Spielzeugland

the films about Shoah are many. but "Toyland" is different. for its intensity. for its switch. for the exploration of an explanation and a fundamental decision. and, sure, for something who remains out of words. because it is a film about hope. and about miracle in a form who seems so easy to define than remains deep way impressive. a mother, her son, theirs neighbors.and a piano. nothing more but enough for a so intense film, profound provocative, than it becomes a serious challenge for the viewer. to become himself. in better version.

"Toyland" is a film that works so brilliantly that it managed to be powerful, thought-provoking and even gut-wrenching than most Hollywood films that are 8 to 10 times longer. With sparse dialogue, director Jochen Alexander Freydank keeps us hooked throughout this superb short film.

Set during the Holocaust, a German woman frantically searches for her son, who might have decided to accompany his Jewish neighbors to a Nazi concentration camp because the Jewish family's young son and her son are best friends.

The film is elegantly shot and wonderfully acted. There is more poignancy and true emotion in this film than I have seen in most Hollywood films in recent times.

Director Freydank moves his story along, with us always wondering not only what comes next but how this is going to end. And then comes the denouement: A truly remarkable twist that says much about the human spirit. It is a moment that will break your heart while simultaneously make you smile.

If you have the chance to see this, and the other Oscar-nominated live action shorts, do yourself a favor and watch them. Believe me, it will be time much better spent than, say, on "New In Town" or most any other mainstream Hollywood film.

The moment I heard melancholy piano instrumental played on the background, I felt to be pulled by a film. From a German language actress speaks and her serious reaction to the missing son, I soon noticed it is a story about The Holocaust. At first, it is slightly difficult to follow the story, because it is told from two perspectives of German mother and David, her son, in two timelines. The first scene starts with David's mother going to find David, who is seemingly captured by SS. In the next scene of David and Heinrich playing the piano together, we finally understand why David is missing. One of the most impressive moments is the interaction between the mother and David. The mother cannot honestly tell David the cruel truth about entrainment of Jewish, and instead lies that they will go to "Toyland." Watching unsatisfied David and the conversation between David and Heinrich, Jewish friend of David, we come to see why David vanishes from his bed. On the latter part, I was really thrilled by the struggle to reach David by his mother. In every sequence such as finding the teddy bear, being suspected as Jewish by the police, and final arrival to the train where David is, the contents are considerably concentrated, and I couldn't avert my eyes.

Potently seen through the eyes of two young boys, the rise of Nazi-ism is depicted as "David" (Tamay Bulut Ozvatan), a Jew, and his family must make preparations for a trip whilst the mother of the other (Julia Jäger) must make preparations to lie to her son about just what is going on in their country now. They boys have no appreciation of the dangers and so armed with his bear "Little Paul" the two insist on travelling together. Can his mother track down "Heinrich" (Cedric Eich) before it's too late? It's chilling, this film - not just the effects of the snow on the ground but these ghastly yellow stars stitched like targets upon the clothing of the unwilling travellers. The boys think they are going to "Toyland".... Scary stuff well presented with an effective minimum of dialogue.

Usually, I don't watch short films but after seeing and reviewing about five feature films in three days, I needed to see a movie that could capture a gamut of emotions in few minutes and that is precisely what 'Toyland' does. It takes one of the most crucial periods in history - the holocaust and brings it down to the lives of two families and an incident that changes the course of their lives in the dark period.

A mother finds her son Heinrich missing one day, after she tells him the previous day that their neighbors are moving to Toyland. The prospect of going to a place filled with toys titillates Heinrich and he gets too eager to go with the neighbors, which includes his best friend Paul. The first seven minutes oscillate between flashbacks of Heinrich's excitement and the mother's frantic search. This leads to an end that is so poignant, gripping, chilling and fascinating that it brought tears to my eyes. The fourteen minute film so effortlessly manages to touch the audiences that it truly deserves all the accolades that it has got. 8 out of 10.