Schwarzfahrer

This movie has everything I expect in a short. Swiftness, beautiful cinematography, good subject matter, great characters, totally surprise and feel-good ending. One of the surprises is that I only found out what the subject was half way into the film. It's well worth seeing.

i didn't know what to expect as i watched this short german film. i'd never read or heard anything about it, knowing only that it would be about racism. let me say that you will not get what you might expect.

i don't want to ruin the beauty of this film so i'll leave out any details and merely say that i thought of the ending about 10 times between the movie's conclusion and my bed-time, and that each time i did so, a huge smile crossed my face, accompanied by a chuckle. watch it.

As a producer, director, and writer I tend to watch things the first time without attaching my expert cynicisms. I leave that for the second viewing. This film deserves a watch, and a purchase to your permanent collection of short films.

And if your new to shorts this will set your benchmark very high for quality of story; which makes up for about 95% of a films quality, especially for the lack of originality the industry suffers from.

Finally, the production quality in the very first shot is very deceptive in that it requires patience for researchers of the art and craft such as myself.

So people are falling all over themselves saying how great this little film is. Really? Because the best way to eradicate racism is to act in ways which confirm racist stereotypes?

Needless to say, I disagree with the praise heaped on this short work, which I frankly found rather petty. The old lady probably has tons of issues, but even if you want to categorically denounce her as a racist, how does the Schwarzfahrer's behavior do anything to help improve the situation of other black persons? Answer: it does not. (Just like virtue signaling, which accomplishes nothing beyond allowing the person emoting to feel smugly superior to those whom they denounce.)

So the guy gets a short-term feeling of revenge. Big deal. It helps no one. Why? Because the lady will just regale all of her racist friends with the tale of how one of these horrible immigrants did her wrong. And she will not be telling a lie. Then they will all take this sort of anecdote and run with it, embellishing and perpetuating all of the racial stereotypes which they have long held. They all have their stories. This is how to start one, not to eradicate racism.

After watching a few short films made by university students and some Oscar winning shorts, I have observed that the films that win acclaim mostly fix its entire scope on a singular event and generally elevate the movie to a level where one presumes he or she has guessed the ending only to be deceived with a climax that is highly unexpected yet totally believable and (forgive me for using this word but I still have the teenager in me) awesome!

When a black man is humiliated on a train for an extended period of time by an elderly woman and there is a supporting focus on a third character, we always tend to assume the third character comes to focus in the end. I had a feeling that the guy would suddenly face the woman and ask her to control herself. Or say the child sitting opposite would kick the lady. Or if the director goes for a Scary Movie ending, then all the passengers would get up and stab that hag to death. But the ending will be a surprise no one would have guessed.

The thing that fetched it the Oscar, apart from its plot, is the irony in the title. Not many movies have so cleverly named their film.

My Rating: 8 out of 10