Un soldado británico es secuestrado por terroristas de la IRA y entabla amistad con uno de sus captores.Un soldado británico es secuestrado por terroristas de la IRA y entabla amistad con uno de sus captores.Un soldado británico es secuestrado por terroristas de la IRA y entabla amistad con uno de sus captores.
- Ganhou 1 Oscar
- 22 vitórias e 46 indicações no total
Breffni McKenna
- Tinker
- (as Breffini McKenna)
Birdy Sweeney
- Tommy
- (as Birdie Sweeney)
Andrée Bernard
- Jane
- (as Andree Bernard)
Bryan Coleman
- Judge
- (as Brian Coleman)
Avaliações em destaque
Directed by Neil Jordan. Starring Stephen Rea, Jaye Davidson, Miranda Richardson, Forest Whitaker, Jim Broadbent, Adrian Dunbar, Ralph Brown, Tony Slattery. (R)
A group of IRA members, including volunteer Rea, kidnap a British soldier (Whitaker); later, Rea visits the soldier's girlfriend (Davidson) in London and becomes involved in a most unusual relationship with her. Stunning blend of thriller and romance explores daring subject matter in consistently fascinating ways, creating a story that is so full of surprises (many more than just the much ballyhooed "twist") that its very genre changes multiple times. Most serpentine suspensers are built purely on their own mechanism, but this one goes one step further by actually making the audience care about and identify with the original, layered characters. Davidson, an amateur "discovered" by a casting agent, gives a terrific debut performance, matched by a fine group of co-stars, some of whom have never been better. Director Jordan's Oscar-winning script, however, is the true star, and a very rare bird indeed for a movie that became famous for its shocking surprise: knowing the secret in advance doesn't spoil any of the pleasures of watching the plot unfold, and the writing never cheats or unnaturally deceives the audience for the sake of a cheap jolt at the moment the rug is pulled.
91/100
A group of IRA members, including volunteer Rea, kidnap a British soldier (Whitaker); later, Rea visits the soldier's girlfriend (Davidson) in London and becomes involved in a most unusual relationship with her. Stunning blend of thriller and romance explores daring subject matter in consistently fascinating ways, creating a story that is so full of surprises (many more than just the much ballyhooed "twist") that its very genre changes multiple times. Most serpentine suspensers are built purely on their own mechanism, but this one goes one step further by actually making the audience care about and identify with the original, layered characters. Davidson, an amateur "discovered" by a casting agent, gives a terrific debut performance, matched by a fine group of co-stars, some of whom have never been better. Director Jordan's Oscar-winning script, however, is the true star, and a very rare bird indeed for a movie that became famous for its shocking surprise: knowing the secret in advance doesn't spoil any of the pleasures of watching the plot unfold, and the writing never cheats or unnaturally deceives the audience for the sake of a cheap jolt at the moment the rug is pulled.
91/100
This is one of those rare movies that comes along and achieves something outrageous, heartwarming, and unique.The cast is above compare and the storyline has nothing to do with what the movie is actually about. If you are a lover of movies or just feel like seeing something different rent this one.It is a must see for anyone and I cannot believe it is not on the top 250 list.It's that good!
This wonderful movie is even better on the repeat viewing after the secret was out because you'd pay more attention to the smallest details and enjoy the brilliant storytelling and acting by everyone. Besides Rea, Whitaker, and Miranda Richardson, I'd like to mention Jim Broadbent as a sympathetic bartender Col. For me, though, the absolutely stunning, one of the very best debuts in the movie history was Jaye Davidson who had no movie experience. You know, there are not many characters that I keep thinking about after the movie is over - where did they come from, how their life would turn after the final credits, how would this cruel world treat them, would they be happy? And I want them to be happy. Dil (Davidson) is one of them - what a marvelous creature, how vulnerable yet dignified she is, what a combination of dry remote coolness and quiet tenderness. No wonder, Fergus (Rea) (as Whitaker's Jody before him) fell under her spell even after he found out that nothing is what it seems. Great movie - makes you think, makes you feel, makes you talk about it, makes you want to see it again.
9.5/10
9.5/10
10res0owwh
From a philosophical viewpoint, this movie illustrates unconditional love, which is not that prevalent in our present world. We could all learn some things from this movie, if we chose to do so.
I regret that I am only ten (10) years behind in seeing and understanding this work.
The entire cast and crew were excellent in their work and the writer deserves tremendous credit for such insight and understanding of the degree of heart and soul which can and does exist in some people.
I would recommend it to anyone who is attempting to understand humanity and some of the trials and tribulations it puts itself through.
It is classified as a "teaching movie" specializing in unconditional love, or "fiction with a definite positive purpose". Beautiful work.
I regret that I am only ten (10) years behind in seeing and understanding this work.
The entire cast and crew were excellent in their work and the writer deserves tremendous credit for such insight and understanding of the degree of heart and soul which can and does exist in some people.
I would recommend it to anyone who is attempting to understand humanity and some of the trials and tribulations it puts itself through.
It is classified as a "teaching movie" specializing in unconditional love, or "fiction with a definite positive purpose". Beautiful work.
The less you know about this film, the better. I won't tell you anything except what a well-written and well-acted movie this is. from the first 15 minutes, which is mainly dialogue between two actors, you are completely drawn in to the film, which has almost dream-like qualities.
If you were planning to see it just because of the "twist" and to see what everyone was talking about, then see it. If you were planning to see it for the amazing script, acting and direction - see it. And if you were planning on not seeing it - see it
If you were planning to see it just because of the "twist" and to see what everyone was talking about, then see it. If you were planning to see it for the amazing script, acting and direction - see it. And if you were planning on not seeing it - see it
Você sabia?
- CuriosidadesTraídos pelo Desejo (1992) was Jaye Davidson's theatrical film debut.
- Erros de gravaçãoA sub-machine gun is fired at officials entering a car. Several officials on both sides of the car are hit, but none of the cars have broken windows or other damage.
- ConexõesFeatured in Boy George: The Crying Game (1992)
- Trilhas sonorasWhen A Man Loves A Woman
Composed by Cameron Lewis and Andrew Wright
Published by Pronto Music Inc./Quinvy Music Publishing Co./Warner Tamberlane Publishing Corp.
By Kind Permission of Warner Chappell Music Ltd.
Performed by Percy Sledge
Recording Courtesy of Warner Music UK Ltd.
Principais escolhas
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- How long is The Crying Game?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Juego de lágrimas
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 2.300.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 62.548.947
- Fim de semana de estreia nos EUA e Canadá
- US$ 101.107
- 29 de nov. de 1992
- Faturamento bruto mundial
- US$ 62.549.086
- Tempo de duração
- 1 h 52 min(112 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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