Um grupo de amigos de vinte e poucos anos, a maioria dos quais mora no mesmo complexo de apartamentos, busca amor e sucesso na era grunge de Seattle.Um grupo de amigos de vinte e poucos anos, a maioria dos quais mora no mesmo complexo de apartamentos, busca amor e sucesso na era grunge de Seattle.Um grupo de amigos de vinte e poucos anos, a maioria dos quais mora no mesmo complexo de apartamentos, busca amor e sucesso na era grunge de Seattle.
- Prêmios
- 1 vitória e 3 indicações no total
Jim True-Frost
- David Bailey
- (as Jim True)
James Le Gros
- Andy
- (as James LeGros)
Christopher Masterson
- Steve at 10
- (as Christopher Kennedy Masterson)
Avaliações em destaque
What I liked most about Singles was that many of the characters you could identify with. Its not often in a film where you can look at characters and think - I know someone like that. Its actually very accurate in the way it depicts the attitudes of twenty somethings who have been through a series of less than successful relationships. There are some great, and very funny scenes in this film, and the actors all put in great performances. Setting it in Seattle- the home of the Grunge band was a fantastic idea as well.
SINGLES is a charming, romantic movie and one of Cameron Crowe's best.
An oft-heard criticism of this film is that it's not an authentic portrayal of the Gen-X culture of the early 90's, but I've yet to see that done well in any film.
More importantly, the film never claims to be a Gen-X film. It's set in Seattle during the height of Seattle Sound but the cast is made up of driven professionals and slackers alike. It's more of a cross-section of 20-somethings, not a focus on Gen-X or Grunge. The characters, settings and themes are all to a certain degree idealized, which is a staple of Crowe's style.
Where this film's charm really lies is in capturing the spirit of the early-90's and the anti-classist sentiment embraced by teens and young professionals in opposition to the "status is everything" 1980s. It's nice to remember a time when being socially and environmentally conscious was actually fashionable for a time.
Sadly we all got sucked into the dot-com thing and realized we can be just as bad as our parents.
An oft-heard criticism of this film is that it's not an authentic portrayal of the Gen-X culture of the early 90's, but I've yet to see that done well in any film.
More importantly, the film never claims to be a Gen-X film. It's set in Seattle during the height of Seattle Sound but the cast is made up of driven professionals and slackers alike. It's more of a cross-section of 20-somethings, not a focus on Gen-X or Grunge. The characters, settings and themes are all to a certain degree idealized, which is a staple of Crowe's style.
Where this film's charm really lies is in capturing the spirit of the early-90's and the anti-classist sentiment embraced by teens and young professionals in opposition to the "status is everything" 1980s. It's nice to remember a time when being socially and environmentally conscious was actually fashionable for a time.
Sadly we all got sucked into the dot-com thing and realized we can be just as bad as our parents.
1st watched 11/14/2004 - 7 out of 10(Dir-Cameron Crowe): Cute, funny and sincere attempt to chronicle a singles life in the 90's in Seattle. What I liked about this movie is that all the single people know that they need "someone", which is the constant struggle that goes on in their lives, but finding that "someone" isn't as easy as we think it would be. This movie does a good job of showing this. It is well-written, funny, played out well by the stars and has a nice soundtrack to fill in the voids.
It's about "people" and it has a style like a chronicled life where the characters every once in a while talk to the camera as if their lives are being documented. Excellent effort by Crowe and his crew to bring this segment of society into view for all of us.
It's about "people" and it has a style like a chronicled life where the characters every once in a while talk to the camera as if their lives are being documented. Excellent effort by Crowe and his crew to bring this segment of society into view for all of us.
Love. Sex. Friendship. Companionship. These are the themes obviously explored in Cameron Crowe's early movie Singles, which revolve around the love lives of singles (naturally) living in a common apartment. We follow each of the protagonist Steve (Campbell Scott), Janet (Bridget Fonda), Cliff (Matt Dillon) and Linda (Kyra Sedgwick) through their ups and downs in dealing with the weird little emotion called Love.
Well, not quite. As we know early in the film, each have problems and their own peculiar viewpoints on the dating scene. We see Linda meeting and breaking up with a Spanish student she was so into, after seeing through his lies and sweet talk. It hurts, and she doesn't want to be hurt again. Steve too have had a bad experience, and (I can identify with this) swears off relationships for the next few years, deciding instead to focus on career. As Fate would have had it, these two will meet at the unlikeliest places and get into a relationship.
Cliff, an aspiring rocker, seemed to have taken his girlfriend Janet, for granted. And I think this is something that most people can identify with. When efforts go unappreciated, or when things go mundane, the question is, do you want to bail out? And when you do, what next? Would you give the ex another chance? If you do, how would you approach it? It's fun watching a movie that was made 13 years ago, and you wonder about how the initiating and sustaining of a relationship back then happened without technology which we are so used to these days. Back then, a mobile phone was a cordless one, and there is no such thing as an instant message, but an answering machine. Where Speed Dating was unheard of, but Video Dating was the rage (check out the funny Tim Burton cameo).
You wonder too about the career of the leads. Campbell Scott was noticed by many after his pairing with Julia Roberts in the movie Dying Young, but after this, seemed to have vanished into obscurity. And so has Kyra Sedgwick. Only Matt Dillon and Bridget Fonda are still around, somewhere.
Oh, the music. Peppered throughout the movie is the wonderful musical tracks that always seem to punctuate a particular moment succinctly. I like Tarantino and Crowe movies because music plays an integral part of the entire experience, and Singles too had excellent ballads blended with grunge rock, say, Pearl Jam (before they made it huge), which also made an appearance.
It's a beautiful, quirky little movie with excellent identifiable dialogue, music, humour, and a younger cast of stars whom we know today, thrown into situations that everyone in love would have experienced.
Well, not quite. As we know early in the film, each have problems and their own peculiar viewpoints on the dating scene. We see Linda meeting and breaking up with a Spanish student she was so into, after seeing through his lies and sweet talk. It hurts, and she doesn't want to be hurt again. Steve too have had a bad experience, and (I can identify with this) swears off relationships for the next few years, deciding instead to focus on career. As Fate would have had it, these two will meet at the unlikeliest places and get into a relationship.
Cliff, an aspiring rocker, seemed to have taken his girlfriend Janet, for granted. And I think this is something that most people can identify with. When efforts go unappreciated, or when things go mundane, the question is, do you want to bail out? And when you do, what next? Would you give the ex another chance? If you do, how would you approach it? It's fun watching a movie that was made 13 years ago, and you wonder about how the initiating and sustaining of a relationship back then happened without technology which we are so used to these days. Back then, a mobile phone was a cordless one, and there is no such thing as an instant message, but an answering machine. Where Speed Dating was unheard of, but Video Dating was the rage (check out the funny Tim Burton cameo).
You wonder too about the career of the leads. Campbell Scott was noticed by many after his pairing with Julia Roberts in the movie Dying Young, but after this, seemed to have vanished into obscurity. And so has Kyra Sedgwick. Only Matt Dillon and Bridget Fonda are still around, somewhere.
Oh, the music. Peppered throughout the movie is the wonderful musical tracks that always seem to punctuate a particular moment succinctly. I like Tarantino and Crowe movies because music plays an integral part of the entire experience, and Singles too had excellent ballads blended with grunge rock, say, Pearl Jam (before they made it huge), which also made an appearance.
It's a beautiful, quirky little movie with excellent identifiable dialogue, music, humour, and a younger cast of stars whom we know today, thrown into situations that everyone in love would have experienced.
Cameron Crowe is one of those directors that thrive on making the little moments in movies the most memorable ones you'll ever see in your life. In 'Almost Famous,' it was when everyone on the Stillwater tour bus was singing along to "Tiny Dancer." In 'Say Anything...' it was when Lloyd was driving around and proclaimed how his heart was exchanged for Diane's pen. Crowe also creates many memorable little moments in 'Singles,' which may not be the most famous movie he's made but it's one of the best.
Even though 'Singles' is about twenty-somethings in Seattle, everything rang true to me as I am now, a teenager. The film is honest and real in how couples become couples and how relationships can fall apart. 'Singles' isn't at all mean-spirited or depressing in its portrayal of relationships or the dating game, so it might turn some people off who want to see the extremely ugly confrontations (a la 'Closer'). But the moments in 'Singles' that make it worth watching are when Linda (Kyra Sedgewick) gets to know Steve (Campbell Scott) while going through his record collection in his apartment. Or when Janet (Bridget Fonda) sneezes and gets a "bless you" from someone she (and the audience) would least expect.
Everything about 'Singles' is great. The cast, the music and the truth behind the movie will bring a smile to your face.
Even though 'Singles' is about twenty-somethings in Seattle, everything rang true to me as I am now, a teenager. The film is honest and real in how couples become couples and how relationships can fall apart. 'Singles' isn't at all mean-spirited or depressing in its portrayal of relationships or the dating game, so it might turn some people off who want to see the extremely ugly confrontations (a la 'Closer'). But the moments in 'Singles' that make it worth watching are when Linda (Kyra Sedgewick) gets to know Steve (Campbell Scott) while going through his record collection in his apartment. Or when Janet (Bridget Fonda) sneezes and gets a "bless you" from someone she (and the audience) would least expect.
Everything about 'Singles' is great. The cast, the music and the truth behind the movie will bring a smile to your face.
Você sabia?
- CuriosidadesBased on a script that Cameron Crowe originally wrote in 1984, which took place in Phoenix, Arizona. After Andrew Wood, the lead singer of Seattle bands Malfunkshun and Mother Love Bone, died of a drug overdose in March 1990, Crowe noticed the music community in Seattle coming together to process the loss. He rewrote his script with the incident in mind, changing its setting to Seattle, which had been the location of his previous movie, Digam o que Quiserem (1989), which featured a song from Mother Love Bone in the soundtrack, "Chloe Dancer/Crown of Thorns" - the same song is on the 'Singles' soundtrack.
- Erros de gravaçãoDebbie's frantic bike ride on her video date has her darting all over the city. She starts at the first restaurant at the end of lake union. To get to the second restaurant on first avenue downtown, she circles all the way around to Waterfront park on the Sound. After leaving the second restaurant, she crosses a draw bridge over the ship canal, only to suddenly end up back downtown near post alley and first avenue (where she just left the second restaurant). After getting a flat tire, she finally walks all the way home to the apartment on Capitol Hill (nearly 2 miles away).
- Citações
Steve Dunne: I just happened to be nowhere near your neighborhood.
- Cenas durante ou pós-créditosOuttakes after credits on video version
- Versões alternativasThe Blu-ray has the 2003 Warner Bros. Pictures logo at the beginning of the movie. The YouTube version retains the plaster but also included its accompanying fanfare which in-turn cut the first few seconds of the song "Waiting for Somebody".
- ConexõesFeatured in Paul Westerberg: Dyslexic Heart (1992)
- Trilhas sonorasWaiting for Somebody
Written and Produced by Paul Westerberg
Performed by Paul Westerberg
Courtesy of Sire Records
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Vida de solteros
- Locações de filme
- 1820 E. Thomas St, Seattle, Washington, EUA(The apartment building where Cliff, Janet, Steve, and Debbie live.)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 18.471.850
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.184.875
- 20 de set. de 1992
- Faturamento bruto mundial
- US$ 18.471.850
- Tempo de duração1 hora 39 minutos
- Cor
- Proporção
- 1.85 : 1
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By what name was Vida de Solteiro (1992) officially released in India in English?
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