O Anjo Malvado

I've heard about this movie for years but I have never decided to check it out until this past weekend. I thought it was going to be average 90's crap with not much going for it at all. I was wrong and I'm glad I was. It was actually very creepy and atmospheric with a lot of very intense scenes and fantastic build ups.

Macaulay Culkin is very good as the disturbed son. I thought that Wood was great as well and the rest of the cast was pretty good but some of the parents' roles were a little iffy. I thought the story was well done and interesting and most of all, kept me entertained.

This is a movie that would go good on a rainy afternoon. It's not brilliant but it is interesting and pretty creepy.

This is Macaulay Culkin's best film. He was very creepy as the young boy with a black heart. The dialogue was great. I truly admired the performance of Elijah Wood, emerging as one of the best young actors around. This film has so much suspense, by the end, I was very exhausted.

I was actually really surprised at the ratings of the film, so I looked at many of the reviews before putting mine down. Maybe I was missing some pretty horrible aspects to the movie. So I watched the movie again and I read the reviews. I think one of the interesting things was that people rated this movie really low because they didn't like the concept of an evil child or they added, there was no WHY concept to the reasons why the character did the things he did.

I think I was mostly surprised at the "Why" concept. Did people really not understand that this kid felt really powerful controlling the fate of others? It was quite clear that the mean kid did not like being undermined. It was in my opinion very well introduced. At first, his enjoyment in his actions were very minor due to his first time. It seemed to me that the first time he performed his bad deeds to his brother, he might have actually been scarred or stunned. Because for a while when little Frodo enters the scene, nothing has actually happened to indicate he is a terrible child. Its not until his mother treats Frodo like her own child that Macually starts to use his will to force things the way he wants. I see similarities with how kids these days press their parents into getting what they want.

I think its important to recognize the scene where little Frodo goes to the therapist and asks her about why someone could be bad for no reason, just because he likes to be bad. I think this is where people kind of go, "yeah, this movie is flawed, there's no such thing." But remember, little Frodo wasn't looking down the staircase at his mother hugging another son. Its all about perspective. It can be concluded that the bad son is probably the spoiled child, and acts up in extreme ways to get what he wants because it worked before. We have two polar characters. One character is completely helpless and his fate is controlled by the other characters in this movie, where there is Culkin, whom has deep control of his life and his wants.

On another note, kids doing horrible things to animals or killing other kids is not a unheard of concept. In fact, there is evidence to suggest that there are certain mentalities that cannot be explained but diagnosed with mental disorders. People in our age have been brainwashed into thinking that kids are completely innocent in the world. Which is funny when you reflect how many times in your younger life you have laughed at someone and probably made them feel really bad, even though you didn't want to. As kids we actually hurt others more than we'd like to admit, we just choose not to admit it.

I have such fond memories of seeing this when I was much younger. I'm so glad to see my opinion of the movie remains unchanged having seen it again after such a long time.

Elijah Wood and Macaulay Culkin are very good in their respective roles. Culkin was an interesting choice as the psychopathic, evil child, as he was famous for portraying the 'cute kid' at the time. The film casually sets up the scene, and then slowly but surely reveals itself for what it really is. Evil presents itself in the form of a kid, making it even more sinister.

Every action is justified by a counter action. It's also believable that no-one believes Mark (Wood), considering what he's been through. This is a carefully thought out, well written script that builds to a nerve-wrecking finale.

In many ways this is just a standard thriller. How I loathe the word "thriller". It suggests roller-coasters; and the genre it denotes, at its best, deals in quiet tension. Where was I? Yes: standard thriller. A is really an evil person, intent on performing great harm in the future; B knows this but can't convince anyone else. I heard that sigh. But make A and B children, on the verge of adolescence, and not only is this tired formula invigorated, but it makes a great deal more sense. (Especially if B is in the slightly awkward position of a cousin on an extended visit.) The creaky old scenes where B goes to the police and either he is strangely incoherent or the police are strangely obtuse, are gone. There is now a perfectly good reason why B can't go to the police, or indeed anyone. Nor is there anything strange about the obtuseness of A's parents. The rotten adult seems so commonplace that we scarcely bat an eyelid; the rotten child, who is in fact far more commonplace, we like to pretend doesn't exist.

So I'm glad Hollywood took this step. I also, for the most part, like the way the step has been taken. B has no accomplices - he must battle A alone - and his plight is keenly felt. There's an air of plausibility about it all. Elijah Wood is an unusually good boy, Macaulay Culkin is an unusually bad boy; both look perfectly real. (Wood, who has the harder task, does especially well.)

The climax - or what is meant to be the climax - is HIGHLY contrived. It will probably come as a shock that the writers chose something at once so obvious and so ludicrous. The mood of the audience I saw this with - it may just have been my mood - was one of grudging acceptance, granted only because we had been treated so well in the events leading up to it.