Matinee: Uma Sessão Muito Louca

I have a lot of time for Joe Dante. Most of his movies are fairly light-hearted, nostalgic fare aimed at kids or the young at heart, but unlike his occasional collaborator Steven Spielberg he really pulls it off convincingly without getting too sentimental and treacly, and always has enough in-jokes and references in his movies to amuse diehard science fiction and horror film buffs. Dante is a BIG fan of film makers like Roger Corman (who gave him his big break), William Castle (a major inspiration for 'Matinee') and Mario Bava, while one has to wonder if Spielberg even knows who they are. 'Matinee' is a slight, but very entertaining picture, concerning b-grade 50s/60s horror movies, and fans of that era will absolutely love it. John Goodman ('The Big Lebowski') plays flamboyant writer/director Lawrence Woolsey. Woolsey's gimmicks and showmanship are inspired by William Castle ('The Tingler', '13 Ghosts', 'House On Haunted Hill',etc.etc.) though the fictional movie 'Mant' which is part of the plot is quite unlike Castle's output and closer to 50s paranoid monster movies like 'Them!' and 'Tarantula'. Goodman is perfectly cast and loads of fun. I also really liked Cathy Moriarty ('Raging Bull') as Woolsey's leading actress/assistant. The chemistry between the two was enjoyable and made for some nice comic touches. The young kid actors were all pretty good, and Dante regulars Dick Miller ('A Bucket Of Blood'), Kevin McCarthy ('Invasion Of The Body Snatchers'), Robert Picardo ('Star Trek Voyager') and William Schallert ('The Incredible Shrinking Man') seem like they are all having a wonderful time. Trivia buffs note that this movie includes an actor from 'The Thing From Another World' (Robert Cornthwaite) and also one from John Carpenter's remake 'The Thing' (David Clennon'). The movie within the movie 'Mant' is hilarious, but I enjoyed the whole thing. 'Matinee' is another fun movie from the underrated Joe Dante.

"This is Lawrence Woolsey and ...." starts this movie in great style as a 1960's style of movie promo. The movie starts starts very well and only gets bogged down late in the film when a couple of kids get shut into a bomb shelter by mistake.

This film portrait of the 1960's schlock entertainer Woolsey (as portrayed by John Goodman) continues to be his best film role. Goodman who is now one of the spokes people for Duncan Donuts (quickly putting Starbucks out of business), is perfect for the role of Woolsey. He is surrounded by a lot of old time talent & some younger folks who manage to put over an active film story.

Two coups of this are the film within a film setting which is employed successfully with the cutting between them being made smoothly without losing the plot line and the melding of some old timers into the film in support. William Schallert is used very effectively in the MANT film within the film. Jesse White is just as effective as the guy who is trying to evaluate Woolsey's show.

The film is a send up of lots of themes from Civil Defense, to the Missile Crisis, to movies in general, to sci-fi 1950's films, to spoofing life itself. There are even spoofs of characters within the film including a broad send-up of two Liberal Parents and their attitude towards raising their daughter.

This film is loaded with everything including the theater sign which has now failed, "Fight Pay TV". If you like John Goodman, this is his best role to date outside of Dan on Roseanne, a must see film for the Goodman fan.

I felt that the advertising for this movie was somewhat misleading. I expected to see a film about John Goodman portraying a loose characterization of showman William Castle. Instead, the main focus of the film is a young boy, Gene Loomis, whose father is a soldier who is dispatched to active duty during the Cuban missile crisis, which is the time period in which this film is set. You have your typical coming-of-age themes revolving around Gene and his friends as they discover their own emerging adolescence, and this consists largely of tired material that has been done to death.

Somewhat in the background we have John Goodman as old-fashioned showman Lawrence Woolsey, a vaudevillian stuck in the age of cinema who wants to put the show back in picture shows. He is tied into the film because Gene enjoys Woolsey's showmanship as a way to forget about the world around him which seems to be on the brink of self-destruction. Woolsey pulls such stunts as having his girlfriend (Cathy Moriarty) dress a a nurse and ask patrons to sign a waiver releasing Goodman's character from liability in case they die of fright during the movie. This is based on a similar stunt by William Castle and his movie "Macabre". Woolsey also wires the seats to produce a mild electric shock during a key moment in a film, which he labels "Atomo-Vision." That antic is based on what William Castle did during the showing of "The Tingler". Then he rigs still another device to shake things up as buildings on the screen are tumbling and calls it "Rumble-Rama." Again, these are all very similar to the showman-like stunts of William Castle during the 50's and 60's.

The best part of the movie is when Woolsey comes up with an atomic-age monster movie entitled "Mant" that is a composite of cheesy 50's horror films such as "The Fly," and "Them!". "Mant" is about a mutant that is half-man and half-ant and is a total riot. Woolsey's schlock merchant displays just the right mix of con-man materialism and childlike glee at his own bogus movie magic. It's too bad that Goodman's character and his showmanship weren't the main focus of the movie - Goodman was truly born to play the part of Lawrence Woolsey.

Watching this movie really made me happy that some of William Castle's films have finally been coming out on DVD in the last couple of years, through both traditional DVD releases and through the Warner Archive manufacture on demand program. At any rate, enjoy.

This movie explores the marketing and the premier of a B-movie horror flick by a virtual one-man studio (remember American International?) in, of all places Key West during the Cuban Missile Crisis.

I think this was intended to be a vehicle for John Goodman as the B-movie "impresario" Lawrence Woolsey (great casting!), with Cathy Moriarty also excellently cast as the jaded B-movie starlet and Woolsey's companion. Simon Fenton plays a young, wide-eyed, horror movie addict who is also a military kid, whose father has just been assigned to the naval blockade around Cuba. The cast also includes Dick Miller from the Gremlin series, and many other B-movies since the 1950's including the original Shop of Horrors.

Matinee is quirky, and the "movie within a movie," called "Mant" (half man, half ant), is about a silly accidental "mutation" of a man into a rather large insect The movie contains a good sampling of all the plot devices (on screen and off screen) used in these sorts of movies. The now-hilarious atomic horrors depicted in "Mant" are juxtaposed against the real-life horrors of the nuclear missile crisis, with interesting effect.

Matinee also offers a lot of not-so-subtle counterpoints between the atmosphere and common wisdom of the era (anybody remember Civil Defense drills? Bomb shelters? The "four" basic food groups?), and its stark comparison to what we know/think today. When this movie was made, the cold war was just over, and a look back to the pervasive feel throughout the 50's and 60's and its worrying about the "bomb" and anti-commie lingo makes the people of this era look supremely paranoid and silly, until one thinks about how even this has changed since the movie was made (think post 9-11: who's silly and paranoid now?).

The movie is enjoyable on many levels, although I feel the comparisons between the 60's and "today" could have been made a bit more subtle. As a counterpoint, my wife, who was never a fan of the horror movie genre, dislikes this movie--she also disliked "Ed Wood" for the same reason.

All in all, it's a wonderful movie that I'm glad to have in my VHS collection.

One of those films that deserved to reach a huge audience but somehow slipped away, Joe Dante's affectionate homage to creature features and B-movie king William Castle is a joy from start to finish. This is due to both Dante's direction - and obvious love of the script - and John Goodman's delightful performance (what was he doing in crap like "Coyote Ugly?"). Even the movie-within-a-movie - "Mant!" ("half man, half ant - all terror!") is fun. The only downside is that this rarely turns up on TV and hasn't been released on DVD in the UK. A scratchy vhs is better than nothing I suppose...