Um ex fuzileiro da Marinha que se tornou cozinheiro é a única pessoa que pode deter um grupo de terroristas quando eles assumem o controle de um navio de guerra americano.Um ex fuzileiro da Marinha que se tornou cozinheiro é a única pessoa que pode deter um grupo de terroristas quando eles assumem o controle de um navio de guerra americano.Um ex fuzileiro da Marinha que se tornou cozinheiro é a única pessoa que pode deter um grupo de terroristas quando eles assumem o controle de um navio de guerra americano.
- Indicado a 2 Oscars
- 3 vitórias e 3 indicações no total
Avaliações em destaque
Steven Segal's greatest movie ever. Bar none. Who could ever have sold the idea of an ex-Navy Seal-turned-cook could ever kick that much butt in any movie. No one. Segal's tongue in cheek performance was great, talking like he had something to prove in just about every line, trying not to crack a smile due to the cracker-jack dialogue that was created for this specific role. Tommy Lee Jones, Colm Meaney and Erika Eleniak were all okay in this film, but Segal was clearly what made this film. What especially made everything enjoyable in this film was the lack of artistry. This was purely for made fo the joke it is, a funny-bad delight that was supposed to impress us with stupid dialogue and big action. Chalk one up for the big guy.
This movie is definately Steven Seagal's best movie. This movie is definately worth a look. The supporing cast like Tommy Lee Jones and Gary Busey make very good villans. Jones did a great job as the half insane mercinary who's in on a plot of hijacking a U.S. Battleship. There are a lot of actors in this one who would appear in director Andrew Davis's next film "The Fugitive" The action in this movie is great. I think this movie also contains some good cinematography by Frank Tidy. This is not a movie you can take seriously. You have to use your imagination and know it's not real but pretend it is. *** out of ****
This was a fast-moving Rambo-style action flick (good guys never get hit despite 10,000 rounds of ammunition fired at them) that was very popular. It spawned a very weak sequel, par for the course. Several reviewers here wrote that it is Steven Seagal's "best movie," and I wouldn't argue with that..
"Under Siege" probably was more popular than the normal Segal action flick because of several aspects: 1 - the interesting story featuring the "lowly cook" (as Seagal described himself in this film) beating a bunch of terrorists taking over a U.S. Navy vessel; 2 - the over-the-top villains portrayed by fun-to-watch actors Tommy Lee Jones and Gary Busey, and 3 - the fabulous looks and body of Erika Eleniak, who pops out of a cake topless in a sight that every guy who saw this film remembers.
Jones was just about hitting his acting career peak as he demonstrated the following year with his Oscar-winning performance in "The Fugitive." Busey was the opposite, nearing the end of his run after a starring role as singer "Buddy Holly" made him famous.
This film might be Segal's most successful, or at least in the top three. His star has faded since the new century. Eleniak never made it far past the cake. She played "Elly May" in "The Beverly Hillbillies" the following year and nothing but 'B' films after that.
The first part of this movie is far better than the second. It gets out-of-control by the end, as most of these action films do with the violence overdone and with little credibility. But watching the three leads, and ogling Eleniak, always make this film fun to watch for a little while, at least.
"Under Siege" probably was more popular than the normal Segal action flick because of several aspects: 1 - the interesting story featuring the "lowly cook" (as Seagal described himself in this film) beating a bunch of terrorists taking over a U.S. Navy vessel; 2 - the over-the-top villains portrayed by fun-to-watch actors Tommy Lee Jones and Gary Busey, and 3 - the fabulous looks and body of Erika Eleniak, who pops out of a cake topless in a sight that every guy who saw this film remembers.
Jones was just about hitting his acting career peak as he demonstrated the following year with his Oscar-winning performance in "The Fugitive." Busey was the opposite, nearing the end of his run after a starring role as singer "Buddy Holly" made him famous.
This film might be Segal's most successful, or at least in the top three. His star has faded since the new century. Eleniak never made it far past the cake. She played "Elly May" in "The Beverly Hillbillies" the following year and nothing but 'B' films after that.
The first part of this movie is far better than the second. It gets out-of-control by the end, as most of these action films do with the violence overdone and with little credibility. But watching the three leads, and ogling Eleniak, always make this film fun to watch for a little while, at least.
On board the Navy battleship USS Missouri, a group of terrorists use the rouse of a surprise party for the Captain as an opportunity to take control and start to load up the weapons specifically tomahawks with nuclear tips. Lead by a bitter rouge CIA agent William Stranix, the group put their plan into action while the military struggles to formulate a fast response. Meanwhile, lowly cook Casey Ryback is locked in the meat locker for disobeying an order by the Commander but manages to get out and have the run of the ship. Luckily for him, but unluckily for the terrorists, Ryback also happens to be a trained Navy SEAL, working as a cook to serve out his time, and he doesn't like his cooking being interrupted by anyone.
In the wake of Die Hard we were treated (and still are treated) to lots of reruns of the "one man against terrorists" scenario and this film was one of the better ones, also providing Steven Seagal with arguably his best film to date. Of course this is not too much of a recommendation given the poor standard of Seagal films and this derivative genre. However, for what it is, it moves pretty slickly and provides lots of men shooting and things going "boom" which, lets be honest, is all we're really here for. The plot can't compare to Die Hard because it doesn't share the link of the "common man" being the hero (if you can call John McClane a common man); instead Ryback is a trained killer and the plot quickly loses any vague touch with reality as his fight becomes more and more extreme. The action is still enjoyable though and, while it isn't a classic in the realms of Die Hard, it is still an enjoyable action film in an overdone genre.
In terms of acting, nobody could accuse Seagal of being "good" but at least here he was at the "height" of his powers in a vehicle that suited him but also had a budget and style to work as a mainstream product. His lack of emotional range shows as he kneels over the body of his dead captain and looks like a man who has just missed his bus annoyed but not THAT annoyed. However what he does do well is move and shoot both skills the film has lots of for him to do and physically he is impressive. Eleniak should serve as a warning of the fleeting nature of a-list stardom for those that rely on looks alone. At the time she was the face (?) of Baywatch and on many people's bedroom walls and she plays an "actress" who is using her breasts to make a living amazingly she plays it without a hint of irony. Looking back her dated haircut is hilarious and the fact that her breasts are the only thing that I can remember of her entire career to date is quite depressing. Jones and Busey can do crazy bad guys better than many people and they do it well here especially Jones, who appears to be enjoying himself immensely.
Overall this is an enjoyable action film as long as you know what you are getting into it is not great but it is certainly one of the more enjoyable Seagal films and does manage to be a good entry in the genre and it was no surprise to me that Seagal came back for me in a less successful but equally as silly and enjoyable sequel.
In the wake of Die Hard we were treated (and still are treated) to lots of reruns of the "one man against terrorists" scenario and this film was one of the better ones, also providing Steven Seagal with arguably his best film to date. Of course this is not too much of a recommendation given the poor standard of Seagal films and this derivative genre. However, for what it is, it moves pretty slickly and provides lots of men shooting and things going "boom" which, lets be honest, is all we're really here for. The plot can't compare to Die Hard because it doesn't share the link of the "common man" being the hero (if you can call John McClane a common man); instead Ryback is a trained killer and the plot quickly loses any vague touch with reality as his fight becomes more and more extreme. The action is still enjoyable though and, while it isn't a classic in the realms of Die Hard, it is still an enjoyable action film in an overdone genre.
In terms of acting, nobody could accuse Seagal of being "good" but at least here he was at the "height" of his powers in a vehicle that suited him but also had a budget and style to work as a mainstream product. His lack of emotional range shows as he kneels over the body of his dead captain and looks like a man who has just missed his bus annoyed but not THAT annoyed. However what he does do well is move and shoot both skills the film has lots of for him to do and physically he is impressive. Eleniak should serve as a warning of the fleeting nature of a-list stardom for those that rely on looks alone. At the time she was the face (?) of Baywatch and on many people's bedroom walls and she plays an "actress" who is using her breasts to make a living amazingly she plays it without a hint of irony. Looking back her dated haircut is hilarious and the fact that her breasts are the only thing that I can remember of her entire career to date is quite depressing. Jones and Busey can do crazy bad guys better than many people and they do it well here especially Jones, who appears to be enjoying himself immensely.
Overall this is an enjoyable action film as long as you know what you are getting into it is not great but it is certainly one of the more enjoyable Seagal films and does manage to be a good entry in the genre and it was no surprise to me that Seagal came back for me in a less successful but equally as silly and enjoyable sequel.
Grab your popcorn, candy and soda and enjoy a good action flick. Lots of shoot'em up and martial arts action, don't worry too much about the plot or any holes in it. If you like 80-90's action movies, you will like this one.
Você sabia?
- CuriosidadesOne of the biggest problems the production crew faced was how to give the illusion that the U.S.S. Alabama (U.S.S. Missouri in the movie) was in the middle of the Pacific Ocean when in fact it was docked in Mobile Bay in Mobile, Alabama. To do this, the production crew created a 100-feet long barge and a 60-feet high framework on the barge, and hung a giant black cloth on the framework. The "blackout" barge was moved around the Alabama as necessary to block out city buildings and lights.
- Erros de gravaçãoWhen the private informs Ryback there is a fire, Ryback tells him to "take my pies out of the oven." The private is then shown lifting pies out of the oven, but the burners are those of a propane stove. The U.S. Navy does not use propane/natural gas ovens, to carry that gas on a ship in war would be deadly. All cooking in the galley is done on electric appliances.
- Citações
Jordan Tate: You're not a cook.
Casey Ryback: Yeah, well... I also cook.
- Cenas durante ou pós-créditosAt the close of the credits: USS Missouri BB63 was decommissioned March 31, 1992 and is now moored at Bremerton Naval Yard, awaiting her next call to service.
- Versões alternativasThe Blu-ray version had the opening 2003 and closing 2001 Warner Bros. Pictures logos.
- ConexõesEdited into Homeland - Segurança Nacional: The Choice (2012)
- Trilhas sonorasWhiskey Fever
Written by Clifford Smith, James Hughes, Johnny Barnes, Rob Bird (as Robert Bird), Randy Tumbleweed Smith (as Randy Smith) and Mark Aceves
Performed by The Regulators
Courtesy of Left Bank Records / Polydor, by arrangement with Polygram Special Markets
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Alerta máxima
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 83.563.139
- Fim de semana de estreia nos EUA e Canadá
- US$ 15.760.003
- 12 de out. de 1992
- Faturamento bruto mundial
- US$ 156.563.139
- Tempo de duração1 hora 43 minutos
- Cor
- Proporção
- 1.85 : 1
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By what name was A Força em Alerta (1992) officially released in India in Hindi?
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