Fuga Mortal

Dolph Lundgren as Santee does not do much talking but makes up for it with action. Santee is a convicted cop killer who was framed by Det. Severence played by George Segal. Santee manages to escape during transport and kidnaps Rita Marrick who unknown to Santee is an off-duty cop herself. Now the action begins as Santee sets out to get revenge against Severence while at the same time is being hunted by Severence and the whole states police force. Who will get Santee first, Severence & company or Marrick the off-duty cop.

Army of One is a very awesome action movie. Dolph Lundgren is a very good actor and this is one of my favorite movies. I highly recommend it to any action fan on the planet. The movie has good actors and actresses, and has great plot to it. Any action fan who turns it down without watching it first is CRAZY!

A predictable but exciting action vehicle for Lundgren, which plays more like a road movie than anything else. Although we've seen it all before, ARMY OF ONE offers up plenty of action from car chases in the desert (always a good thing) to a huge, John Woo-inspired shootout in a warehouse plus the expected fist-fights and more. All combine to make a satisfying, easy-viewing movie experience.

Lundgren here has one of his better roles and is actually required to act in some scenes, as well as being his usual hardman self. He's given good support by George Segal as the dastardly villain, Kristian Alfonso as a tough hostage he takes who also turns out to be a cop, Geoffrey Lewis as good-natured Sheriff, and the familiar Michael Paul Chan as a slimy, Chinese fellow villain. Horror fans may want to look out for DAWN OF THE DEAD's Ken Foree who is killed in the first scene but reappears throughout the movie.

Although things do take a while to get going, and it takes time to get to know (and like) the main characters, ARMY OF ONE has some excellent action towards the end. The aforementioned warehouse shootout is very violent and well-staged, and most impressive. The "speeding cars through the desert" scene is sufficiently exciting, and the expected showdown between Lundgren and the chief baddie at the end holds the attention. In all, a good time-waster, and one of Lundgren's better movies.

This undoubtedly, is the best Dolph Lundgren film I've ever seen. You'll have to take into consideration that I'm not a big fan of Mr. Lundgren. This movie had great action scenes. You can tell that John Woo had a strong influence on the producers and directors because one special shootout looked very reminiscent of John Woo's type of filmmaking. This movie also has to feature, I think, one of the best car chases in a straight to home video film ever. It's sad that movies like these don't get highly promoted or promoted at all, therefore they become lost in the film world, where nobody discovers them for the true action movies that they really are. Watch this movie, you will not be dissapointed.

Adventure / thriller movies are always big on action. At some point through the running time, decisions have to be made whether to accept fate or try and change the oncoming outcome. This kind of balance needs to be checked because if not monitored, either the viewer will end up being stuck in an explosive marathon in nothing but action after action without any story, or too much exposition and no action at all. No matter what the extreme, either or will bore its viewer. Unfortunately, that is the case for this action flick and surprisingly, it suffers from both extremes believe it or not. After being framed for murder of a police officer, Santee (Dolph Lundgren) is sent to a penitentiary only to almost be killed by the man who framed him. After escaping, Santee takes one off-duty cop named Rita Marek (Kristian Alfonso) hostage while having Lt. Franklin L. Severence (George Segal) on his tale close behind.

Directed by usual stunt coordinator veteran Vic Armstrong (his directorial debut) and written by Steven Pressfield (Above the Law (1988)), this action thriller is very low on the entertainment and high tension meter. There's only a few good areas to point out. Its strongest element are its cinematography captured by Daniel L. Turrett. Although this is Turrett's ONLY cinematography credit to date, it is decent. The rest of Turrett's work is credited as camera operator and although that is a totally different task, Turrett did what he could. The entirety of this movie is set in the desert and Turrett shot as much footage as he could get to include wide landscape and long running mountain ranges. It sure is nice to look at. The second best aspect to this movie are most of its cast and how they act. Sadly, the cast that is respectable are not on screen as much as the actual main cast.

For Lundgren himself, there is no complaint. He has all the best lines and works well with that alone for this particular film. Aside from him though, George Segal as the Lt. Severence is wholesomely uninteresting because of his sniveling voice. Even the young Kristian Alfonso is remarkably banal in her performance. Yet, audiences will have supporting cast performances from the underrated Geoffrey Lewis as the local Sheriff helping Lt. Severence. Backing up Lewis is a younger Nick Chinlund as a Deputy. He's easy to pick out. Then there's the cameos (not really, but because they show up for all of about 5 minutes. Ken Foree (known from George A. Romero's Dawn of the Living Dead (1978) and Texas Chain Saw Massacre III: Leatherface (1990)) plays Eddie, Santee's partner. Along with Foree is another young Khandi Alexander playing Eddie's wife. Too bad they didn't have longer roles. Finally, the last part that works here is the action (partially). What is meant by partially is that the shootouts are well staged and set up. Those are fun.

But now we hit the bad territory. The bad side to the action are the car chases and fist fight scenes. For sequences you'd think would move quickly and get your attention, does not happen here. This is the movie's biggest problem; pacing. When the sequences occur, it gets old really fast. So quickly, in fact it feels like its drawn out just for padding purposes. Then there's the scenes that involve exposition, which don't even get told correctly. This is said because Lundgren's character says nothing about what's going on the whole time. The only way viewers will understand what's going on is by listening to Alfonso's character - why? Because she asks all the questions that don't get answered and she figures them out on her own. The thing is, the information to understanding this plot is held back for such a prolonged amount of time, there comes a point in the movie where the viewer just may not care anymore and wish for the film to end because they won't understand why things are being done without any reason.

Pressfield's writing is very mediocre here. Another thing that is eye- roll inducing is how cliché the execution is. You have the protagonist (a muscular dude) out fighting the way he wants to and doesn't care if he dies and runs across this hot young chick. There's no guessing to what'll happen between them because it has been seen time and time again in these kinds of action/adventure thrillers. Of course they're going to hookup, why wouldn't they? There's also a subplot that sort of explains Santee's relationship with an old man played by Bert Remsen but it has no effect on the plot so why it was included was beyond understanding. Lastly, bringing the list of bad components to a close is composer Joel Goldsmith's musical score, son of legendary composer Jerry Goldmsith. Here, Joel Goldsmith's score hardly warrants any recognition even with a couple of repeating themes for certain scenes. Much of the score uses the cheap 1 or 2 instruments that would be required for a Richard Band production and its more disengaging than anything else. Thankfully it hasn't been released to the public.

The title correctly portrays what it says and that's Dolph Lundgren mowing down bad guys without getting a scratch. But this doesn't happen that often. Besides good looking cinematography and a few actor cameos that tease the audience more than anything else, this cat and mouse chase is boring half the time with bad pacing, clichéd writing, and poor sounding music.