Sem Medo de Viver

I had heard about Fearless for a long time and was never in the right mind to see it. It's the story about how survivors of a plane crash cope with life afterwards, their neuroses, fears and personal demons. It is a quiet film, so quiet that one can barely hear the inner tremblings of the main character.

He is a survivor without fear. He has summoned up a supernatural lack of fear towards life and psychological health now that he has survived a plane accident. In times of crisis, he has the ability to block fear and to live on adrenalin alone. He has become in the eyes of the other plane passengers, a hero and an inspiration.

But even though this lack of fear is his saving grace, it is also threatening to jeopardize his life. He copes with the nightmares and emotional traumas with the same reaction that helped him along on that fateful day. But in real life, this way to cope is unhealthy and even dangerous. One must live afraid to be a normal person. One must worry about finances and loss of love.

The film is imperfect, as any great film should be. There are slow moments and perhaps a little too much pop psychology. (But the film is as subtle as it gets). There are marvelous character touches, such as a lawyer trying to file a lawsuit who keeps apologizing for his greediness. (The film exposes the genuine dilemmas of trying to compensate victims and their families).

Perhaps the most amazing scene is a reenactment of the plane crash itself. I won't give anything away about the story, but the scene is hauntingly beautiful; it shows the overwhelming force of the wind and the earth ripping apart the fusilade and all the parts of the luggage and cabin that humans normally deal with. It is a violent, horrifying scene and a horrifying memory, but for the main character, he can imagine it with the appropriate distance and without the pain. This accident was the defining moment for his life, and after that scene, we realize how amazing it is that he and the rest of them could have survived, and how fragile their life was in the face of overwhelming force.

This story imagines a disaster and how useless it is to be afraid of a force more powerful than any individual (and that is the main character's profound insight).

Fearless is a film about how one event can change lives forever. It's a film about hope, about those who bring it and lose it, a film about love and ultimately a film about the kindness of strangers.

Jeff Bridges is Max Klein, a victim of a horrific air crash that kills his best friend. However, he emerges from the accident a changed man, believing he has found a previously lost spirituality. He is no longer allergic to strawberries, something that nearly killed him as a child, for example. From here, he helps others come to terms with their loss, including Rosie Perez's Calrla.

Peter Weir is probably one of the best filmmakers currently working. He has yet to make a bad film, and even struggles to make mediocre ones. However, Fearless is something a cut above his usual high standard. Posing genuinely thought-provoking questions, yet never didactic or vague, Fearless makes you reconsider your own actions and their affect on other people.

The cast is uniformly excellent, with Bridges and Rosselini (as his wife) particularly good. Perez's much maligned Carla is solid enough. Look out for an early, rather excellent performance by Benecio Del Toro, too.

The film ends on an incredibly moving note. Incredibly beautiful and true, Fearless should be considered,a long with Gilliam's The Fisher King, one of the most overlooked gems of modern times.

Films like this, where the main character survives a plane crash, reveal more of how unprepared a hunter gatherer mind is to the trauma of the modern world, let alone after a traumatic event. When the fight or flight mechanism is unable to function, when there's nowhere to run and nothing can be done, the stress and anguish experienced must be one of the most painful emotions a human mind can experience. We also get another perspective, perhaps one more recognisable, through the helplessness of losing a loved one, a young child, in the same tragedy, completely unprepared and instant.

Yet we continue to push, push, push, backing ourselves into metaphorical corners with no means to escape or defend ourselves. This is deep introspective film making, as relevant as ever, with great performances from some truly great actors.

This movie really spoke to me. I find it hard to say whether or not is good or bad. Peter Weirs films have a way of communicating intense emotion to me, although not all are quite so good- I watched all of the disappointing Dead Poets society, and only felt this emotion in one scene- where the boy commits suicide. A powerful scene. In 'picnic at hanging rock' I felt this intense emotion a few times, especially with that shot of the girls disappearing.

I had wanted to see Fearless for a number of years and was not disappointed. I have never seen a film in my life that affected me so much. But hey, you might watch this and feel nothing. It is about human emotion, about the meaning of life and our mortality. If you care about these then I would guess this film would say something to you.

If you feel like an outsider, like an alien drifting amongst strangers, this is the film for you. If you dream of enlightenment, take pleasure in the simple intensity of the moment this is the film for you also. IMHO, is not just Peter Weirs greatest film, I feel it is one of the greatest films I have seen.

Jeff Bridges has been called the most underrated actor of his generation, and 'Fearless' speaks to the truth of such a claim. Equally overlooked is Australian director Peter Weir, who, like Bridges, was snubbed by the Academy Awards for 'Fearless.' The film was almost totally ignored by the Academy, perhaps due to the fact that 1994 was the year of the historical/political epic--'Schindler's List,' 'In the Name of the Father,' and 'The Remains of the Day' were the big winners that year, casting a bit of a shadow over a film about a rich white American suffering from PTSD.

Based on the novel by Rafael Yglesias, 'Fearless' is the story of Max Klein, a successful San Francisco architect who survives a horrific plane crash. Among the casualties of the crash are Klein's partner and best friend and the only child of Carla (Rosie Perez), a young Puerto Rican woman from Oakland who blames herself for her son's death. Prior to the accident Max suffered from an acute fear of flying; when the plane goes down, his fear becomes so intense that he accepts death. When he survives the crash, he suffers from a form of post-traumatic stress syndrome in which he can no longer feel fear because subconsciously he has already faced death. His condition creates a rift between himself and his family, a gap he tries to fill through a friendship with Carla, who is similarly afflicted with PTSD.

Bridges gives a tour de force performance as Max, who is simultaneously heroic (he leads other passengers to safety believing he is guiding them out of the plane into heaven) and contemptible (he is unspeakably cruel to his family and leaves his wife temporarily to pursue a relationship with Carla).

He's not sure whether he's alive or dead, and he is frequently drawn to test his fear and uncertainty through ludicrously dangerous stunts like dancing on the edge of a skyscraper's roof or walking calmly into speeding traffic. It's an unflinching and emotionally honest portrayal of a psychologically damaged man unsure that he has the strength or will to be healed.

Equally stunning is Rosie Perez as Carla, a devout Catholic who believes that her baby's death is a punishment from God and is nursed back to normalcy by the agnostic Max.

Other supporting actors are also captivating: Isabella Rosselini as Max's wife Laura, who loves her husband desperately but is unable to cope with Max's alienation from her and their son Jonah; Tom Hulce as an overeager but well-meaning attorney suing the airline on behalf of Max, his partner's family, and Carla; John Turturro as a psychiatrist specializing in PTSD hired by the airline to help the survivors cope with the after-effects of the tragedy; and Benicio Del Toro as Carla's husband, a poor carpenter who can't help but feel giddy about the possibility of making millions off of his son's death. Perhaps most moving is Deirdre O'Connell as the widow of Max's partner--the scene in which Max arrives at her home to confirm that her husband did not survive the crash will break the hardest of hearts.

The film is brilliantly directed by Weir, who captures the surreal nature of Max's condition masterfully.

'Fearless' is not an easy film to get through, perhaps even moreso in the wake of 9/11. The subject matter is emotionally wrenching, and its presentation is utterly unsentimental. Max is heroic, but he is also a victim, and Bridges' performance captures the tension between Max's newfound love of life and his near-psychotic need to continually face and overcome his fears. It's a tear-jerker, and it's certainly haunted by the ghosts of the dead, but it's well-worth watching if only for the pleasure of seeing one of the best actors in the business at his best.