Amor à Queima Roupa

Have to give this 10/10 because it's still my Number one film now after having first seen it nearly twenty years ago. I love every second of it. From the dialogue to the stellar cast and everything in between. It just feels like my movie and I think it always will be.

"True Romance" is one of those few movies that has it all: Action, romance, drama and brilliant acting. Not to mention TR has an all-star cast, but many contribute their finest work in this film. Oldman, Arquette and Slater arguably give their best performances. Christopher Walken's scene is nothing short of pure brilliance. I loved him in "The Dead Zone" and "The Deer Hunter" as well as his brief appearance in "Pulp". I was happy with the ending, and I'm glad it ended the way it did. We've come to not expect that type of ending anymore. This along with numerous other reasons too long to explain here is why I truly believe "True Romance" is one of the greatest films ever made. Period.

I cannot ignore the influence Quentin Tarantino's script had over the style of direction in "True Romance". The scary part is, if Tarantino had directed, it probably would have been even better. The sacrifice he made ended out being well worth it though. The good acting from a strong cast completed this great movie.

Christian Slater's wardrobe however, steals the show.

8 out of 10.

True Romance is a celebration of film. It wallows in every possible seedy contrivance of American crime/action cinema. It is absolutely shameless in its exploitation of excessive violence, over-acting, melodrama, lurid sex, and rampant drug use...I love it. Quentin Tarantino, as I'm sure everyone knows, wrote the story, but it is the in execution that this film pays off. The cast, oh the cast: The lynchpins are Christian Slater and Patricia Arquette. They both give solid performances, which prevents the film from flying off the tracks; they serve as the pilot light. The supporting roles are the gas. The Walken/Hopper show down has been oft sighted as the film's best aspect, and this is, arguably, true. Just watch this scene and then watch it again. Sparks actually shoot out of the screen and burn people about the head and shoulders. OK, you've got Val Kilmer as the ghost of Elvis, Brad Pitt as a disgruntled pot-smoking loser, Tom Sizemore & Chris Penn as cops, James Gandolfini (pre-Sopranos) as a reflective hitman, and you've even got Bronson Pinchot (from TV's PERFECT STRANGERS) for God's sake. Did I forget Gary Oldman? Do yourself a favor and rent every single Gary Oldman related project (they're not all good films, but...). Why is Gary Oldman not in every film ever made? Why? I ask you why? He has got to be the best actor working today, hands down. As Drexel Spivey, Oldman chews the scenery, digests it, and then expels it from every orifice. Keep in mind that he is an English actor with a normal speaking voice at home in the Royal Shakespeare Company. His performance here is second only to his turn in LEON in blatant over-the-top insanity. Tony Scott, who along with his brother Ridley, has been known to over-direct a film or two, here chooses wisely to basically set up the camera and run. The score by Hans Zimmer adds a bouncy xylophone driven theme to the film and finds the right balance. This a well made, balls-to-the-wall, popcorn throwing, cult classic. In a market dominated with stereotypical characters, this movie avoids that trap by letting the stereotypes flourish with all the grotesque absurdity it can muster. 9/10

In Detroit, comic book store clerk Clarence Worley (Christian Slater) falls for hooker Alabama Whitman (Patricia Arquette) who was hired by his boss as a birthday present. They get marry. He kills her pimp. They steal his cocaine. That's when things start to go wrong.

Tony Scott directs this violent outrageous movie, but it's Quentin Tarantino's dialogue that makes it stands out. Coming after 'Reservoir Dogs', Quentin was still an unknown quantity. I loved the wild dialog but didn't know anything about Quentin when I first saw this. Christopher Walken and Dennis Hopper have a crazy exchange. I remember sitting up and taking notice like a new voice has come to American cinema. It's years later when I noticed Tarantino's name as the writer and it all makes sense. A name is given to the voice. Would you do Elvis if your life depended on it?