Confusões em Hollywood

Interesting and impressive, Hollywood Shuffle allows the characters to make the point that Townsend is making, without being too harsh or lecture-like. The film incorporates some great parody scenes such as the Siskel and Ebert inspired "Speed and Tyrone" where the reviewers sneak into movies.

Most impressive is the background to the film, which makes the finished product all the more impressive. Townsend's freshmen effort is a true success, and goes where few first timers are normally able to go.

8/10

The main way it is dated is that Robert Townsend does so many parodies of early 80s movies that are somewhat forgotten that younger viewers may not know what he is talking about. But the main message of the film comes through loud and clear - that African Americans do not have an easy time getting dignified roles in film. And think how much truer that was in 1987.

Townsend plays an aspiring African American actor, Bobby Taylor, who spends all day at auditions where he is told by a committee of white people that he is "not black enough", and to come back when he sounds "black enough". And the parts are all for gangsters and pimps. Bobby aspires to play a black Superman someday, or some other dignified and heroic role, but things are not looking up for him to get that kind of a part.

Meanwhile he does have a day job at "Winky Dinky Dog", a hot dog stand where his coworkers tell him to forget this acting dream and pay attention to his "actual" job and "actual" opportunity there. Serving fast food. You have to see the hats with hot dogs sticking out of them. Hilarious.

Bobby is a prolific day dreamer, and this helps pad the plot with some very funny satirical skits including a take on Siskel and Ebert's old film review show, except this one is called "Sneaking Into the Movies".

I haven't found this one on streaming or cable lately. Maybe folks would be offended without some context. Many people have been asking why there isn't more African American cinema in the boutique label Criterion collection. Many have discussed adding "Moonlight", which isn't a bad idea, but if part of Criterion is introducing people to new films, why not add this to the collection? It's not that well known anymore. Oh, and people often say, why is the DVD so bare? Why no commentary track? The reason is that Robert Townsend, who directed and wrote this film as well as starred in it, had to put the entire thing on a credit card. No studio would back it. So I'm sure he wasn't about to lay out any more dough for a commentary on a project he wasn't even sure would succeed.

This one is worth seeking out. I'd recommend it.

Robert Townsend's independent debut is a light-hearted farce that explores the struggles of black actors of Hollywood. But the issues that the film could be applied to talented folks in any field who are prevented from reaching their full potential because of stereotypes.

Many of the cast were unknowns at the time but they did an excellent job in the various skits. My favorite is the parody of Siskel and Ebert's TV show, where two street hoods sneak into the movies to give their own rather unique reviews. Amadeus is slammed by the amateur critics because "the movie's title is too hard to pronounce" while a movie about Zombie Street Pimps is given the thumbs up, because of the attention to detail. This is typical of the kind of humor employed throughout the movie - Townsend takes a racial stereotype and turns it outside out, making us think and laugh out loud at the same time.

I wish more directors, black or not, would follow Townsend's personal, self-effacing approach to movie-making but I guess it's easier to produce yet another violent shoot-em up or special effects showcase. Oh well.

This is a great movie. It is absolutely hilarious, and it easily represents R. Townshend's best work. In fact, it's far, far better than anything else he's ever done, which is remarkable considering the film's tiny budget.

The humor is biting and relevant. The movie is highly recommended.

Robert Townsend comes off like a real troublemaker in 'Hollywood Shuffle", an incisive and often hysterical indictment of typecasting in Tinseltown. It's made on a shoestring budget, and that shows in the production values - but who gives a rip about that? There's always a cheesy gag waiting around the corner and that levity is what makes this so fun. It's the delivery that's a real stroke of genius; the message is couched in harmless (and hilarious) movie parodies . Townsend's spoof of Siskel and Ebert (Sneakin' in the Movies) alone is worth the price of admission.

Yeah, I'd say this has held up nicely. It's great stuff.

7/10