AVALIAÇÃO DA IMDb
7,0/10
40 mil
SUA AVALIAÇÃO
Em 1123, o conde de Montmirail mata por engano o pai de sua noiva e pede a um mago que o leve de volta no tempo para reparar o erro. A magia, porém, dá errado e o conde e seu fiel escudeiro ... Ler tudoEm 1123, o conde de Montmirail mata por engano o pai de sua noiva e pede a um mago que o leve de volta no tempo para reparar o erro. A magia, porém, dá errado e o conde e seu fiel escudeiro vão parar na França de 1993.Em 1123, o conde de Montmirail mata por engano o pai de sua noiva e pede a um mago que o leve de volta no tempo para reparar o erro. A magia, porém, dá errado e o conde e seu fiel escudeiro vão parar na França de 1993.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 8 indicações no total
Arielle Sémenoff
- Jacqueline
- (as Ariel Séménoff)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Sometime soon we'll agree not to be mad at the French. When that happens, look for "Les Visiteurs" on cable or at the video place. The frantic humor of this time-shifting comedy works well both on the French dialogue track and through the somewhat loose paraphrases of the subtitles. Yes, folks, subtitles and all, this is a good one.
Christian Clavier emerged from the Splendide, a French take on Second City, to seize the film comedy market by the throat. Like Jerry Lewis, he is in need of a straight man. Lewis's moved on to the Ding-a-Ling Sisters. Clavier has granite-faced Jean Reno of "French Kiss" and "Mission Impossible", the man with the permanent dix-sept heures shadow across his jowls. Their interaction is spot-on hilarious.
Oddly, the memorable quote from this film is in (sort of) English. "OK" is acceptable Franglais, the Academie notwithstanding. Clavier's character becomes fascinated with the word, shouting "O-Kayyy"! at the least provocation. Listen to my wife and I converse: we echo old Jacqouille all the time.
Christian Clavier emerged from the Splendide, a French take on Second City, to seize the film comedy market by the throat. Like Jerry Lewis, he is in need of a straight man. Lewis's moved on to the Ding-a-Ling Sisters. Clavier has granite-faced Jean Reno of "French Kiss" and "Mission Impossible", the man with the permanent dix-sept heures shadow across his jowls. Their interaction is spot-on hilarious.
Oddly, the memorable quote from this film is in (sort of) English. "OK" is acceptable Franglais, the Academie notwithstanding. Clavier's character becomes fascinated with the word, shouting "O-Kayyy"! at the least provocation. Listen to my wife and I converse: we echo old Jacqouille all the time.
I just finished watching the movie, and it was hilarious. I was laughing outloud at many many points. However, as my title indicated, it was the original french track that made me laugh. As is always the case for biliguals, one cant help but listen to the track and read the subtitles at the same time. Unfortunately, the subtitles do not do justice to the movie.
There are just too many semantic jokes that play off names and locations that could not be translated and make sense. That is why in so many reviews there seems to be a sharp contrast in views of whether or not this was a joke-a-minute movie.
The hollywood remake is awful, in fact,it never really made any sense and and the jokes were far and few in between. This one makes much more sense, and the meeting of people and their descendants makes for many more laughs.
The other factor is the acting and casting. This is just the nature of subtitled movies - one very rarely gets the fantastic acting and language ability of actors when reading the watcher is reading a yellow line, especially in comedy. Those who listen to the movie in its original french thikn the acting was fantastic, the voice casting (something i think is terribly important in acting [say, could Ashton Kutcher play Maximus from Gladiator, no, a high pitched voice could not do it]) is brilliant, but reading a crummy translation (and it was crummy) wont do the film justice.
8/10 for francophiles 6/10 for subtitle readers
There are just too many semantic jokes that play off names and locations that could not be translated and make sense. That is why in so many reviews there seems to be a sharp contrast in views of whether or not this was a joke-a-minute movie.
The hollywood remake is awful, in fact,it never really made any sense and and the jokes were far and few in between. This one makes much more sense, and the meeting of people and their descendants makes for many more laughs.
The other factor is the acting and casting. This is just the nature of subtitled movies - one very rarely gets the fantastic acting and language ability of actors when reading the watcher is reading a yellow line, especially in comedy. Those who listen to the movie in its original french thikn the acting was fantastic, the voice casting (something i think is terribly important in acting [say, could Ashton Kutcher play Maximus from Gladiator, no, a high pitched voice could not do it]) is brilliant, but reading a crummy translation (and it was crummy) wont do the film justice.
8/10 for francophiles 6/10 for subtitle readers
The French have a wonderful sense of detail. I've spent 10 months there, and this sixth sense seeps through most things - including films. Their comedies are almost always very good, and if they could just get rid of the need for banana-skin-humor (in this case a bowl of soup on someone's head), they would be hilarious.
This film is the funniest of the lot. The characters are extremely funny, and the clash between the medieval knight and his sidekick and the modern world is just as grotesque as I imagine it would be in real life.
The part where they have dinner together is the best: "Jour...nuit...jour...nuit..." You can't quit laughing.
This film is the funniest of the lot. The characters are extremely funny, and the clash between the medieval knight and his sidekick and the modern world is just as grotesque as I imagine it would be in real life.
The part where they have dinner together is the best: "Jour...nuit...jour...nuit..." You can't quit laughing.
I watched this film late at night on Channel 4 while not being able to sleep, not knowing what on earth to expect. In fact it turned out to be a delightful film, which really made me laugh and was unashamedly silly while not being specifically aimed at kids. I ended up getting it on DVD and making my friend watch it: she also thought it was great. Neither of us can speak French and while we knew the subtitles probably weren't getting all of the humour across we still found it very enjoyable. Shame it had to be remade, although I never saw the English version I'm sure it wasn't as good. Recommended!
(P.S. We were also shown some of it in French class - the teacher and I giggled throughout and no one else in the class did! So maybe an acquired taste, but I loved it!)
(P.S. We were also shown some of it in French class - the teacher and I giggled throughout and no one else in the class did! So maybe an acquired taste, but I loved it!)
When I saw the low rating on this movie, I knew I had to submit a vote because, in my opinion, it make discourage many others from watching one of the funniest movies ever. The plot is very original, a knight and his servant, who were supposed to return in the past only several hours to correct a fatal error in judgment, mistakenly get zapped to modern times. Imagine medieval eyes seeing asphalt and a horse less steel chariot (a car of course) rolling towards them. The men, used to witches and sorcerers, believe it is some sort of devil machine. When the car stops, they promptly attack it. A black man exits and the medievals yell: "A Saracen, a Saracen!". I saw this movie in its original language: French. If you can understand French, I very strongly recommend it. This is slapstick at its best. You will want to buy the movie and watch it over and over because you will always discover something else you missed. It is a jewel!
Você sabia?
- CuriosidadesMel Brooks was hired to write and record English-language dialogue for the U.S. release. But the version did not test well with audiences, and co-writer/director Jean-Marie Poiré hated it, saying Brooks had turned it from a comedy about a French knight into a parody with French accents so thick it was almost impossible to understand. So Miramax held up U.S. release until the summer of 1996, with standard subtitles. Brooks was paid $500,000 for his efforts, however.
- Erros de gravaçãoWhen Godefroy arrives at Béatrice's, he complains that "there's no longer any hectare of forest". Hectare is a surface area unit that was invented during the French Revolution.
- Citações
[repeated line]
Jacquouille la Fripouille: OKKKKKKKKKKK!
- Cenas durante ou pós-créditosAfter the final credits role, stick around for a "Hello to all you credits-lovers!" accompanied by a waving medieval knight.
- ConexõesFeatured in CinéMagique (2002)
- Trilhas sonorasSymphonie Ecossaise
(Extraits)
Composed by Felix Mendelssohn (as Félix Mendelsshon)
Performed by The Czech Symphony Orchestra
Principais escolhas
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- How long is The Visitors?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Les visiteurs
- Locações de filme
- Château d'Ermenonville, Ermenonville, Oise, França(Montmirail Castle, modern times)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- FRF 50.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 659.810
- Fim de semana de estreia nos EUA e Canadá
- US$ 24.792
- 14 de jul. de 1996
- Faturamento bruto mundial
- US$ 659.810
- Tempo de duração
- 1 h 47 min(107 min)
- Cor
- Proporção
- 2.35 : 1
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