Shootfighter - O Combate Mortal

Shootfighter: Fight to the Death is a marital arts film at it's low budget best. But surpisingly the film does have some decent fight scenes. It was good to see William Zabka in another martial arts role and the always good Bolo Yeung. He final fight scene with Martin Kove is one of the best for both actors. If you get a chance check this one out cuz it's not half bad.

If nothing else is true, there is at least one thing that martial arts flicks rather reliably have in common, especially those developed in the United States (or at least outside Hong Kong). For the most part, plot is light or thin, and little more than a pretense to spotlight honored disciplines. There's absolutely nothing wrong with this; these titles have a clear intention and surely know exactly what they are. 'Shootfighter: Fight to the death' certainly fits into that same category. There's a narrative, yes, but it's broadly unremarkable, and bears definite similarities to those of other pictures - and just as much to the point, the length is filled with scenes that quickly shift into fights, accentuating the thrust of the title. And with that: so long as you have no expectations otherwise, this is pretty decent, if unremarkable in the long run.

It's easy enough to highlight the movie's faults, or at least where it could have used a little more attention. The characters are pretty flat and standard: the hothead, the one with the troubled past who's trying to be better, the wise teacher with A History, the bad guys, the girlfriends. Most of the cast show glimmers of nuance in their performances that would surely sprout under the right circumstances, but a hardnosed fighting movie isn't that, and the restrictions are evident of what acting abilities they may possess. It's also noteworthy that the plot is even lighter than one may assume upon starting to watch, and I'd be lying if I said the climax didn't feel a little forced. Perhaps more substantively - if to a lesser extent than some of its brethren, 'Shootfighter' makes use of overzealous camerawork and editing in depicting some of the action scenes. There are too many times when, instead of plainly showcasing the genuine impact of each blow, the rapidity of the fundamental filmmaking is intended to heighten the thrills instead. In some instances this is important from a very real safety standpoint, especially in the last act, but overuse dampens some of the visceral stimulation that the film might have to offer.

On the other hand, while the presentation of martial arts is imperfect, it's better than not. Between the unmistakable skills of many of those assembled, and excellent choreography, the fight scenes are outstanding - tense, violent, exciting, and highly invigorating. Weirdly, 'Shootfighter' seems to be the only directorial credit for Patrick Alan, but in my mind it appears as though he demonstrates sufficient capability that I'm surprised he didn't make more movies. The action sequences are the chief draw of this title, and they make the viewing experience worthwhile - but there are, actually, other bits that are done well, too. If not terrific and essential, the score composed by Joel Goldsmith is gratifyingly dynamic and grabbing in no few instances, lending to the drama of the matches. The basic arrangement of every scene, including the whole environs of the tournament, feel suitably slimy and real. And while the screenplay at large merely serves its purpose - the utmost potential isn't teased out - we get peeks of character depth, their backgrounds and mentalities, that even unfulfilled is softly enticing.

Of course, one could him and haw about qualities and critiques all day. When all is said and done the only point of inquiry 'Shootfighter' cares about is the value of the fighting, and by that measure, this is pretty swell. Again, the martial arts violence illustrates flaws in action film-making, but is generally tight, fluid, and energizing; the picture is well made overall, and I do like it. It's just that unless one is an utmost fan of someone involved, there's no particular reason to seek out this specific production over another, and others unquestionably stand out more. (Also, despite Bolo Yeung's top billing, and the supporting part of Maryam d'Abo, neither have all that much screen time, so don't get your hopes up on their accounts.) Still, if you've somehow stumbled across 'Fight to the death' in the first place, chances are it's something that's going to be up your alley one way or another. Don't go out of your way to see this, but if you chance upon it, 'Shootfighter' satisfactorily scratches the itch for fighting fun.

Greetings And Salutations, and welcome to my review of Shootfighter; here's the breakdown of my ratings:

Story: 0.75 Direction: 1.25 Pace: 1.50 Acting: 1.25 Enjoyment: 1.50

TOTAL: 6.25 out of 10.00

Once in a while, there comes a surprise in the Martial Arts movie genre. An original story. Shootfighter is not that surprise. The only astonishing thing about the story is that it required three writers to borrow the usual elements from other fight flicks.

We have a villain, Mr Lee, who makes an enemy out of Master Shingo when he kills one of his pupils and friend in the Shootfighting ring. Mr Lee believes shootfighting should ask for the ultimate sacrifice. Unluckily for him, nobody else believes people should die for the sport, so he is exiled from the country. It's not long before he opens the gates to his own Shootfighting arena in Mexico, where a fighter's death is commonplace. Enter Rubin (the angry one) and Nick (the normal one), martial arts experts looking to make a quick buck to pay off the shark's loan on their dojo. Being the champions they are, it doesn't take long for them to enter the arena of death. Except, they don't know the principal fights are fatal. Oh, and guess what - their Sensai is none other than Master Shingo. But hey, it's a good job that most audiences don't watch Martial Arts movies for the riveting storyline.

The fighting isn't the best you'll see in the genre. However, a few different styles are on offer, which will please most. Luckily for the viewer, director Patrick Alan does a respectable job filming the fight sequences. Every fight holds an element of tension and excitement, which is what you need, especially when the weapons come into play.

The reason I watched Shootfighter was purely for Bolo Yeung. The physic on this man is intimidating. But when he gets his game-face on, he's downright scary. His fighting style also comes across as one of the strongest. It was a shame that he was not in the film for long. Out of the two main characters, it's Michael Bernardo, as Nick, who comes across as the stronger fighter of the duo. However, his acting skills aren't as sharp as William Zabka's. Though it's Maryam D'Abo I felt sorry for her as, like Yeung, she has little to do in the film, which is a sin as she's a good actress.

All-in-all, Shootfighter is a passable fight flick to pass an hour and a half of your time enjoyably. The fights are well choreographed and engaging enough for genre fans and newbies alike to savour. Well worth a watch or two.

Please feel free to visit my Holding Out For A Hero list to see where I ranked Shootfighter.

Take Care & Stay Well.

Okay, well I have had the 1993 movie "Shootfighter: Fight to the Death" on DVD laying around for several years before I actually got around to watching it. Having picked it up at a cost of next to nothing in the local thrift shop, I only got around to watching it after a friend said it was actually a good movie.

I had always put off the movie on two accounts, first and foremost because of the lousy title. I mean, "Shootfighter", come on. What does that even mean? It is just hands down one of the worst and most laughable titles I have seen to a movie. And I can't claim that I have been much of a fan of Bolo Yeung neither.

However, I must admit that "Shootfighter: Fight to the Death" was actually a good movie, it was somewhat reminiscent of the "Blood Sport" movie in many way, yet mixing in elements from other martial arts movies. But still, writers Judd Lynn, Larry Felix Jr., Peter Shaner and Robert Ginty managed to put together an enjoyable enough script for director Patrick Alan to bring to life on the screen. Sure, the storyline was pretty straight forward and somewhat generic for an early 1990s martial arts action movie, but isn't that what makes it all the more enjoyable?

Something that definitely surprised me about "Shootfighter: Fight to the Death" was the cast ensemble. They definitely had a lot of familiar faces on the cast list, with the likes of Bolo Yeung, William Zabka, Martin Kove, George Cheung and Gerald Okamura. I have to admit that "Shootfighter: Fight to the Death" was actually one of the better movies that I have seen Bolo Yeung in, aside from "Blood Sport". And it definitely was fun to have Martin Kove and William Zabka back on the screen together after having seen them in the movie "Karate Kid" and later again in the "Cobra Kai" series.

There was a good amount of display of martial arts in the movie, and let's just be honest here, that is why we watch these movies, isn't it? To see impressive martial arts and fight sequences. And "Shootfighter: Fight to the Death" definitely has that. Sure, some of the martial arts performers weren't really great actors, but they definitely knew their fighting well enough.

I found "Shootfighter: Fight to the Death" to be genuinely entertaining and enjoyable. It was a trip down memory lane and back to when I was a teenager, growing up with these martial arts movies. Just look beyond the laughably bad title, and you have a rather enjoyable movie on your hands.

My rating of "Shootfighter: Fight to the Death" lands on a six out of ten stars.

Oh, those good old days of the VHS, when movies, no matter their low-budget, had meaning. Back in the 80s martial arts films were so popular that any backdoor-garage-studio could produce a low budget film and make tons of money. After JCVM paved the way for tournament fighting style movies with his successful film, "Blood Sport," it was sure that many others clones would follow. Shootfighter followed on the same path but with a lower budget and less flare.

Shootfighter tells the story of two friends, Ruben (William Zabka) and Nick (Michael Bernardo), who are tricked to fight in a no-holds-barred tournament to the death by a blood hungry shootfighter named Mr. Lee (Martin Kove). Their master, Shingo (Bolo Yeung), has to save them from Lee and his cronies.

This movie was memorable because it had Zabka and Kove, both antagonists on Karate Kid (1984) and Yeung the main antagonist in Blood Sport. Now, the acting was average, photography was average, the plot was average, but the martial art choreography was top notch. That's one thing, no matter how cheap movies were back in the 80s and 90s they had some awesome fighting.

If you love old martial arts films, get a pizza, a case of beer, and watch this retro junk on a late Saturday night. You won't regret it.