Morango E Chocolate

`Strawberry and Chocolate' (1993)is set in contemporary Havana. The luster of that city has dimmed after nearly four decades of Castro's rule. David (Vladimir Cruz), a student and avid Castro supporter, is on the rebound after losing his girlfriend. He had taken her to a cheap hotel to make love, but the place is so shabby it puts her off. Instead, he promises never to touch her until they marry. In the next scene, she marries someone else while David stands sullenly among the well wishers at the registry office. Then he meets Diego (Jorge Perugorría).

Diego, who is flamboyantly gay, parks himself at David's table in an outdoor café to eat a dish of strawberry ice cream. For David, this is suspicious because chocolate is also available. Diego says some people like chocolate, some like strawberry, an innocuous line that gives the movie its title and also hints at the odd couple relationship to follow.

Diego does not disguise his sexual interest in David, but is also interested in giving David an education the regime denies him. The older man is far more cultured than his new friend. Offers of books banned in Castro's Cuba, such as a novel by Mario Vargas Llosa or the poems of John Donne, lure David to his apartment for tea and talk. When David reports that Diego is involved with a forbidden art exhibit, he is directed to befriend Diego to find out more information. `Strawberry and Chocolate' thus sets their emerging friendship against the backdrop of two bleak themes: anti-gay prejudice in the Castro regime, and the betray-thy-neighbor expectation of a police state.

But almost nobody conforms to type. A woman in Diego's building who is part of the neighborhood Vigilance Committee, on the watch for counter-revolutionary activities, turns out to be a good friend to Diego and then to David. Everyone plays one game with the government, but a different one in their private lives. This is a lesson David has to learn. Encounters with women along the way provide a few subplots, but the heart of the story lies in the hearts of the two men.

`Strawberry and Chocolate' is credited to directors Tomás Gutiérrez Alea and Juan Carlos Tabío. The former was, until his death shortly after completing this film, the best known filmmaker in Cuba, winning an international reputation in the 1960's for titles such as `Memoirs of Underdevelopment,' a look at life in Cuba in the early Castro years that tempers criticism with prudence. `Strawberry' is smaller in scale and less overtly political.

The film was nominated for an Oscar in 1995 and won awards at film festivals around the world (including the Sundance Festival). American viewers may instantly slot it with Hollywood features that show how straight characters learn life lessons from a wiser gay companion (`Boys on the Side,' `As Good As It Gets'). And at times Diego's excesses recall the worst performances of Harvey Fierstein. Yet superb performances by the two male leads eventually move beyond stereotypes they – and the audience – initially share about each other, transforming their unexpected friendship into a statement that puts the lie to official groupthink in a repressive regime.

This film isn't just an "odd couple" story, as it can appear at a first glance. This is a landmark Cuban film about the plight of homosexual artists in Communist Cuba. Being homosexual in Cuba in the 60's and 70's, maybe even the 80's, could mean incarceration or being sent to "colonies", often hard labour camps. What makes this film extraordinary is that it was made by a Cuban director who had been himself part of the Communist intelligenzia at the beginning, but could still be objective and therefore critical of the intolerance of real socialism. What also makes the film extraordinary is that the film itself was a box office success in Cuba and helped change attitudes towards homosexuality. Tomás Gutiérrez Alea, or Titón, as he was known in Cuba, is the greatest and best loved Cuban filmmaker, with a trademark black humour, best exemplified in his outstanding films Memorias del subdesarrollo (Memories of Underdevelopment) (1968) and La Muerte de un burócrata (Death of a Bureaucrat) (1966). His last film, Guantanamera (1994), which he made when ill with cancer, is a black comedy of "funeral" errors and criticism of Cuban bureaucracy. This is his legacy, the way he wanted his public to remember him, laughing at death.

Fresa y chocolate

I liked to watch Fresa y Chocolate; this is first Cuban movie I've seen. Fresa y Chocolate is a product of two directors, Tomás Gutiérrez Alea and Juan Carlos Tabío in 1993. Fresa y Chocolate was nominated in 1995 the best foreign film. During the production of this film the director Alea had cancer and for this reason Tabío had to help him to complete the movie. Later 1996 Alea die. This movie expresses the oppression of Cuban government toward the homosexual and the conflict also the friendship within two different men.

Around 1997 in Cuba,Diego (Jorge Perugorria ) the main character is a cultured gay and David (Vldimir Cruz) a young revolutionary college student. He is a naive and dogmatic. The story begins at a cheap hotel room where David and his sweetheart, Vivian tried to have first intimate experience together but ended up angry at each other, later Vivian marries to a much older man who is in the government office position. David, the wedding day feeling low come to an Ice cream shop near by school and over there David and Diego meet. At the begging, it was Diego's attempt to allure David but soon it change and in spite of their sexuality, these two different men establish a true friendship. Most of story take a place at Diego's apartment where full of things (art work, forbidden books, pictures...) for David's eye. It is a new and different world for David, a dogmatic and in a way an ignorant. Diego tells David about his anguish and problem toward the government. For him being homosexual hinder his work in Cuba and also his well being, too.

However, David learns much about art and literature from Diego and moreover, he learn how to enjoy and savor life. The message of this movie is tolerance. No matter what is one's sexuality people have genuine heart. They have hope, dreams, and frustration that life brings us.

I think this movie is worth to watch because Fresa y Chocolate gave me a chance to give a glance to Cuba, the country that I don't know yet. To me watching a good film lessens a tension of life.

Strawberry and Chocolate -- Wow this was a wonderful surprise and one of the better movies I've seen of late. Set in 90's Havana, this is a very real, believable story of a young homophobes first friendship with a gay man. I found the movie touching and funny and it reminded so much of many men I knew during my years in El Paso.

Diego, played wonderfully by Cuban actor Jorge Perugorria, is very attractive and yet easily the queeniest guy I've seen on film in years. I really enjoyed how comfortable he seemed in the role paying in between the male and female gender roles. This man has a passion for life that he expresses while being outside the mainstream. He does an excellent job of pulling off the crush in a believable way.

He has a horrible crush on David, a young Communist party member who is lured to Diego's apartment with the promise of some photos of Diego took of him while David was acting. No pictures materialized and the two develop a solid, respectful, platonic relationship.

This movie shows that gay and straight men can be friends. It also reminded me of many good times I had by making friends with people I normally wouldn't associate with. Queens are usually not my type...but then again, its a reminder to judge people by the content of their character rather than superficial appearances.

The film also explores Cuban's acceptance of Communism and the country's desire to remain outside the influence of American commercialism. I was very interested to see where Diego's anti-government rhetoric would get him and if the movie would have a moralistic 'gotcha' message at the end.

In reading about this movie it's pleasing to know that the director is a well-known and respected Cuban director (thus making it a bit easier to trust the movie) and the movie was well received in Cuba. Word is it helped to remove the stigma attached to homosexuality in Cuba.

I heartily recommend this film in a way I so rarely do. Easily in the same class as Priscilla for humanity and believability. This one is absolutely worth whatever it takes to find it.

Rating: 9 out of 10.

I agree with all the positive things already so well put forth by other reviewers and say that I liked this film a lot. Jorge Perugorria is incredible as the slightly "queenie" gay man. I have seen him in other films where is so different, as a very macho truck driver, for instance. Here he is the art and book lover and appreciator of good food and drink, as well as attractive young men. His "education" of the stern young Cuban Communist (an excellent Vladimir Cruz), a very straight man with intense emotional animosity toward gays, becomes a study in the resolution of human relationships triumphing over social and political obstacles.The comradely embrace of the two men , symbolizing their understanding and acceptance of each other despite superficial differences, was a masterstroke at the end of this fine film.