Corpo em Evidência

Okay, I'm pleading guilty of being a guy but Madonna's bod alone is worth 5 stars. I've never been a fan but dee-YAMN, was she physically fit. Her acting was good too. It's her best effort other than 'Dangerous Game' where she showed she could really produce a great performance, if she got her ego out of way. I was really believing and sympathizing with her. There were no cringe worthy scenes that mark most of her acting career. This is major point since the movie revolves around her character. Willem Dafoe is good, as usual, in a rather unchallenging role as her defense attorney. The rest of cast is a who's who's of A list supporting actors who are always fun to watch.

The plot itself is a rather lame, 'Basic Instinct' knockoff, which was practically a sub-genre at that time but it was engaging enough. It seems the director's main goal was to see if he could get Madonna, Julianne Moore and Anne Archer (who was a major crush of mine at the time) to take off all their clothes. It seems he succeeded though there may have been a body double for A.A. (sad face emoji)

I can see how people of a more puritanical and/or snooty mindset could hate this movie but for it's unblinking and unapologetic trashiness, good performances and serviceable plot I found it entertaining. If you accept the movie for what it is, it's a very fun watch.

What a Movie! Leaves u begging for more... and in my opinion equally as good (if not better than) Basic Instinct. Madonna is at her sexiest and the movie prevails great suspense and surprises. Why was this movie so rejected? its not as bad as some i have seen that have got much more praise. and for one i don't understand why people don't like Madonna as an actress, that's the possible irritation to this movie for people... which is stupid... she is excellent and nowhere near out of place.. give this movie the benefit of a doubt. Its Erotic, Sexy, Sleak, Fun, and.... oh why was this movie put down again....?

Who cares if 'Body of Evidence' is a so-called 'Basic Instincts' rip-off, and the plot is a bit bogus? It's escapism, so I say to all the critics just chill a bit and lay off this movie. Madonna is simply stunning in it and as an enormous fan of hers [practically in anything she endeavours], I cannot believe it took me until 2001 to watch this movie. I guess I was sucked in to believe it was worst than it actually turned out to be. I can say that, whilst this movie is not Oscar-material, it was enjoyable, sexy and intriguing. Why people take it so seriously is beyond me. I firmly believe it was too harshly criticised. I was pleasently surprised. Sure, Madonna has a long way to go before she is considered a serious actress and perfects her craft, but she fit perfectly into this femme-fatal role and is very convincing. She is a better actress than people give her credit for!

Body of Evidence: 7 out of 10: A woman is on trial for seducing men to death. Will her lawyer get her off? Will she get him off? Stay tuned for the drama both inside and outside of the courtroom.

The case for the Prosecution:

Exhibit A: The courtroom scenes: AKA half the bloody movie. Body of Evidence is often considered an erotic thriller. However, it spends an amazing amount of time in the courtroom. Now courtroom scenes can work in thrillers (see 1990's Presumed Innocent), but they should be to the point and thrilling. The scenes here are pointless with half a dozen side characters introduced and then forgotten. It never feels like a real trial. The judge allows so many shenanigans that she makes Judge Ito look like Judge Judy.

Exhibit B: William Defoe: I genuinely like William Defoe. But as the lead character in an erotic thriller? As Weird Al Yankovic wrote about Mr. Defoe in his song "Ode To A Superhero"

And he's ridin' around on that glider thing And he's throwin' that weird pumpkin bomb Yes, he's wearin' that dumb Power Rangers mask But he's scarier without it on

Now If William Defoe switched roles with Joe Mantegna as the prosecutor that might have worked a lot better. Both are wonderful charismatic actors but nobody wants to see William Defoe's O face.

Exhibit C: Madonna: Madonna makes bad movies. This is a Madonna movie. Hence this is a bad movie. Prosecution rests.

The prosecution is feeling a bit overconfident there and rested their case without mentioning Anne Archer's performance or the horrifying screenplay.

The Defense:

Exhibit A: Madonna: In 1992 naked Madonna was everywhere. People were buying $50 coffee books that consisted if nothing but pictures of her naked while hitchhiking. (This is true ask your cool aunt). As Rosie O'Donnell said to her in A League of Their Own. "You think there are men in this country who ain't seen your bosoms?" What a difference twenty-six years makes. We are not inundated with Madonna nowadays (naked or otherwise) so she seems fresh again. Also, she really isn't bad in this movie considering the lines she is given. She certainly gives a better performance than Anne Archer.

Exhibit B: Erotic Thrillers: Erotic thrillers enjoyed a moment between Basic Instinct and Showgirls. We really don't see them like these anymore and haven't for a long time. There were a lot of them in that time period (Heck there were two with Billy Baldwin for God's sake) So we often will revisit the lesser known ones for some nostalgia much like future generations will watch Ant-Man and muse how they don't make Superhero movies anymore.

Exhibit C: That one scene you forgot was in the movie: The defense is wheeling out a TV and DVD player. Looks like they are going to show a clip. The overconfident prosecution doesn't object. Is that a young naked Julianne Moore? Wow, that sex scene is so intense. Where did that come from and how did Madonna allow herself to be upstaged.

The Verdict: In 2018 the defense wins. Time has been kind to this movie. I certainly understand the panning this received when it hit the local cineplex in 1992. For one thing, Madonna and Julianne Moore fighting over William Defoe sounds like a mental patient's fan fiction. For another, this is a Netflix and chill movie, not something you want to see in a theater filled with suburban housewives and Paul Reubens. It is both as bad as you remember it but somehow endlessly entertaining.

Because the critics gave this such a panning, I didn't bother to watch it for a long time. Now that I have, I'm surprised by how much I enjoyed it. Amazingly, I thought it was better than Basic Instinct, the film that everyone said it was simply a poor copy of. The storyline is tight and engaging, Madonna much better than usual, the sex scenes good, even if Willem Defoe appears more comfortable in the courtroom scenes, and the ending brilliant. A greatly under rated film.