Nunca te Amei

This was an unexpected jewel of a movie. If you like movies such as "Remains of the Day," you will enjoy this one. Against the backdrop of a traditional boys school in the English countryside, a teacher who is being forced out examines his life. This movie is well-done across the board--the rich if spare script (perfect), the cinematography, a well-integrated score, all perfectly paced. This movie and the characters in it have layers. The acting by Albert Finney and Greta Sacchi is masterful (Michael Gabon is good, too). All that, and it has an honest ending. This movie had my rapt attention from the opening scene, and I am certain to watch it again.

Albert Finney gives a classic portrayal of a teacher of the times. This movie shows so clearly the invisible gap which existed between teacher and pupil. It was extremely difficult if not impossible to come close to teachers in those days. The innocence of Taplow played brilliantly by Ben Silverstone and his genuine regard and respect for the aging Crocker=Harris, provides the viewer with an intimate encounter in which this teacher who is in a failed marriage, has not accomplished his ambitions to be head of the school, suddenly realises in the form of "Taplow", that he is genuinely loved for what he is, a good teacher who showed his love for the boys by, discipline and teaching. Little wonder that Crocker-Harris weeps when the truth dawns on him. Watch this movie and weep too. Absolutely first class.

I don't think I have the gift of words to write something that makes brilliant sense. Some movies are good, some movies aren't. This movie is just a superb thing. Everything is done with class. The acting is fine and subtle and the scene where the old teacher gets the book and he starts crying is magnificent. The soundtrack satisfies all my needs with it's romantic melodies and perfect timing. This movie is a must-see.

After watching the Terence Rattigan DVD collection (with most of the adaptations being from the 70s and 80s) when staying with family friends last year, Rattigan very quickly became one of my favourite playwrights and he still is. his dialogue is so intelligent, witty and meaty, his characterisation so dynamic, complex and real and the storytelling so beautifully constructed.

'The Browning Version' is a defining example of Rattigan at his finest. As said in previous reviews for the adaptations part of the Terence Rattigan DVD collection, is also at his best when laying bare deep emotional and psychological strains in his principal characters within a skillful dramatic framework. 'The Browning Version' epitomises that as well as everything that makes me love Rattigan's work so much. This 1994 film is a very worthy adaptation and a lovely film in its own right.

For me, the 1951 Anthony Asquith-directed film with Michael Redgrave is the definitive version and one of the best film versions of any of Rattigan's play, and there is also a preference for the 1985 TV version with Ian Holm and Judi Dench. As said though, quality-wise this version is more than worthwhile and satisfies as an adaptation too.

Directed by Mike Figgis, an interesting if curious choice in his last film before achieving international recognition, 'The Browning Version' (1994) has a few deficits. The whole school bully stuff was not needed and yanks the viewer too much back to the present day, which is sad when the film mostly does very well with its recreation of the period for something modern in comparison to be this at odds.

Matthew Modine is a little bland as Frank, he has the charm but not the callousness and cockiness and the character has been more interesting elsewhere. The film also has the one thing in the 1951 film that struck a false note intact, despite the speech being powerful how the film concludes so optimistically comes over still as contrived and didn't feel right with the rest of the film.

However, so much is done right with 'The Browning Version' (1994). It's beautifully made, with handsome period detail, cosy and sumptuous interiors and the cinematography is a lovely looking complement. The music is more understated than intrusive, a good thing for a film with as gentle a tone as here, and is soothingly orchestrated. Figgis's direction is controlled without being starchy or too low-key to lack presence.

Rattigan's writing is a very large star here. His superb writing, dynamic between the characters and consummate attention to very complex characterisation shine through wonderfully here and really keeps things afloat. There are changes here but rarely in a way that's distracting. The story is gently and intelligently done, as well as incredibly affecting. It too avoids becoming stage bound as is a potential problem with adaptations of plays. The scene with the gift brought tears to my eyes and a lump to the throat, it was always a moving scene in the source material and the same applies here, Albert Finney's reaction particularly stands out.

Of the cast, Albert Finney dominates as a sometimes stern but often incredibly heartfelt Crocker Harris. Despite the character being widely disliked by the students it is very difficult to not feel sorry for him. Greta Scacchi provides a more sympathetic portrayal of his wife (called Laura here and not Millie), usually played cold and without a heart, redeeming qualities or weaknesses as how Rattigan intended. But this more sympathetic approach works because it's not often that Crocker Harris' wife's point of view is understood by the viewer but one does here despite not condoning what she does.

Ben Silverstone's Taplow has a twinkling charm, with his chemistry with Finney's Crocker Harris providing a lot of the film's heart, while Michael Gambon is very good as ever and it was interesting seeing Julian Sands relatively early on in his career.

In summation, simple and gentle but beautiful though with short-comings. 7/10 Bethany Cox

The Browning Version(1994) Director Mike Figgis(Leaving Las Vegas)does a wonderful job in this remake of the 1951 classic about an unpopular teacher( Albert Finney) who realizes his life has been a failure after being forced into early retirement because of a heart condition and his relationship with his 20 year younger unfaithful wife(played by the beautiful Greta Scacchi).Its always a pleasure to see Finney, certainly one of the finest actors alive,and maybe even the best, give a gut wrenching performance as the out of touch teacher forced to face an uncertain future. The excellent supporting cast includes Julian Sands and Matthew Modine. A very intelligent, well made movie recommended for all serious film buffs