Para o Resto de Nossas Vidas

It has been just about ten years since Peter last saw his group of University friends and, after his father died, he has inherited the family manor and decided to throw a reunion party for them. Of his friends, Sarah is still pretty much the same and has brought along her latest lover with her. Andrew has long ago sold out and moved to America where he met his wife Carol. Roger and Mary are married but life lives of quiet panic and worry since the death of one of their twin babies. Maggie meanwhile is so alone that she throws herself into the slightest offer of companionship. The friends come together but the tensions and problems are barely hidden and quickly come out.

Opening with the type of privately educated people that I personally find very difficult to relate to, this film immediately had me on the backfoot and worried thanks to this and the sheer volume of luvvies in the cast. However the film manages to get past this for me because the writing is better than the very basic sitcom-come-melodrama that it is only ever a few steps away from being. It goes just where you expect it to though, and the fact that all the wheels fall off the various friends' lives will not surprise anyone but it is interesting and engaging enough. The sense of humour is quiet upper-class and it is sometimes hard to get into the characters because I did get the impression that they were very aloof but it was still solid enough to keep things moving.

The cast work well and indeed many of them have a background that is similar to their characters (in terms of University I mean, not the personal detail). Fry is good although I must admit not caring much for his character. Branagh does a so-so job as director (nothing particularly special) and also as actor he isn't that good here – his drunk act in particular being weak. Continuing the split responsibilities = weakness trend, writer Rudner is not great in her acting role. Laurie is strong but he is outdone by a convincing little turn from Staunton. Thompson is good even if her character could have been made more of. Emmanuel is good but only shows me how hard it is for black actors to get ahead – she has barely been seen again. Slattery is Slattery and those who like him will like him here – I don't but that is by the by.

Overall this is an engaging film despite the fact that I found the characters hard to like. The story may not be the most inspiring or shocking but it is involving nonetheless and comic if not really funny. A very British affair that is generally well written despite the rather pretentious and aloof material that runs across story, characters and performers.

Film starts off on New Years Eve 1982 with a collegiate musical troupe giving their final bad performance. It cuts to 1992 where one of them named Peter (Stephen Fry) invites the whole group to his remote English castle for a New Years Eve party. We have the Andersons--Roger (Hugh Laurie) and Mary (Imelda Staunton). They've lost a child and she lives in fear that they'll lose the other. Then there's Maggie (Emma Thompson) who's madly in love with Peter. There's Sarah (Alphonsia Emmanuel) a sexually active woman who brings along her man of the moment (Tony Slattery). And there's Andrew (Kenneth Branagh) who's unhappily married to TV star Carol (Rita Rudner).

This was called a rip off of "The Big Chill". It is, but it's well-made with a great cast, a wonderful script and is totally involving. This is one of the few movies that mixes drama and laughs and both work beautifully. It was also shot (I believe) on location in England and the setting itself is just incredible. All the acting is good across the board. Rudner is a delight (and has the best lines). Emmanuel sometimes overdoes her role but not enough to damage the film. Dramatic, witty, warm--basically a great comedy drama well worth catching.

"Did you ever see "Upstairs Downstairs"?"

I can watch Peter's Friends over and over without getting bored. The characters are about the same age I am, and my friends and I have shared many of the same experiences. The script is witty and clever, the characters are well-developed and the actors are superb. What more can I say besides "I want the DVD!"

You won't find a laugh track. Or even any side-splitting laughs. Its not slapstick, indeed most of the humor is directed ironically at the character who's making the self-deprecating comment. Its not really tragic - its a situation comedy of the old school, with great actors, a reasonable framework for them to perform, and no artificial beginning or ending, just characterization. Like many movies of this kind, you have to bring your brain along and do some of the work yourself. It is, however, an effort that will be greatly rewarded, and highly rewarding. So find the movie, watch it, think about it, and enjoy it. You'll probably continue to do so through many viewings.

And while its not out on DVD in the US, it available out on laserdisc (if anyone still has one - I did for many years). Not much, but its something.

...If you don't believe me, you can hunt up a 1983 book called "Footlights: One Hundred Years Of Cambridge Comedy" which is the history of the Footlights amateur theatrical society at Cambridge- whose alumni have included since the 1950s most of the auteurs of post-music hall English comedy.

Footlights revues since 1960 have included the casts of Beyond The Fringe (Jonathan Miller, Dudley Moore, Peter Cook and Alan Bennett), Monty Python (all of them), The Goodies (Graeme Garden, Bill Oddie and Tim Brooke-Taylor), Alas Smith And Jones, and Douglas Adams (Hitch-Hiker's Guide To The Galaxy).

In 1981 the Footlights mounted an Edinburgh Fringe Festival show called The Cellar Tapes, whose cast included...Stephen Fry, Hugh Laurie, Emma Thompson, and Tony Slattery!

The Cellar Tapes show won the Fringe's Perrier Award and pretty much guaranteed everyone jobs for life in British TV and film. The scene of them at school doing an amateur theatrical show for the university dons is a reference to this, supposedly.

Of the film, despite an interesting concept, some good moments and a talented cast I found this film disjointed, emotionally cold, only rarely witty, and even faintly unbelievable at times --the scene where Thompson breaks down and cries is so reserved and smug it's like she can never really let go- which she never does in anything she's in anyway!

It's rather as if they want to thinly satirize themselves- but only thinly, as if they take themselves too seriously to open themselves to self-mockery. For a better take on this concept, I recommend the 1998 film "Final Cut" starring Jude Law which has the current mob of Britpack actors playing themselves in an improvised film-- often times for laughs.

It's amazing how far Branagh's star has fallen since 1992 when he was The Olivier People Actually Liked. I guess some people really do peak early- he did the movie of Henry V (and wrote his autobiography) when he was 26! Since then?....Anyone?...Bueller?