AVALIAÇÃO DA IMDb
5,2/10
9,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA high school teacher from a troubled inner city Washington D.C. neighborhood becomes a super-powered hero and takes on the gang that has been terrorizing his streets.A high school teacher from a troubled inner city Washington D.C. neighborhood becomes a super-powered hero and takes on the gang that has been terrorizing his streets.A high school teacher from a troubled inner city Washington D.C. neighborhood becomes a super-powered hero and takes on the gang that has been terrorizing his streets.
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Avaliações em destaque
Well, I'd be lying if I said that this could easily rival Spiderman or the Batman movies. Still, it was more appealing to me for it's moral value. I first bought the VHS when my son was about 2 years old and it immediately became his favorite. My wife and I are avid supporters of Robert Townsend and have been since he used credit cards to finance his first movie, "Hollywood Shuffle". True, he needs to take advantage of the talents and knowledge of technical advisors to make the films more believable, but his movies are still fun.
Meteor Man provides a hero with an Urban Contemporary feel. I always felt that, if there were superheroes, they wouldn't provide the same scenarios as depicted in the comics. Meteor Man is realistic hero with real problems: Car broken into, bad neighborhood, local drug-dealing gangs using children for distribution, etc. The scope of his mission stayed pretty much within the community.
What I found to be truly entertaining, outside of James Earl Jones' "young forever" performance, was how the neighborhood responded to his newly discovered powers. It wasn't long before they had a full agenda lined up for him, without his input, of course. It was hilarious to hear them offer to lend him out to other communities where their extended families lived.
Yes, the plot was weak, the movie was predictable, there was bad acting and continuity was rotten, but it ranks #1 with my kids. Robert Townsend works to bring movies "home" so to speak. I doubt he'll ever truly be recognized as the talented actor/producer/director he truly is, but there are and will always be, those that love him for his efforts.
One point to ponder about the film, which I find amusing: Throughout the entire battle with Simon, no one bothered to call the police???? Also, what mother and father do you know that will watch their son fight from a window? My mother would have been right there, scrapping by my side, toe-to-toe. Dad would be loading his pistol. lol
Rent it and check it out. It's worth seeing at least once and good for those of you that are fans of Sinbad, Luther Vandross, Bill Cosby, Big Daddy Kane, etc. Great job with the cameos Robert!
Meteor Man provides a hero with an Urban Contemporary feel. I always felt that, if there were superheroes, they wouldn't provide the same scenarios as depicted in the comics. Meteor Man is realistic hero with real problems: Car broken into, bad neighborhood, local drug-dealing gangs using children for distribution, etc. The scope of his mission stayed pretty much within the community.
What I found to be truly entertaining, outside of James Earl Jones' "young forever" performance, was how the neighborhood responded to his newly discovered powers. It wasn't long before they had a full agenda lined up for him, without his input, of course. It was hilarious to hear them offer to lend him out to other communities where their extended families lived.
Yes, the plot was weak, the movie was predictable, there was bad acting and continuity was rotten, but it ranks #1 with my kids. Robert Townsend works to bring movies "home" so to speak. I doubt he'll ever truly be recognized as the talented actor/producer/director he truly is, but there are and will always be, those that love him for his efforts.
One point to ponder about the film, which I find amusing: Throughout the entire battle with Simon, no one bothered to call the police???? Also, what mother and father do you know that will watch their son fight from a window? My mother would have been right there, scrapping by my side, toe-to-toe. Dad would be loading his pistol. lol
Rent it and check it out. It's worth seeing at least once and good for those of you that are fans of Sinbad, Luther Vandross, Bill Cosby, Big Daddy Kane, etc. Great job with the cameos Robert!
Ok this was rather made for kids, rather than some 25-year-old who are looking for B-movie fun. Reading some stuff in here I decided to give it a try. About the jokes: some worked and some didn't with me - I guess the movie along with its funny special FX is OK.
I suggest some (or more!) beer along with this, unless of course you're under 18 and alcohol consumption is prohibited for your age in your country. WARNING! This is not extreme fun, rather stupid but it has its moments.
I suggest some (or more!) beer along with this, unless of course you're under 18 and alcohol consumption is prohibited for your age in your country. WARNING! This is not extreme fun, rather stupid but it has its moments.
There's no plot.
There's a fine story about a man gaining superpowers to clean up the neighborhood, but his adventures seem rather random. His adversaries also seem to lack a larger plan. The combination of the two makes for a fairly decent film that lacks a couple of key elements to make it an increbidly good film.
The comedy is good, as is the overall story. The acting is also top notch, as the characters portrayed are fun and enjoyable (I'm at a real loss to understand why other reviewers panned the acting ... possibly because they don't understand what it is they didn't like about the movie). But again the characters seem to lack a plan for their actions.
The gags in the film are exceptional, as is the case with the supermajority of Townsend's material. However a dash more comedy could've served this film as the jokes are more sporatic than constant. Not a whole lot more but a few more comic bits and comical characters could've really helped the film, because, like I said, the film bounces between a light hearted adventured and comedy. And I think this too probably confounded the people who didn't like the film.
The one thing I liked a great deal was seeing a lot of familiar actors one normally doesn't see. Read that as "black actors." Regrettably it takes a man like Townsend to bring a black cast to life. And I suppose on one plane that is as it should be; for who better to bring to life a tale of a Black/African-American/person-of-color superhero than a Black/African-American/person-of-color writer-director-actor?
An enjoyable film that strives for an A, but just misses its mark. It's definately worth seeing, and is very enjoyable, but if you come away somewhat empty understand that it's essentially a one man show where the writing is concerned.
A note to Townsend; make a sequel. This film deserves one, but bring in other writers to help you out with the script. A few more gags/jokes, and more plot, and you have yourself one fine film.
There's a fine story about a man gaining superpowers to clean up the neighborhood, but his adventures seem rather random. His adversaries also seem to lack a larger plan. The combination of the two makes for a fairly decent film that lacks a couple of key elements to make it an increbidly good film.
The comedy is good, as is the overall story. The acting is also top notch, as the characters portrayed are fun and enjoyable (I'm at a real loss to understand why other reviewers panned the acting ... possibly because they don't understand what it is they didn't like about the movie). But again the characters seem to lack a plan for their actions.
The gags in the film are exceptional, as is the case with the supermajority of Townsend's material. However a dash more comedy could've served this film as the jokes are more sporatic than constant. Not a whole lot more but a few more comic bits and comical characters could've really helped the film, because, like I said, the film bounces between a light hearted adventured and comedy. And I think this too probably confounded the people who didn't like the film.
The one thing I liked a great deal was seeing a lot of familiar actors one normally doesn't see. Read that as "black actors." Regrettably it takes a man like Townsend to bring a black cast to life. And I suppose on one plane that is as it should be; for who better to bring to life a tale of a Black/African-American/person-of-color superhero than a Black/African-American/person-of-color writer-director-actor?
An enjoyable film that strives for an A, but just misses its mark. It's definately worth seeing, and is very enjoyable, but if you come away somewhat empty understand that it's essentially a one man show where the writing is concerned.
A note to Townsend; make a sequel. This film deserves one, but bring in other writers to help you out with the script. A few more gags/jokes, and more plot, and you have yourself one fine film.
Like so many underated films, I stumbled across this one on television and was most surprised at how much I enjoyed it. The concept of a black superhero is obviously intriguing but what made this one stand out for me was it's strong heart of community justice and pride.
Unlike so many SuperHero films, the theme here was for the community to stop relying on someone else to solve their problems and to stop turning a blind (and scared) eye to the violence and crime that surrounded them until it knocked on their own door.
What was also so refreshing was that the film managed to convey this is a light comedy format, which was never preachy, over the top or too slap stick. Honours to the writer/director for such restraint not only in the telling of the drama but also in the refinement of the comedy which resisted over wrought juvenile comedy tactics like fart and sex jokes (a true breath of fresh air considering the bogmire of "naughty" comedy we have had to wade through this season.)
The only critiscism is that the final confrontation is a little too overplayed, but the final few scenes help to let the audience overlook this with a realistic and enjoyable ending.
Special mention for James Earl Jones in his rather off beat role as a "young" rap dude, which he plays with true humour and as the film progresses, beautiful pathos.
This film is worth seeing. For social commentary or just for a laugh - it delivers.
Unlike so many SuperHero films, the theme here was for the community to stop relying on someone else to solve their problems and to stop turning a blind (and scared) eye to the violence and crime that surrounded them until it knocked on their own door.
What was also so refreshing was that the film managed to convey this is a light comedy format, which was never preachy, over the top or too slap stick. Honours to the writer/director for such restraint not only in the telling of the drama but also in the refinement of the comedy which resisted over wrought juvenile comedy tactics like fart and sex jokes (a true breath of fresh air considering the bogmire of "naughty" comedy we have had to wade through this season.)
The only critiscism is that the final confrontation is a little too overplayed, but the final few scenes help to let the audience overlook this with a realistic and enjoyable ending.
Special mention for James Earl Jones in his rather off beat role as a "young" rap dude, which he plays with true humour and as the film progresses, beautiful pathos.
This film is worth seeing. For social commentary or just for a laugh - it delivers.
Following an encounter with a mysterious meteorite, a Washington D.C. school teacher (Robert Townsend) discovers that he has developed super powers and subsequently uses them to become a caped crusader against the forces of evil in his own inner-city community. Although the ambitious, imaginative script is loaded with misfired comedic gags, it does produce several genuinely amusing sequences--in particular, the climactic showdown between Meteor Man and his golden-haired drug lord nemesis. Biggest plus: the extremely talented (but frustratingly underused) supporting cast that reads like a Who's Who list of black television and movie greats. It includes: Bill Cosby ("The Cosby Show" and "Ghost Dad"), James Earl Jones ("The Great White Hope" and "Roots: The Next Generation"), Marla Gibbs ("The Jeffersons" and "227"), and Robert Guillaume ("Benson" and "Lean On Me").
Also, it's just plain refreshing to see a 1990's larger-than-life black superhero/role model in a family-oriented film.
Also, it's just plain refreshing to see a 1990's larger-than-life black superhero/role model in a family-oriented film.
Você sabia?
- CuriosidadesChris Tucker: As the voice of the MC in the mall when Eddie Griffin's character Michael pretends to be Meteor Man. Tucker has no screen time, and only his voice can be heard.
- Erros de gravaçãoWhile Jeff is fighting Simon, the character Goldilocks (Don Cheadle) can be seen goofing around, as if he's coming out of his character.
- Citações
Byers the Mobster: What? WHAAAAAT?
- Versões alternativasUK version was edited (14 sec.) to secure a 'PG' rating:
- [74 mins] Remove backward kick to man's stomach (3.02 sec.)
- [77 mins] Remove sight of man's arm being broken over bonnet of car (2.48 sec.)
- Trilhas sonorasCan't Let Her Get Away
Written by Michael Jackson and Teddy Riley
Performed by Michael Jackson
Courtesy of Epic Records
by arrangement with Sony Music Licensing
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- How long is The Meteor Man?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 20.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 8.016.708
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.643.091
- 8 de ago. de 1993
- Faturamento bruto mundial
- US$ 8.016.708
- Tempo de duração1 hora 40 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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