[go: up one dir, main page]

    Calendário de lançamento250 filmes mais bem avaliadosFilmes mais popularesPesquisar filmes por gêneroBilheteria de sucessoHorários de exibição e ingressosNotícias de filmesDestaque do cinema indiano
    O que está passando na TV e no streamingAs 250 séries mais bem avaliadasProgramas de TV mais popularesPesquisar séries por gêneroNotícias de TV
    O que assistirTrailers mais recentesOriginais do IMDbEscolhas do IMDbDestaque da IMDbGuia de entretenimento para a famíliaPodcasts do IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchPrêmios STARMeterCentral de prêmiosCentral de festivaisTodos os eventos
    Criado hojeCelebridades mais popularesNotícias de celebridades
    Central de ajudaZona do colaboradorEnquetes
Para profissionais do setor
  • Idioma
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de favoritos
Fazer login
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar o app
  • Elenco e equipe
  • Avaliações de usuários
  • Curiosidades
  • Perguntas frequentes
IMDbPro

Kika

  • 1993
  • Unrated
  • 1 h 54 min
AVALIAÇÃO DA IMDb
6,5/10
16 mil
SUA AVALIAÇÃO
Kika (1993)
Assistir a Tráiler [VO]
Reproduzir trailer2:54
1 vídeo
99+ fotos
Comédia de humor negroComédia

Adicionar um enredo no seu idiomaKika, a cute cosmetologist, prepares Ramon for funeral when he revives. He proposes to the much older Kika who has his dad as lover. Did Ramon's dad murder his mom? What about the escaped ra... Ler tudoKika, a cute cosmetologist, prepares Ramon for funeral when he revives. He proposes to the much older Kika who has his dad as lover. Did Ramon's dad murder his mom? What about the escaped rapist and the PSYCHOlogist video reporter?Kika, a cute cosmetologist, prepares Ramon for funeral when he revives. He proposes to the much older Kika who has his dad as lover. Did Ramon's dad murder his mom? What about the escaped rapist and the PSYCHOlogist video reporter?

  • Direção
    • Pedro Almodóvar
  • Roteirista
    • Pedro Almodóvar
  • Artistas
    • Peter Coyote
    • Verónica Forqué
    • Victoria Abril
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    16 mil
    SUA AVALIAÇÃO
    • Direção
      • Pedro Almodóvar
    • Roteirista
      • Pedro Almodóvar
    • Artistas
      • Peter Coyote
      • Verónica Forqué
      • Victoria Abril
    • 33Avaliações de usuários
    • 26Avaliações da crítica
    • 53Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 5 vitórias e 9 indicações no total

    Vídeos1

    Tráiler [VO]
    Trailer 2:54
    Tráiler [VO]

    Fotos102

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 94
    Ver pôster

    Elenco principal19

    Editar
    Peter Coyote
    Peter Coyote
    • Nicholas
    Verónica Forqué
    Verónica Forqué
    • Kika
    • (as Veronica Forque)
    Victoria Abril
    Victoria Abril
    • Andrea Caracortada
    Àlex Casanovas
    Àlex Casanovas
    • Ramón
    • (as Alex Casanovas)
    Rossy de Palma
    Rossy de Palma
    • Juana
    Santiago Lajusticia
    Santiago Lajusticia
    • Pablo
    Anabel Alonso
    Anabel Alonso
    • Amparo
    Bibiana Fernández
    Bibiana Fernández
    • Susana
    • (as Bibi Andersen)
    Jesús Bonilla
    Jesús Bonilla
    • Policía
    • (as Jesus Bonilla)
    Karra Elejalde
    Karra Elejalde
    • Policía
    Manuel Bandera
    Manuel Bandera
    • Chico Carretera
    Charo López
    Charo López
    • Rafaela
    • (as Charo Lopez)
    Francisca Caballero
    • Dña. Paquita
    Mónica Bardem
    Mónica Bardem
    • Paca
    • (as Monica Bardem)
    Joaquín Climent
    Joaquín Climent
    • Asesino
    • (as Joaquin Climent)
    Blanca Li
    Blanca Li
    • Asesinada
    Claudia Aros
    • Modelo
    Agustín Almodóvar
    Agustín Almodóvar
    • Reparador de Puertas
    • (não creditado)
    • Direção
      • Pedro Almodóvar
    • Roteirista
      • Pedro Almodóvar
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários33

    6,515.7K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avaliações em destaque

    9froboz

    Hilarious, funny, outrageous

    This was one of the funniest comedies I have ever seen. Almodóvar is in a hilarious, flimsy mood. The convoluted story feels somewhat as if Dario Argento, master of italian giallo, had cooperated with Edika, the not so inhibited french comics maker. Most humour come from the direct, practical and naive manner in which Kika, cosmetologist, handles the most tragic and disturbing situations. Forget about drama - this is a farce, and in the humour lies the usual Almodóvar admiration and wonder over females.
    9imthefiction

    Great commentary on the influence of media in our lives

    What everyone in the press seemed to miss about this film was that it was a spoof on the media and especially the talk show mentality which has come to dominate our lives. The central figure of the film is not so much Kika as it is Caracortada (scarface) who runs a real life television program featuring live footage from video cameras. She chases down much of this footage herself, having a camera inserted into a helmet and flying around town on a motor scooter. We are drawn into this web -- during the middle of a rape sequence, the rapist actually says something funny -- and in the audience with whom I saw the film when it premiered, many laughed (and then somehow gasped that they were laughing in the middle of a rape scene). That is as nearly perfect as black comedy gets. Following the rape, Caracortada interviews the victim and asks "How big was he?" Isn't this indicative of the intrusiveness of media in our lives? How did the press and so many commentators miss it?
    7boblipton

    What, If Anything, Is Going On?

    Verónica Forqué is Kika, a cosmetologist who gets called in by writer Peter Coyote when he finds his stepson, Àlex Casanovas dead. He wants the younger man looking better before he calls in the mortician, so she applies some make-up and... well, to make a long story a little shorter, he's not dead. The two younger people start living together while Miss Forqué carries on an affair with Coyote, until one day....

    No, it's too complicated to give a precis. Most plots occur when plans collide. In this feature from Pedro Almodóvar, the movie is a collection of sexual kinks that collide into incidents, and several of those incidents collide into a story, although which of those incidents make what plot isn't clear until it's all over. Roles include a serial killer, Peeping Toms, a porn actor on the run from the police, a dead mother, and a woman with what I can only call a camera gimp suit, fitting for PEEPING TOM.

    Are all these sexual incidents supposed to be funny, red herrings or the point of the movie? Is there a serial killer? Does any of it matter? In Almodóvar's color palette in this movie, what is the significance of the color yellow? There's a lot of black humor in this one, and that might be enough for someone looking for a shock comedy, but I have the feeling there's more.... or perhaps, not having more to say, Almodóvar substituted a slowly revealed plot.
    7Tito-8

    Fun scenes make up for weak story

    This was the first Almodóvar film that I saw, and I would still say that it's one of his better movies. It's yet another highly unusual film by the Spanish director, filled with weird situations and his typically unorthodox style. The story is actually somewhat flimsy, and I didn't much care about what would happen to the main characters. However, I enjoyed this film because I liked a high number of the silly jokes. Like all Almodóvar films, this definitely isn't for all tastes, but if you like unconventional films, this is a pretty good choice.
    ThreeSadTigers

    Somewhat muddled and clearly self-indulgent, but still interesting enough to justify the experience

    Almodóvar does Fellini? Well, that seems to be the general tone of the film here, as the director takes a central caricature and drops them into a mocking satire of grotesque farce, frightening colours and the continual abstractions of 1950's melodrama, all the while revelling in the juxtaposition of highbrow movie references and lowbrow humour. Understandably, with such a giddy concoction of ideas, the film is something of a mess; with the collage of styles and somewhat awkward combination of film references combined with the over-the-top production design and characterisations of the director bombarding us from the first scene to the last, while some of the more outré moments of satire, including the (intentionally) morally bankrupt nature of the character "Scarface" and the near-infamous rape sequence that plays out in the same frivolous, high-camp approach as the rest of the film are sure to raise a few groans of disagreement from many of the less liberal of reviewers amongst us.

    Having said that, I personally feel that despite its position in Almodóvar's career as something of a creative misstep, there are still some incredibly intelligent and highly interesting ideas at work behind the film, some of which we have to really search for amidst the camp theatricality of the characters and the screaming kitsch of the narrative and its overall design. It has certain similarities to Fellini's La Dolce Vita (1960), with the comment on journalism and the depiction of the media against an episodic background that seems to go nowhere until the last twenty minutes of the film, at which point Almodóvar introduces a new strand to the drama that will probably make it necessary for a second or perhaps even third viewing to fully comprehend. It also has the same interesting concept of the writer creating the story as it unfolds that we previously saw in the excellent Law of Desire (1987), with the character played by Peter Coyote writing a crime book that might be a veiled comment on his own character and role within the film, or might be the plot of the film itself. However, unlike Law of Desire, the idea isn't carried off quite so well, with the notion eventually being pushed into the background as we focus more on "Scarface" and her trash TV empire that forces itself into the lives of the characters, creating an interesting comment on the idea of cinema as voyeurism previously foreshadowed in the "keyhole" iconography of the opening sequences, and the thread of exhibitionism that is cemented by the film's male lead, the photographer Rámon.

    Throughout the film these themes jostle for our attention as we watch the drama unfold from an affluent apartment building overlooking an obviously artificial recreation of night-time Madrid, as the characters seem to just drift from one scenario to the next in a way that doesn't always make sense until pondered over in light of the film's somewhat enticing "twist" ending. Ultimately, you could argue that with Kika (1993), Almodóvar really bit off more than he could chew, as he takes full advantage of the larger dramatic canvas offered to him by the international success of Law of Desire, Women on the Verge of a Nervous Breakdown (1988) and Tie Me Up! Tie Me Down! (1990) to truly indulge his interests in farce, design, fashion and theatrics. It's a self-indulgent work, without question, but I feel for an artist of Almodóvar's calibre, such indulgences are excusable; especially when the purging of such indulgences eventually leads to work of the impeccably high-standard of Live Flesh (1997) and All About My Mother (1999). The film is also a triumph of perfect casting, though one does wonder why Coyote - with his voiced awkwardly dubbed into Spanish - is present over a greater actor like Eusebio Poncela, who in my mind would have been perfect for the part?

    Other than that rather odd choice, we have the film tied rigidly to the underrated performance of Veronica Forqué, who manages to convey the moves from comedy to tragedy without compromising the colourful tone or her somewhat ditzy characterisation. Her performance is really a marvel in my opinion and definitely makes Kika worth experiencing, even in spite of its various limitations. There's also fine support from Victoria Abril, Alex Casanovas and the truly iconic Rossy de Palma (once seen, never forgotten). Certainly, I can understand why many wouldn't like this film, what with the provocative nature of the tone, the lapses in character and the occasional slow pace, but there are still some interesting touches that should make this required viewing for anyone already familiar with the director and his work. As with the other Almodóvar films that I've seen from this era, Kika is bright and vibrant and filled with moments of keenly observed character-play and fanciful farce against an approach to film-making that rivals the very best of contemporary European cinema.

    Mais itens semelhantes

    A Flor do Meu Segredo
    7,0
    A Flor do Meu Segredo
    De Salto Alto
    7,0
    De Salto Alto
    O que Eu Fiz para Merecer Isto?
    7,1
    O que Eu Fiz para Merecer Isto?
    Maus Hábitos
    6,5
    Maus Hábitos
    Carne Trêmula
    7,3
    Carne Trêmula
    A Lei do Desejo
    7,1
    A Lei do Desejo
    Mulheres à Beira de um Ataque de Nervos
    7,5
    Mulheres à Beira de um Ataque de Nervos
    Matador
    6,9
    Matador
    Má Educação
    7,4
    Má Educação
    Abraços Partidos
    7,2
    Abraços Partidos
    Ata-me
    7,0
    Ata-me
    Labirinto de Paixões
    6,1
    Labirinto de Paixões

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      (at around 9 mins) The lady that interviews Nicholas in the TV program about writers is the mother of director Pedro Almodóvar.
    • Citações

      [Juana is helping Pablo stage a home invasion and robbery]

      Juana: Idiot. Come on, the gag! A napkin over my mouth, tied tightly. Come on, gag me.

    • Versões alternativas
      The german version of this movie has differences with the original spanish text. The most important one is in that scene at the elevator, when Kika is talking with her friends about Nicolas and Ramon. A friend says: "But you tell us that Nicolas eats your pussy very well" and kika answers: "Ramon also eats my pussy very well". In the german version, the friend says: "But you tell us that Nicolas really knows how to treat a woman" and kika answers: "Also Ramon knows how to treat a woman"
    • Conexões
      Featured in Siskel & Ebert & the Movies: That's Entertainment III/3 Ninjas Kick Back/Being Human/Dream Lover/Kika (1994)
    • Trilhas sonoras
      Danza Española Número 5
      Composed by Enrique Granados (as Enrique Granados Campina)

      Performed by London Symphony Orchestra

      Directed by Ataúlfo Argenta

    Principais escolhas

    Faça login para avaliar e ver a lista de recomendações personalizadas
    Fazer login

    Perguntas frequentes17

    • How long is Kika?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 16 de setembro de 1994 (Brasil)
    • Países de origem
      • Espanha
      • França
    • Central de atendimento oficial
      • TVP VOD
    • Idioma
      • Espanhol
    • Também conhecido como
      • 愛慾情狂
    • Locações de filme
      • Estudios Los Angeles, Madri, Espanha(Studio)
    • Empresas de produção
      • El Deseo
      • CiBy 2000
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 2.019.581
    • Faturamento bruto mundial
      • US$ 2.020.357
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 54 min(114 min)
    • Mixagem de som
      • Dolby
      • Dolby SR
    • Proporção
      • 1.85 : 1

    Contribua para esta página

    Sugerir uma alteração ou adicionar conteúdo ausente
    • Saiba mais sobre como contribuir
    Editar página

    Explore mais

    Vistos recentemente

    Ative os cookies do navegador para usar este recurso. Saiba mais.
    Obtenha o aplicativo IMDb
    Faça login para obter mais acessoFaça login para obter mais acesso
    Siga o IMDb nas redes sociais
    Obtenha o aplicativo IMDb
    Para Android e iOS
    Obtenha o aplicativo IMDb
    • Ajuda
    • Índice do site
    • IMDbPro
    • Box Office Mojo
    • Dados da licença do IMDb
    • Sala de imprensa
    • Anúncios
    • Empregos
    • Condições de uso
    • Política de privacidade
    • Your Ads Privacy Choices
    IMDb, uma empresa da Amazon

    © 1990-2025 by IMDb.com, Inc.