Venice Film Festival.
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