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IMDbPro

Mulher Solteira Procura

Título original: Single White Female
  • 1992
  • 16
  • 1 h 47 min
AVALIAÇÃO DA IMDb
6,4/10
45 mil
SUA AVALIAÇÃO
POPULARIDADE
4.097
152
Bridget Fonda and Jennifer Jason Leigh in Mulher Solteira Procura (1992)
Assistir a Official Trailer
Reproduzir trailer1:47
3 vídeos
80 fotos
Suspenses psicológicosDramaSuspense

Uma mulher que busca uma nova colega de quarto descobre que algo muito estranho está acontecendo com a inquilina que decide se mudar.Uma mulher que busca uma nova colega de quarto descobre que algo muito estranho está acontecendo com a inquilina que decide se mudar.Uma mulher que busca uma nova colega de quarto descobre que algo muito estranho está acontecendo com a inquilina que decide se mudar.

  • Direção
    • Barbet Schroeder
  • Roteiristas
    • John Lutz
    • Don Roos
  • Artistas
    • Bridget Fonda
    • Jennifer Jason Leigh
    • Steven Weber
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,4/10
    45 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    4.097
    152
    • Direção
      • Barbet Schroeder
    • Roteiristas
      • John Lutz
      • Don Roos
    • Artistas
      • Bridget Fonda
      • Jennifer Jason Leigh
      • Steven Weber
    • 145Avaliações de usuários
    • 76Avaliações da crítica
    • 63Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 1 indicação no total

    Vídeos3

    Official Trailer
    Trailer 1:47
    Official Trailer
    Single White Female
    Trailer 1:33
    Single White Female
    Single White Female
    Trailer 1:33
    Single White Female
    Single White Female: You Lied To Me
    Clip 1:47
    Single White Female: You Lied To Me

    Fotos79

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    Elenco principal25

    Editar
    Bridget Fonda
    Bridget Fonda
    • Allison Jones
    Jennifer Jason Leigh
    Jennifer Jason Leigh
    • Hedra Carlson
    Steven Weber
    Steven Weber
    • Sam Rawson
    Peter Friedman
    Peter Friedman
    • Graham Knox
    Stephen Tobolowsky
    Stephen Tobolowsky
    • Mitchell Myerson
    Frances Bay
    Frances Bay
    • Elderly Neighbor
    Michele Farr
    • Myerson's Assistant
    Tara Karsian
    Tara Karsian
    • Mannish Applicant
    Christiana D'Amore
    Christiana D'Amore
    • Exotic Applicant
    • (as Christiana Capetillo)
    Jessica Lundy
    Jessica Lundy
    • Talkative Applicant
    Renée Estevez
    Renée Estevez
    • Perfect Applicant
    • (as Rene Estevez)
    Tiffany Mataras
    Tiffany Mataras
    • Twin
    Krystle Mataras
    • Twin
    Amelia Campbell
    Amelia Campbell
    • Check Cashier
    Kenneth Tobey
    Kenneth Tobey
    • Desk Clerk
    • (as Ken Tobey)
    Eric Poppick
    Eric Poppick
    • Nosy Neighbor
    Kim Sykes
    Kim Sykes
    • TV Reporter
    Michael Collins
    • Cashier Manager
    • (as Michael James Collins)
    • Direção
      • Barbet Schroeder
    • Roteiristas
      • John Lutz
      • Don Roos
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários145

    6,444.5K
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    Avaliações em destaque

    7hitchcockthelegend

    Who needs references these days anyway?

    Single White Female is directed by Barbet Schroeder and adapted to screenplay by Don Roos from the novel "SWF Seeks Same" written by John Lutz. It stars Bridget Fonda, Jennifer Jason Leigh, Steven Weber, Peter Friedman and Stephen Tobolowsky. Music is by Howard Shore and cinematography by Luciano Tovoli.

    When it's revealed that her partner Sam (Weber) has been cheating on her with his ex-wife, Allie Jones (Fonda) kicks him out of the apartment and advertises for a female roommate. She chooses Hedra Carlson (Leigh), who on the surface seems to be the perfect roommate. Smoothly helping Allie through her crisis, a real friendship is formed, but it's not long before Hedra starts to exhibit some dark behaviour patterns…..

    The early 90s saw the "Woman from Hell" back in vogue in mainstream cinema. After the success and publicity of Fatal Attraction (1987), there was a period where you feel that sensible film makers wisely chose to let that particular film disappear from the film lovers memory banks. As it happens, they must have collectively chose 5 years as the cooling off period. For 1992 saw a wave of mad female on the loose pictures released. Led by the publicity gobbling Basic Instinct, films such as The Hand That Rocks the Cradle and Single White Female put bums on cinema seats and reopened the "Mad Bitch" sub-genre. Of the three, Single White Female grossed the least, which is strange since it's a better movie than the other two.

    Schroeder's (Barfly/Reversal of Fortune) movie isn't a complete success, there's not enough development of the main characters and there's some unintentionally funny moments. But when it's good it's real good. Reeling off a number of memorable and often chilling scenes, film is further boosted by the psychological smarts in Roos' (Boys on the Side) screenplay. It helps that Schroeder has a knack for pacing, too, where he neatly simmers the plot until the spill over for the big finale. No disappointment there either, a good combination of genre staples is enhanced in impact by some unexpected character developments, and there's moments of genuine suspense to lure the viewer to the edge of their seat.

    It's also stylishly shot by Schroeder and Tovoli (Suspiria/Tenebrae). Allie's Upper West Side apartment is imposing and expansive, with high ceilings, old time plumbing, a clunky lift and a dingy laundry in the basement. It's a different set-up for such a thriller, no picket fence harmony house or beach side residence, this is bustling New York, big spaces, but as it turns out, that means no hiding place. The boys behind the cameras get the maximum they can from the locale by blending imposing and ominous with grainy veneer and filtered light. On the acting front, the girls put great effort into making their thinly developed characters work, with Leigh doing a good line in progressive instability. While Friedman, Weber and a wonderfully naughty Tobolowsky, make the most of their secondary roles.

    One or two obvious flaws aside, this still rounds out as a thoroughly enjoyable thriller. 7.5/10
    8PredragReviews

    Friends? No! Its much more then that!

    This is a tense thriller about an obsessive woman who becomes too enthralled in someone else's life, and even gets herself mixed up in lies, deceit and other bad activities, and the cycle of problems just gets more momentum. The basic plot is that Allison (Bridget Fonda) gets a roommate for her Manhattan apartment (has anyone ever seen an apartment this large in NYC??) after her skirt-crazy live-in lover Sam (played by "Wings" star Steven Weber) runs around on her. It's Headra "Hedy" (Jennifer Jason Leigh) to the rescue! This is one of my favorite suspense films. The setting is amazing, an old spooky apartment building but a gorgeous sparsely furnished apartment within. There really isn't a lot of violence in this movie, mainly just at the end. It's a good suspense movie, though, which builds and builds. The film is stylish, thanks to Luciano Tovoli (Suspiria) cinematography. Fonda and Leigh give strong performances in this movie. This is an underrated thriller, which is surprisingly clever movie.

    Overall rating: 8 out of 10.
    7smatysia

    A pretty decent psychological thriller

    A fairly engaging psychological thriller. Of course, there must be some suspension of disbelief, as in Hedy(Jennifer Jason Leigh) wielding a shoe. Also, there really are no truly sympathetic characters here. Hedy, of course, is what she is. And, Allie(Bridget Fonda), the supposed heroine, does kind of screw over Hedy. And Sam (Steven Webber) is basically a snake anyway. As for the actors, I thought Miss Leigh was by far the best, though she had the meatiest part, so it may be hard to compare. And what an amazing apartment for a young software designer in Manhattan. OK, they mentioned it was rent-controlled. What an insane economic policy. Grade: B-
    9mattfrancis-60254

    Underrated

    Cliche ending they say-I disagree. Strongly disagree. There was absolutely nothing wrong with this movie. Apart from I could have watched a whole series of this. A very well done, well shown masterpiece. Fonda is a little stone-faced at times and some of the actors lacked energy, but regardless although middy predictable, this movie deserved much more attention than it got. This wasn't a B-movie, nor was it flat and bland. Lots of nicely done scenes, wasn't over the top, wasn't dull, got you gripped and got you to think about your actions and who you trust. Entertaining all the way through and the other lead (the disturbed one) not only looked hot and gorgeous, she really did well with her character. Starting off as a shy young woman trying to make it in the big apple and be supportive, moving in with a vulnerable woman who looked a bit like Peter Pan. Still gripping.
    6lost-in-limbo

    Close. Real Close.

    Formulaic, formulaic… yeah it's routine Hollywood psycho-thriller territory, but too visually well made by director Barbet Schroeder and comfortably performed in the shape of Bridget Fonda and Jennifer Jason Leigh to not get something out of it. The story (adapted off John Lutz's novel "SWF Seeks Same") plays its cards quite early, and goes about the subject in a too convenient manner to make it entirely effective. Quite a slow build-up and many sub-plots stem off the central plot, as we watch Leigh's character's twitchy transformation suddenly grow and form the basis of the early groundwork that would eventually unsettle Fonda's fragile character. A resourceful Schroeder sure does a brilliant job with many artistic flourishes, and inspired gimmick set-pieces where you just can't help but admire Luciano Tovoli's lyrically smooth cinematography. However trying to register the suspense, became hard due to leading us down the same old path of cheap clichéd jolts and shinny techniques. Although the potent climax goes over-board, it's particularly heart-pounding and downright exciting. There's nothing overtly tame about it, with its seamless nudity and tantalizing sex, and a wicked death here and there. But it's all tastefully done. Howard Shore's sumptuously airy musical score feeds off the well used location and compact sets (especially that of the stark Victorian apartment building) that are very ideal to the film's progression. In the two leads, a gorgeous Fonda is terrific and Leigh's needly attachable turn is one of confidence. The chemistry works, and when it comes to it they sure do look like each other. Talk about eerie. There's also solid support by Steven Weber, Peter Friedman and Stephen Tobolowsky.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The Ansonia on the Upper West Side of Manhattan was used for the apartment building. The interiors were shot on a soundstage, but the scenes in the stairwells were shot at The Ansonia.
    • Erros de gravação
      After Heddy receives the phone call from her father, she hangs up and takes the phone off the hook. As she walks away, a busy signal is heard. Heddy yanks the phone out of the wall, yet a busy signal can still be heard.
    • Citações

      [last lines]

      Allison Jones: [Allie narrating] I cried the whole week of Sam's funeral. Graham says that won't bring him back. He says I have to start letting go. He's right. Hedy's parents said that for years they tried to explain to her that her sister's death wasn't her fault but she never forgave herself for surviving. So, every day, I try to forgive Hedy for Sam. Then I try to do what she couldn't - Forgive myself. I know what can happen to someone who doesn't.

    • Cenas durante ou pós-créditos
      The opening credits are shown in the form of paper strips.
    • Versões alternativas
      For the Indian theatrical release, the CBFC (Central Board of Film Certification) made cuts for an 'A' (restricted to adults) rating (Certificate #A-2516-MUM).
      • Reduce by 50% the love-making scene between Allie and Sam (Length Retained: 9.00 ft.)
      • Delete the visuals of the nude Hedra in the bath-tub.
      • Delete the visuals of bare breasted Hedra in bed while masturbating.
      • Reduce by 60% the visuals of the naked Hedra under the shower, deleting her frontal nudity (Length Retained: 7.07 ft.)
      • Reduce by 60% the visuals of love-making between Hedra and Sam, deleting visuals of her bare breasts (Length Retained: 45.00 ft.).
    • Conexões
      Featured in Siskel & Ebert & the Movies: Single White Female/Little Nemo: Adventures in Slumberland/Light Sleeper/Rapid Fire/Diggstown (1992)
    • Trilhas sonoras
      Trio Sonata in C, RV 60
      Composed by Antonio Vivaldi

      Performed by The Purcell Quartet

      Courtesy of Hyperion Records Ltd.

    Principais escolhas

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    Perguntas frequentes28

    • How long is Single White Female?Fornecido pela Alexa
    • What is "Single White Female" about?
    • Is "Single White Female" based on a book?
    • What is Hedy's backstory that leads her to mimic everything about Allie?

    Detalhes

    Editar
    • Data de lançamento
      • 16 de setembro de 1992 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Mujer soltera busca
    • Locações de filme
      • Ansonia Hotel - 74th & Broadway, Manhattan, Nova Iorque, Nova Iorque, EUA
    • Empresa de produção
      • Columbia Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 16.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 48.017.402
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 10.212.401
      • 16 de ago. de 1992
    • Faturamento bruto mundial
      • US$ 48.017.402
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 47 min(107 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Stereo
    • Proporção
      • 1.85 : 1

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