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6,0/10
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Uma adolescente e seu pai descobrem que clones alienígenas estão substituindo humanos em uma remota base militar dos Estados Unidos na Alabama.Uma adolescente e seu pai descobrem que clones alienígenas estão substituindo humanos em uma remota base militar dos Estados Unidos na Alabama.Uma adolescente e seu pai descobrem que clones alienígenas estão substituindo humanos em uma remota base militar dos Estados Unidos na Alabama.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 6 indicações no total
Avaliações em destaque
In this remake of a classic, they used Bad Lieutenant and King of New York director Abel Ferrara, and cast the young beauty Gabrielle Anwar (The Librarian: Return to King Solomon's Mines) and "thirthsomething" Terry Kinney in the leads.
Kinney went on to do The Laramie Project later and was fantastic.
If you want conformity, then setting your movie on a military installation ensures that you have an easier time of it. Younger people will love this version, but just updating to modern techniques and special effects doesn't always make for a better picture.
Skintastic Moment: Great view of Gabrielle Anwar's ta-tas waking up on a stretcher.
Kinney went on to do The Laramie Project later and was fantastic.
If you want conformity, then setting your movie on a military installation ensures that you have an easier time of it. Younger people will love this version, but just updating to modern techniques and special effects doesn't always make for a better picture.
Skintastic Moment: Great view of Gabrielle Anwar's ta-tas waking up on a stretcher.
The Malone family move to a military base to help contain a toxic spill. Many of the soldiers and families are behaving strangely but is it the toxins or something more sinister?
I'm not a fan of remakes, many try to just copy the success of other films while some lift the original scene for scene to poor effect. However this at least tries to do something slightly different with it by setting it in a military base and bringing the drama into the family setting. In fact this setting creates some of the best scenes my favourite being where Carol tells her daughter Marti that `there's no one like you left'. The greater effects are good but really I preferred the paranoid tension of the 50's original rather than the horror of effects.
However I still think this is a very workable horror from a good director. Of course it suffers with comparison with the original that's because the original is a sci-fi classic. But as it's own film it is pretty good. Indeed the ending is what director Siegel intended but he was forced into having a more hopeful epilogue ending. Naturally it has it's weaknesses the effects overpower the story at times but really I found this to be enjoyable as a horror.
The cast are one of the weak links. I love Kinney because I'm a big Oz (HBO) fan, but here he doesn't really make a mark. Tilly has all the good lines and she is actually quite good. Anwar is also very watchable. But Ermey is type cast in his usual military role and Whitaker is far too calm and reasoned to do the job he needed to be more like McCarthy in the original.
Overall, this should be watched and not compared. In it's own right it is a good horror with only a few weaknesses that spoil it slightly. And if you do want to compare it to the 50's version then please remember than this is the type of ending that Siegel wanted and to me is one of the strengths of this film.
I'm not a fan of remakes, many try to just copy the success of other films while some lift the original scene for scene to poor effect. However this at least tries to do something slightly different with it by setting it in a military base and bringing the drama into the family setting. In fact this setting creates some of the best scenes my favourite being where Carol tells her daughter Marti that `there's no one like you left'. The greater effects are good but really I preferred the paranoid tension of the 50's original rather than the horror of effects.
However I still think this is a very workable horror from a good director. Of course it suffers with comparison with the original that's because the original is a sci-fi classic. But as it's own film it is pretty good. Indeed the ending is what director Siegel intended but he was forced into having a more hopeful epilogue ending. Naturally it has it's weaknesses the effects overpower the story at times but really I found this to be enjoyable as a horror.
The cast are one of the weak links. I love Kinney because I'm a big Oz (HBO) fan, but here he doesn't really make a mark. Tilly has all the good lines and she is actually quite good. Anwar is also very watchable. But Ermey is type cast in his usual military role and Whitaker is far too calm and reasoned to do the job he needed to be more like McCarthy in the original.
Overall, this should be watched and not compared. In it's own right it is a good horror with only a few weaknesses that spoil it slightly. And if you do want to compare it to the 50's version then please remember than this is the type of ending that Siegel wanted and to me is one of the strengths of this film.
Everyone knows the plot of THE INVASION OF THE BODY SNATCHERS because they`d already been two adaptations before the 1993 remake . The same basic plot had also been done in the 1955 television serial QUATERMASS 2 which was also remade by Hammer films in the late 1950s and we`ve seen DOCTOR WHO stories like Spearhead From Space that uses a very similar premise . In short the idea had been done to death by the 1990s
On its own BODY SNATCHERS isn`t a terrible film , it is moody and dark as it should be , but it does have a rather mechanical script with a scene featuring some teen angst followed by a mysterious scene followed by a scene featuring teen angst followed by a mysterious scene followed by a scene featuring teen angst . Everyone knows that the plot revolves around alien infiltration so do the audience get to find out why the aliens come to Earth ? Not really , unlike the 50s original there`s no real ambiguity as to the aliens motive or subtext either . I should also point out that aliens taking over military bases makes perfect logical sense if they want to nullify humanity but unfortunately setting the story on a military base where through necessity human individuality is disallowed and where the newly introduced protagonists don`t know the other characters means we have a story that lacks compelling and terrifying drama . We find it somewhat difficult to care about the people involved because they lack individuality to begin with .
As I said it`s by no means terrible but BODY SNATCHERS fails alongside the 1978 version which I rate as the greatest paranoid thriller ever made
On its own BODY SNATCHERS isn`t a terrible film , it is moody and dark as it should be , but it does have a rather mechanical script with a scene featuring some teen angst followed by a mysterious scene followed by a scene featuring teen angst followed by a mysterious scene followed by a scene featuring teen angst . Everyone knows that the plot revolves around alien infiltration so do the audience get to find out why the aliens come to Earth ? Not really , unlike the 50s original there`s no real ambiguity as to the aliens motive or subtext either . I should also point out that aliens taking over military bases makes perfect logical sense if they want to nullify humanity but unfortunately setting the story on a military base where through necessity human individuality is disallowed and where the newly introduced protagonists don`t know the other characters means we have a story that lacks compelling and terrifying drama . We find it somewhat difficult to care about the people involved because they lack individuality to begin with .
As I said it`s by no means terrible but BODY SNATCHERS fails alongside the 1978 version which I rate as the greatest paranoid thriller ever made
"Body Snatchers" is a good film by Abel Ferrara, a worthy version of "Invasion of the Body Snatchers" by Jack Finney, of course without being better than the 1978 version. This 1993 version has a good script but what is taken slowly, suspense is absent for much of the film, the characters and their loss of individuality by being supplanted is a gloomy idea but in the film it is executed in an uninteresting way. The performances are good, especially from Meg Tilly and Christine Elise. A great positive point of "Body Snatchers" is the special effects, which appear in few scenes but are well done and with good gore. "Body Snatchers" isn't the best movie based on Finney's work, but it's worthy and well-produced.
Abel Ferrara is a talented and interesting director. He's made some great films ("bad lieutenant", "china girl") and he always seems to bring out the best in his actors. With "Body Snatchers", Ferrara tackles the task of directing a big budget, studio sci-fi film. And for the most part, he succeeds. Ferrara injects the film with tight closeups and experiments with tilted and off balanced framing. Making the viewer feel like something in the film is off and eschewed. But the film just isn't that exciting. It's more of a slow burner. It never really lives up to it's own potential sadly. But the effects are solid and some of the semi-transformation scenes are disturbing.
The acting for the most part is solid with Meg Tilly giving the best monologue in the film. Gabrielle Anwar is gorgeous to stare at and Billy Wirth (Lost Boys) plays the chopper pilot hero. It could have been a better film, but "Body Snatchers" is entertaining, well-acted, and often creepy. I'm always surprised that an independent director like Ferrara was the guy chosen to helm such a big budget studio film...
The acting for the most part is solid with Meg Tilly giving the best monologue in the film. Gabrielle Anwar is gorgeous to stare at and Billy Wirth (Lost Boys) plays the chopper pilot hero. It could have been a better film, but "Body Snatchers" is entertaining, well-acted, and often creepy. I'm always surprised that an independent director like Ferrara was the guy chosen to helm such a big budget studio film...
Você sabia?
- CuriosidadesThis was the first film shot with Arriscope anamorphic lenses, which were created for Arri by the German manufacturer Isco-Optic.
- Erros de gravação(at around 3 mins) In the opening sequences, Marti is sitting on the right side of the car looking out the window. When it cuts to show her viewpoint of the moon and passing trees, the perspective is as if she were on the left side of the car.
- Citações
Carol Malone: Where you gonna go, where you gonna run, where you gonna hide? Nowhere... 'cause there's no one like you left.
- Trilhas sonorasYou Didn't Need
Written by Sim Cain, Chris Haskett, Henry Rollins and Andrew Weiss - The Rollins Band
Performed by Rollins Band (as The Rollins Band)
Courtesy of The Imago Recording Company
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- How long is Body Snatchers?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Secuestradores de cuerpos
- Locações de filme
- Craig Air Force Base, Selma, Alabama, EUA(Craig Field Airport and Industrial Complex)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 13.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 428.868
- Fim de semana de estreia nos EUA e Canadá
- US$ 31.494
- 17 de jan. de 1994
- Faturamento bruto mundial
- US$ 428.868
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