Adicionar um enredo no seu idiomaSara lives in a small town where everybody knows everybody and her life is an open book. Left with the care of her family home, she has trouble meeting the mortgage payments and her ex-boyfr... Ler tudoSara lives in a small town where everybody knows everybody and her life is an open book. Left with the care of her family home, she has trouble meeting the mortgage payments and her ex-boyfriend is the bank manager attempting to foreclose. When she takes in boarders to meet expen... Ler tudoSara lives in a small town where everybody knows everybody and her life is an open book. Left with the care of her family home, she has trouble meeting the mortgage payments and her ex-boyfriend is the bank manager attempting to foreclose. When she takes in boarders to meet expenses, she unwittingly rents a room to an international criminal hiding out from a bounty hu... Ler tudo
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- Mr. Maldon
- (as Pat Patterson)
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One thing that may be missed at first is that this movie is actually intended as a comedy as well as a romance with a few thriller elements at the very end. But basically, it's a romantic comedy. The first time watching it, the comic elements can be a little annoying because they are of the oops! variety.
The star and chief reason for seeing this movie is Cynthia Geary. Not just because she is beautiful--who isn't in a romance movie--but because of her enormous appeal. It's a shame that this appears to have been her only starring role. So, see it for her if for nothing else. (But not if you're expecting Citizen Kane or anything of that sort.)
"The Awakening" is a 1995 TV movie that stars Cynthia Gibb and David Beecroft. Wide-eyed Gibb is very much the gamine as Sara, with a straight, short haircut and big bunny slippers as she runs around the home her parents left her trying to figure out how to keep the bank from taking it. Then a bounty hunter, Flynn, (Beecroft) comes along looking for her tenant, who seems to have gone. Sara ends up going with him on his search and gets a physical and emotional makeover along the way.
It's so great to see Beecroft, whom I enjoyed so much on Falcon Crest many years ago. He's very sexy and good in the role of a man afraid of intimacy who falls for Sara. Cynthia Gibb has a tour de force role - she's a plain Jane in the beginning, a young woman who's stifled all of her spirit due to overprotection by her parents. Working with Flynn, she's required to dress better, look better, and she's inspired to take on different roles. She's terrific, a very likable actress, and the two are great together.
You take a chance with Harlequin movies, but the good ones are fantasies and a lot of fun. Every once a while, it's nice to see an old-fashioned light romance with no special effects, no hidden meanings, no wormholes, and no violence. It's a nice break.
I know there are plenty of people who will hate me and disagree with me but I thought it was a horrible performance and with that hairstyle, she was not all that pretty. I won't even start in on the Gawd awful hairdo at the end of the movie when she is playing the piano, ugh and the bad outfits through the movie. Good grief I swear who ever did the wardrobe was stuck in the 80's. Anyway, so yeah, with Cynthia Geary horrible acting I just couldn't enjoy the movie. Her acting was so bad I could not forget the movie and that is not a good reason to remember the movie. If you do not agree with me then I will tell you to go back and look at the scene in the diner where she is gloating about getting breakfast and "mooning" over him. Really? You call that good acting?? Then the supposed "sexy swagger" where she folded up her skirt and took off her jacket to try to get information from the front desk guy and telling him she was there for back rent. Her facial expressions too when singing at the piano at the end... ewww
Again, this is only my personally little tiny opinion. Others, you are more than welcome to enjoy it and dislike me for mine but it's just how I see it.
Pat Banas
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- Trilhas sonorasInside The Horn
Performed by 54-40 (as 54.40)
(c) Sony Music Publishing/Fifty Four Forty Songs Inc.
Courtesy of Sony Music Canada
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