AVALIAÇÃO DA IMDb
6,5/10
4,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaKing is a young man, but he's already a veteran of life on the streets of Los Angeles. The leader of a group of runaways, King acts as a mentor to troubled kids such as gay hustler Little J ... Ler tudoKing is a young man, but he's already a veteran of life on the streets of Los Angeles. The leader of a group of runaways, King acts as a mentor to troubled kids such as gay hustler Little J and junkie Greg.King is a young man, but he's already a veteran of life on the streets of Los Angeles. The leader of a group of runaways, King acts as a mentor to troubled kids such as gay hustler Little J and junkie Greg.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 2 indicações no total
James Le Gros
- Crasher
- (as James LeGros)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
"Where The Day Takes You" is about the homeless youth who come from all over the country to escape their dysfunctional families to live on the streets of Hollywood.It is here that this youth form surrogate families with other homeless youth.
This film chronicles one such family of homeless youth headed by King who is the father figure.A violent confrontation with another homeless leader turns for the worse and King finds himself desperately trying to keep his family together while avoiding the law.
The movie is surprisingly honest about dangers of living on the street and yet portrays the real sense of community that this homeless youth shares with each other.
My only issue with this film was perhaps the Melissa Etheridge music which distracted me.It got more tolerable with repeated viewings of this film but to be fair I am not much of a Melissa Etheridge fan.
If you like movies about Hollywood or films featuring young attractive actors playing disaffected youth then I would suggest this film.
This film chronicles one such family of homeless youth headed by King who is the father figure.A violent confrontation with another homeless leader turns for the worse and King finds himself desperately trying to keep his family together while avoiding the law.
The movie is surprisingly honest about dangers of living on the street and yet portrays the real sense of community that this homeless youth shares with each other.
My only issue with this film was perhaps the Melissa Etheridge music which distracted me.It got more tolerable with repeated viewings of this film but to be fair I am not much of a Melissa Etheridge fan.
If you like movies about Hollywood or films featuring young attractive actors playing disaffected youth then I would suggest this film.
A social worker (Laura San Giacomo) interviews King (Dermot Mulroney) about his life on the Hollywood streets as a part of a program for his parole. It's a world of drugs, prostitution, petty crimes, and outright violence. Greg (Sean Astin), Little J (Balthazar Getty), crippled Manny (Will Smith), Crasher, and Brenda (Ricki Lake) are some of his street friends. Brenda brings along new girl Heather (Lara Flynn Boyle). King is out of county looking for his girlfriend Devon who has gone missing. Ted (Kyle MacLachlan) is Greg's drug dealer.
There are a lot of big names from the 90's and beyond. There is also Alyssa Milano, David Arquette, Christian Slater among others. I'm surprised that I've never heard of this movie but these old indies can slip by. It's hard to be ultra-realism when there are so many named actors but this has the simple grim reality. It's not too flashy. The plot is a bit scattered with a lot of different characters. I would like a story with a more distinct direction and more agency. I would make Tommy Ray a more concentration of King's attention and he could be the central target of the plot. Overall, it's interesting to see some of these actors pop up in this indie.
There are a lot of big names from the 90's and beyond. There is also Alyssa Milano, David Arquette, Christian Slater among others. I'm surprised that I've never heard of this movie but these old indies can slip by. It's hard to be ultra-realism when there are so many named actors but this has the simple grim reality. It's not too flashy. The plot is a bit scattered with a lot of different characters. I would like a story with a more distinct direction and more agency. I would make Tommy Ray a more concentration of King's attention and he could be the central target of the plot. Overall, it's interesting to see some of these actors pop up in this indie.
This movie is a classic example of what a bunch of talented actors can do without being showcased. Most of the cast in this film have gone on to become bigger stars (some MUCH bigger as in the case of Will Smith) in far bigger budget movies, but they'll all have this one to look back on as something to be truly proud of. Sure, one can quibble with the fact that these people, despite being "glammed down" for the street look, are better looking than "real" homeless youths, but this is Hollywood after all. A promising feature from director Marc Rocco, who went on to make another movie, and now I haven't seen anything from him for half-a-decade. What happened?
This overlooked film about teens surviving on the streets of Los Angeles came and went pretty quickly when initially released. Pity, because it's a film that deserves a wider audience. Within the device of a journalist doing interviews as research for an article on runaways, we're introduced to a band of teens who have formed a defacto family and the various situations they encounter on the street. King(Durmont Mulroney)is the leader and protector of an assortment of kids that include druggie Greg(Sean Astin), Little J(Balthasar Getty), smart-mouthed Brenda(Ricki Lake), and newcomer Heather(Lara Flynn Boyle), whom King takes a shine to. The film follows then through their days of riding boxcars, sleeping under overpasses, and hanging out in public places while avoiding cops, drug dealers, and pimps. While the film downplays some aspects of the streets( the violence and emotional devastation of child prostitution is acknowledged but not conveyed directly), others are show with uncomfortable intensity. For some of these kids, it's a one-way trip down. Sean Austin's fate as the speed-freak Greg is disturbing; the final shot of his character in the film haunted me for days.
The truth in Hollywood's dark-side is unveiled in this story. Awesome acting combined with a Special FX that combines into a chilling truthful movie. DONT Miss this one !
Você sabia?
- CuriosidadesWill Smith's film debut.
- Trilhas sonorasFor What It's Worth
Written by Stephen Stills
Published by Cotillon Music, Inc., Ten East Music
Springalo Toones & Richie Furay Music
Performed by Buffalo Springfield
Courtesy of Atco/East-West Records America
By Arrangement with Warner Special Products
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Where the Day Takes You?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- O Último Ato
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 3.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 390.152
- Fim de semana de estreia nos EUA e Canadá
- US$ 190.961
- 13 de set. de 1992
- Faturamento bruto mundial
- US$ 390.152
- Tempo de duração1 hora 45 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente