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5,3/10
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Adicionar um enredo no seu idiomaChicago cops' $3M disappears during raid. Mob seeks vengeance, bodies pile up. New chief gives last cop leeway for vigilante justice against mob.Chicago cops' $3M disappears during raid. Mob seeks vengeance, bodies pile up. New chief gives last cop leeway for vigilante justice against mob.Chicago cops' $3M disappears during raid. Mob seeks vengeance, bodies pile up. New chief gives last cop leeway for vigilante justice against mob.
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This is an AWESOME and underrated martial arts flick. The action is fast-paced, the plot is intriguing, and Thomas Ian Griffith shows off some impressive martial arts talent. The film has everything you want. From classic one-liners to over the top shoot-outs! If you are a fan of Van Damme or Seagal movies, you better check it out. Thomas Ian Griffith could of had a great career, too bad he never got another chance. The film also has an amazing supporting cast and direction and editing are perfect. A rare gem! I've seen the film over a dozen times and it never gets old...highly recommended. One of the last good 90's action kick 'em ups.
Terry McCain and his team of Chicago police officers bust up part of mob boss Sal DiMarco's operations. The trial falls through due to the use of excessive force, but $3000000 from the bust goes missing. When DiMarco kills both McCain's partners in an attempt to get the money back, McCain goes after him but decides to spare his life. The next day DiMarco is found dead and McCain realises that there are crooked people around him who are using him to do their dirty work and that they'll soon need to kill him to tidy it all up.
Seeing the cast list in my TV guide I assumed that this would be a classy little thriller so I decided to give it a go. When the opening credits made it look more like any one of a million `straight to video' martial arts films I realised that I had been duped a bit, but decided to give it a go anyway. The plot (written by Griffith himself) is basically the normal one for this type of thing cop is framed and must fight an army to clear himself and take down the bad guy. It is delivered in quite a good way so it never feels as lame as it is if you actually think about it later. The `twists' are expected or at least you know there will be twists as there always is in this type of thing.
For an action film I must admit that I found the action scenes to be quite workmanlike and even dull at times. It is evident that Griffith had been watching the films coming out of Hong Kong at the time and had wanted to try and emulate some of that. This can be seen in the two handed gun play he does as well as the scenes in the jazz bar (both of which show that he had seen John Woo's Hard Boiled at least). Sadly without the same style he never gets close and most of his fights are good but far from anything impressive or spectacular. Despite these influences the film still falls into the old clichés, so we have a few scenes of T&A (both actually quite nice Lewis is better looking that she appears and Cruzat only input is to wear very small underwear and walk across a room - yummy!)
Griffith actually struggles to carry the film and I didn't feel that he had the screen presence he needed to do it. At the start of the film I didn't think he had the looks of a leading man and looked more like a support bad guy nothing in the film changed this view, although he did do quite well with some of the more `emotional scenes'. Happily the support cast is full of familiar faces, although why they all signed up for this is beyond me! The famous support is split into two camps those that make the film better and those who seem to be slumming it. James Earl Jones and Burt Young are definitely among the `slummers' and seem confused as to how they signed up for this. In the other camp Henriksen raises every scene and is better than his stereotypical role should have been, while Todd (Candyman) is lively and enjoyable. Charlotte Lewis used to be in Grange Hill as a youth but her English accent doesn't get in the way and the T&A clause in her contract shows her to have grown up nicely! Sadly she has little to do but be naked or be saved by McCain!
Overall this is not an awful film but it is a very ordinary one. If you have a choice between a blockbuster and this then I'd be tempted to pass on this but, out of a like for like choice this is actually pretty much par for the course. Not great in any sense of the word but just about has enough going for it to justify watching it if there's nothing else on TV.
Seeing the cast list in my TV guide I assumed that this would be a classy little thriller so I decided to give it a go. When the opening credits made it look more like any one of a million `straight to video' martial arts films I realised that I had been duped a bit, but decided to give it a go anyway. The plot (written by Griffith himself) is basically the normal one for this type of thing cop is framed and must fight an army to clear himself and take down the bad guy. It is delivered in quite a good way so it never feels as lame as it is if you actually think about it later. The `twists' are expected or at least you know there will be twists as there always is in this type of thing.
For an action film I must admit that I found the action scenes to be quite workmanlike and even dull at times. It is evident that Griffith had been watching the films coming out of Hong Kong at the time and had wanted to try and emulate some of that. This can be seen in the two handed gun play he does as well as the scenes in the jazz bar (both of which show that he had seen John Woo's Hard Boiled at least). Sadly without the same style he never gets close and most of his fights are good but far from anything impressive or spectacular. Despite these influences the film still falls into the old clichés, so we have a few scenes of T&A (both actually quite nice Lewis is better looking that she appears and Cruzat only input is to wear very small underwear and walk across a room - yummy!)
Griffith actually struggles to carry the film and I didn't feel that he had the screen presence he needed to do it. At the start of the film I didn't think he had the looks of a leading man and looked more like a support bad guy nothing in the film changed this view, although he did do quite well with some of the more `emotional scenes'. Happily the support cast is full of familiar faces, although why they all signed up for this is beyond me! The famous support is split into two camps those that make the film better and those who seem to be slumming it. James Earl Jones and Burt Young are definitely among the `slummers' and seem confused as to how they signed up for this. In the other camp Henriksen raises every scene and is better than his stereotypical role should have been, while Todd (Candyman) is lively and enjoyable. Charlotte Lewis used to be in Grange Hill as a youth but her English accent doesn't get in the way and the T&A clause in her contract shows her to have grown up nicely! Sadly she has little to do but be naked or be saved by McCain!
Overall this is not an awful film but it is a very ordinary one. If you have a choice between a blockbuster and this then I'd be tempted to pass on this but, out of a like for like choice this is actually pretty much par for the course. Not great in any sense of the word but just about has enough going for it to justify watching it if there's nothing else on TV.
The most interesting thing about this film is that it failed to lauch a leading man career for Thomas Ian Griffith. Griffith had a starring role as the villain in 1989's The Karate Kid Part III. I remember at the time seeing the trailers for this that I wasn't surprised to see the actor who brought the terrifying Terry Silver to life being given his own film. It seemed like an obvious move. He had good looks, impressive physical martial arts skills, and was a charismatic actor as well. So why did it bomb at the box office? Having just re-watched the film, these are my thoughts.
It's just not a good movie for one. Excessive Force is what is known as a "star vehicle." A film written solely to cater to an actor's strengths. Interestingly this vehicle was written by the star himself. The real problem is the film's premise, so it was doomed from the start. Griffith should have starred in a martial arts themed movie rather than a karate cop crime thriller. Just imagine if Jean Claude Van Damme had tried to start his movie career in a cop thriller where he does spin kicks rather than the martial arts tournament films Bloodsport and Kickboxer. He may never have had a career. Griffith was trained in taekwondo, which specializes in kicks and especially head kicks. I lost count of how many spinning hook kicks Griffith used to defeat an enemy in this movie. It just doesn't seem as tough or as useful as Steven Seagal's aikido strikes and joint locks. Something should have been mentioned about how unusual it is for a six and a half foot tall cop to be karate kicking crooks all over town. But as I mentioned earlier, the story is the real problem.
Terry (the same name he had in The Karate Kid Part III) is involved in an action scene in the beginning before we even know a thing about him. And we never really do learn who he is. He plays the piano, he dresses stylishly, and he's a cop. We don't really know much else. Griffith's height was a bit of a problem for him being a leading man. He towers over everyone else. He really does seem better suited for the role of the villain. The supporting cast really help this film and it's worth watching for Lance Hendrickson, Tony Todd, and James Earl Jones. I should also mention Burt Young who made a good mobster, but is sadly not in the movie enough. That also hurt the movie, that as the layers of the plot unfold, the bad guys keep changing.
If you like violent rated R action movies I think you will like this one. It's just a missed opportunity more than anything. If they wanted Griffith to play a cop then they should have cut back on the taekwondo, maybe had him take out the dangling earring, and not make him so chic looking. He would have been better off with the slicked back Seagal style haircut he had in The Karate Kid Part III rather than the feathered styled look he had here. He just doesn't look tough. He looks like a model.
It's just not a good movie for one. Excessive Force is what is known as a "star vehicle." A film written solely to cater to an actor's strengths. Interestingly this vehicle was written by the star himself. The real problem is the film's premise, so it was doomed from the start. Griffith should have starred in a martial arts themed movie rather than a karate cop crime thriller. Just imagine if Jean Claude Van Damme had tried to start his movie career in a cop thriller where he does spin kicks rather than the martial arts tournament films Bloodsport and Kickboxer. He may never have had a career. Griffith was trained in taekwondo, which specializes in kicks and especially head kicks. I lost count of how many spinning hook kicks Griffith used to defeat an enemy in this movie. It just doesn't seem as tough or as useful as Steven Seagal's aikido strikes and joint locks. Something should have been mentioned about how unusual it is for a six and a half foot tall cop to be karate kicking crooks all over town. But as I mentioned earlier, the story is the real problem.
Terry (the same name he had in The Karate Kid Part III) is involved in an action scene in the beginning before we even know a thing about him. And we never really do learn who he is. He plays the piano, he dresses stylishly, and he's a cop. We don't really know much else. Griffith's height was a bit of a problem for him being a leading man. He towers over everyone else. He really does seem better suited for the role of the villain. The supporting cast really help this film and it's worth watching for Lance Hendrickson, Tony Todd, and James Earl Jones. I should also mention Burt Young who made a good mobster, but is sadly not in the movie enough. That also hurt the movie, that as the layers of the plot unfold, the bad guys keep changing.
If you like violent rated R action movies I think you will like this one. It's just a missed opportunity more than anything. If they wanted Griffith to play a cop then they should have cut back on the taekwondo, maybe had him take out the dangling earring, and not make him so chic looking. He would have been better off with the slicked back Seagal style haircut he had in The Karate Kid Part III rather than the feathered styled look he had here. He just doesn't look tough. He looks like a model.
Thomas Ian Griffith (who was introduced to film audiences as the slimy Terry Silver in The Karate Kid part III) wrote, produced and stars in this action flick about Terry McCann, a Chicago cop with a short fuse (and one hell of a kick) who becomes engulfed in an inside plot to steal $3 million in mob money from a crime scene. They don't like that. He now has to unravel the plot before it gets him killed and those he loves around him.
I really enjoyed Excessive Force (1993). Griffith is a very likable and watchable action hero. The plot isn't the most original thing going for it but it moves fast and has good energy. An interesting cast was assembled for the film which included genre fave Lance Henrikson, Vader's voice James Earl Jones, Candyman himself Tony Todd, Rocky's brother-in-law Burt Young and the exotic Charlotte Lewis. The cast I think is what saved it from becoming standard action fare.
I really enjoyed Excessive Force (1993). Griffith is a very likable and watchable action hero. The plot isn't the most original thing going for it but it moves fast and has good energy. An interesting cast was assembled for the film which included genre fave Lance Henrikson, Vader's voice James Earl Jones, Candyman himself Tony Todd, Rocky's brother-in-law Burt Young and the exotic Charlotte Lewis. The cast I think is what saved it from becoming standard action fare.
i liked this movie.sure ti's your typical action/crime drama film,but Thomas Ian Griffith makes a pretty credible action star.plus Burt Young was very convincing as a mob boss.there's certainly plenty of action here,but it's not too over the top.i thought the fight scenes were more realistic than in most movies of the genre.Griffith displays some great moves.which suggest he is very skilled in fighting himself,or the fight choreography was very well done.what's refreshing is there are no flashy camera tricks this time around.the movie moves at a good pace,and there are a few twists and turns,which make it more interesting.it is unrealistic at times,of course.Griffith is basically a one man army,against what should be overwhelming odds.other than that this is an entertaining 95 minutes.i give Excessive Force a 7/10
Você sabia?
- CuriosidadesNew Line Cinema were hoping that lead actor Thomas Ian Griffith would become a studio/stable star, similar to then-future owner Warner's then-arrangement with Steven Seagal.
- Erros de gravaçãoWhen approaching the crime scene at the garbage dump, the coroner has already laid out a body bag next to the dead body. For the close up however, the same body bag is being placed next to the body.
- Versões alternativasThe UK video was cut by 26 seconds with edits to kicks and punches, a man's head being pushed through a car window, a dustbin lid beating, and a man's legs being hit with a baseball bat. The cuts were fully waived for the DVD release.
- ConexõesFollowed by Força Excessiva 2 (1995)
- Trilhas sonorasThe Pigeon On The Gate
Traditional
Performed by James Early
Courtesy of Rego Records
Principais escolhas
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- How long is Excessive Force?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Força Bruta
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 3.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.152.117
- Fim de semana de estreia nos EUA e Canadá
- US$ 308.499
- 16 de mai. de 1993
- Faturamento bruto mundial
- US$ 1.152.117
- Tempo de duração1 hora 27 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Força Excessiva (1993) officially released in India in English?
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