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6,8/10
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Perry Mason é convidado para o casamento da filha de um velho amigo. Mas antes do final da cerimônia, o tio do noivo é encontrado morto. Certamente, este é o caso de Perry Mason.Perry Mason é convidado para o casamento da filha de um velho amigo. Mas antes do final da cerimônia, o tio do noivo é encontrado morto. Certamente, este é o caso de Perry Mason.Perry Mason é convidado para o casamento da filha de um velho amigo. Mas antes do final da cerimônia, o tio do noivo é encontrado morto. Certamente, este é o caso de Perry Mason.
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An interesting entry in the "Perry Mason" TV movie series. This time, Perry has to solve the murder of an unsavory interloper at a celebrity wedding. Of course, the accused, his "niece", is not the true killer. What makes this case above the norm is the courtroom fireworks and the insinuations throughout that Mason has very personal reasons for solving this paticular case.
I was enjoying this, but Tivo failed to record the big reveal! I liked the scenes in the club, and the young fans of "Kaitlynn". 1992 fashions are also worth a look. Linda Blair is good as one of the suspects. And Kaitlynn's fiancé (a soap opera actor) comes good as he channels Al Pacino to thwart some Bad Men.
Merle Kennedy is awful as the 16-year-old fan Suzy. She gazes wide-eyed at random points in the air, runs like a four-year-old and chomps food in an unmannerly fashion.
I'm from the UK, so I was frustrated at the way many of the actors dropped their voices and mumbled so I missed the dialogue. Had to look up IMDb to find out what the victim was called (Warren Fox? Lorne Hox? Actually "Lon" for Alonzo, Hawkes.). Perhaps the sound quality wasn't terribly good.
There are too many youngish men with dark hair and I found it hard to tell them apart.
Another high point - the over-the-top decor in the office of the record company exec. One weird note: the exec, and many of the dodgy or music biz characters, wore tiny, lame pony tails.
Merle Kennedy is awful as the 16-year-old fan Suzy. She gazes wide-eyed at random points in the air, runs like a four-year-old and chomps food in an unmannerly fashion.
I'm from the UK, so I was frustrated at the way many of the actors dropped their voices and mumbled so I missed the dialogue. Had to look up IMDb to find out what the victim was called (Warren Fox? Lorne Hox? Actually "Lon" for Alonzo, Hawkes.). Perhaps the sound quality wasn't terribly good.
There are too many youngish men with dark hair and I found it hard to tell them apart.
Another high point - the over-the-top decor in the office of the record company exec. One weird note: the exec, and many of the dodgy or music biz characters, wore tiny, lame pony tails.
What I found interesting and different in this one was that the courtroom scenes were all at a hearing instead of a trial. Not sure if hearings are usually this detailed, but different nonetheless. The main thing was that I amazed my wife by picking out Stephen Stills in a cameo role. Would love to know the story of how he got in this one. Thanks to Flix for showing this series often and part of the fun of watching this one and all the others is to see the use of the "latest technology" at the time, especially the "mobile phones" that are bigger than some laptops now, and the computers that are in just about every scene in the police and lawyers offices.
Perry Mason is invited to the wedding of his niece, a famous popstar. During the wedding ceremony things are disrupted by the bride's uncle threatening her father. Security overpower him and take him into a side room, but later he is found dead with the bride standing over him. She is arrested as evidence is found that the bride's father, Max Parrish was being investigated for extortion. Perry takes up the case while Ken goes after a young fan who had sneaked into the wedding and may have seen the murderer.
Mason films usually suffer when they try to shoe-horn the lawyer into the case rather than just having him being taken on by a client. However this doesn't suffer as bad as some of the other ones, although it does make things a little more difficult than they should be. The personal involvement in the plot makes things a little more complex and awkward rather than upping the emotion (as was the hope I guess). However aside from this it moves along at the usual pace for these films. Malansky's bit is not as good as usual and only the `side-kick' being a soap actor makes it a little amusing, but Mason does make good use of the emotional involvement in his courtroom presence.
Burr is good but seems a little at odds having to deliver a more involved performance this time around. Hale has little to do but tries to up the hinted romance by being possessive and such. Moses is good but has less to do. The support cast are interesting with Ronny Cox and Linda Blair being the well-known faces.
Overall a passable but not great entry in the series. A good ending that isn't too much of a blue-sky twist and a reasonable plot make for solid fare for those of us who enjoy this type of thing.
Mason films usually suffer when they try to shoe-horn the lawyer into the case rather than just having him being taken on by a client. However this doesn't suffer as bad as some of the other ones, although it does make things a little more difficult than they should be. The personal involvement in the plot makes things a little more complex and awkward rather than upping the emotion (as was the hope I guess). However aside from this it moves along at the usual pace for these films. Malansky's bit is not as good as usual and only the `side-kick' being a soap actor makes it a little amusing, but Mason does make good use of the emotional involvement in his courtroom presence.
Burr is good but seems a little at odds having to deliver a more involved performance this time around. Hale has little to do but tries to up the hinted romance by being possessive and such. Moses is good but has less to do. The support cast are interesting with Ronny Cox and Linda Blair being the well-known faces.
Overall a passable but not great entry in the series. A good ending that isn't too much of a blue-sky twist and a reasonable plot make for solid fare for those of us who enjoy this type of thing.
Pop star Kaitlynn Parrish (Heather McAdam) is getting married, a major event with the press and her fans trying to get a glimpse and some gossip. Perry (Raymond Burr), a long time friend of Kaitlynn and her father Max (Ronny Cox), is at the wedding with Della (Barbara Hale) but things turn a bit awry when the groom's drunk uncle, Alonzo Hawkes (Beau Starr) crashes the wedding, angry at being kept away whilst holding an envelope claiming it will reveal all the dirt on Max. After being knocked out by a punch from a security guard, Alonzo is put in another room to sleep it off but later on is found murdered with Kaitlynn standing over him. With Perry being a family friend he sets about defending Kaitlynn and finding out who the real murderer is.
Quite an enjoyable mystery with a nice nostalgic look at 80's pop music. It's very formulaic, however there's a liveliness to the proceedings with some interesting suspects.
Quite an enjoyable mystery with a nice nostalgic look at 80's pop music. It's very formulaic, however there's a liveliness to the proceedings with some interesting suspects.
Você sabia?
- CuriosidadesDuring the show, Della Street mentions that the groom, Gary Hawkes, is a star on a daytime soap, "One Life for Tomorrow". This is a clever title choice considering that the actor who plays him, Adam Storke, previously acted in both "One Life to Live" and "Search for Tomorrow".
- ConexõesFollowed by Perry Mason: The Case of the Skin-Deep Scandal (1993)
- Trilhas sonorasAccent on Love
Written by Megan Weston, Christopher Page, and David Hentschel
Performed by Megan Weston
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- Perry Mason: El caso de la novia con el corazón destrozado
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