À Mão Armada

If you haven't been to the streets of an urban town where drugs and guns are on the boost of popularity, then this is the film for you. After seeing Strapped you'll know exactly what happens in places all over the world where teenagers become shcool drop-outs and gun buyers. Strapped is a film which keeps you awake during the whole movie. Watch it, you won't be disappointed!

My assumption is that if you watched this movie, or are interested in watching this movie, then you know what the word "strapped" means. But, just in case your slang knowledge is lacking, strapped is an "urban" term meaning that one is carrying a gun.

It is clear from the end credits' text and the title of this movie that the pervasive message is one of gun control. I would be naïve to believe that the plethora of guns, particularly in the inner cities (or ghettos if you will), have nothing to do with the amount of violence in those same places. Guns absolutely play a role and are a factor in the violence. But I'd be equally naïve to believe that there are not myriad other contributing factors to the violence. And what was apparent in the movie "Strapped," by Forest Whitaker, was that hopelessness and thuggishness were as big, if not bigger, contributors to inner-city violence than even the guns. Not that hopelessness and thuggishness (or thuggery) always exist together, but hopelessness is definitely the main pillar of thuggishness. Remove hopelessness and thuggishness goes with it.

Enough of the societal ills speech.

As far as the movie is concerned, it was OK, but it had a lot of stiff competition at that time. I'd say that the late 80's/early 90's--probably starting with "Colors"-- produced quite a few movies centered around life in the 'hood; with some of your better movies being "Colors," "Boyz in the Hood," "South Central," "Menace to Society," and a couple of others. You can even extend the list to add movies like "The George McKenna Story," "Lean on Me," and "Stand and Deliver." Even though they were education based, they dealt with young people in the 'hood.

So, with the aforementioned movies already being so prominent, what was going to make "Strapped" stand out? As it was, I saw "Strapped" as a different version of the movie "Juice." "Strapped" is almost identical to "Juice." Both took place in New York. Both had a relatively levelheaded main character (Q, played by Omar Epps in "Juice" and DiQuan, played by Bokeem Woodbine in "Strapped"). Both had a hot-headed supporting actor (Bishop, played by Tupac in "Juice" and Bamboo, played by Fredro Starr in "Strapped"). And the main theme to "Juice" was you had juice if you were strapped. So, what you found is that Bishop in "Juice" became an untamable monster by virtue of having a gun; while Bamboo (Fredro Star), in the movie "Strapped," wilds out for virtual the same reason (and it's not lost on me that the two gun-happy characters have names that start with "B" and were played by rappers).

"Strapped" is essentially the same story as "Juice" with a little more emphasis on the wide distribution of guns in the ghetto. I happened to like "Strapped" more than I like "Juice" simply because of the two hyperbolized characters (Bishop and Bamboo), Bishop was the most outrageous. His behavior seemed extremely manic when nothing changed but his acquiring a pistol.

With a bevy of prior similar movies and a more popular movie that was nearly identical, "Strapped" failed to distinguish itself. Add to that the sub-standard cinematic quality, dialogue, and acting, "Strapped" just didn't cut it. It is watchable, I just wouldn't watch it twice.

This is an absolutley great film. Forest Whiteka has excelled himself with a great detailed account of the lives of young black youths struggling through poverty to survive. The director of photography has chosen some brilliant urban backdrops to set the picture alive, almost as if you're a third person view within the film. The story is compelling and well structured, sure it's been done before, but it's the way it has been done that makes this movie so interesting to watch. Has some classic elements of other films such as The Warriors in places, but this only adds to the surreal effect being created here by Forest!

It also has some of the most shocking scenes from the 1993 era. A definite must see for urban-gangsta fans everywhere. Bokeem displays an amazing performance.

Why it wasn't a video release seems beyond me.

Although this is a credible story with good directing, I found the characters not very believable and some of the acting over done. Bokeem Woodbine as Diquan Mitchell is okay, but the turnaround in his state of mind at the end of the show is quite astonishing.

The ending leaves a sour taste in the mouth. Sure, it may be intentional but it unravels the whole point of the movie. What I thought was the story of a ex-con trying to make good his life suddenly ends in a socio drama reflecting the sad situation of the black community in Brooklyn. Everything seems to be a wasted effort -- there's just no conclusion.

I must give credit where credit is due. This film has a pretty good, well-structured script, with a powerful crisis and climax in the end. I must commend the writer for putting together such a script.

But the acting wasn't convincing most of the time, and the Brooklyn portrayal, which includes the character's choices of clothing, didn't give a realistic image of the Brooklyn I know. I would also probably change the music in the film, cut-out the snippets of reggae music during the revealing of a gun in the film, and the emphasis made on the main actors to look like thugs. The actors over did their performances as criminals most of the time and it was a bit distracting to someone, like myself, who grew up hanging out with true thugs from the streets of Brooklyn, New York.

But besides all of that, the film was still great. From a grade of A+, being excellent, to a F, being the worst, I give this film a C...