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IMDbPro

Jogos de Adultos

Título original: Consenting Adults
  • 1992
  • 16
  • 1 h 39 min
AVALIAÇÃO DA IMDb
5,7/10
8,7 mil
SUA AVALIAÇÃO
Jogos de Adultos (1992)
During a joint dinner at the restaurant, the neighbors offer to exchange wives for one night. It was a joke, but only at first.
Reproduzir trailer1:46
1 vídeo
77 fotos
Conspiracy ThrillerCrimeDramaMysteryThriller

Durante de jantarem juntos no restaurante, os vizinhos se oferecem para trocar de esposas por uma noite. Foi uma piada, mas apenas no início.Durante de jantarem juntos no restaurante, os vizinhos se oferecem para trocar de esposas por uma noite. Foi uma piada, mas apenas no início.Durante de jantarem juntos no restaurante, os vizinhos se oferecem para trocar de esposas por uma noite. Foi uma piada, mas apenas no início.

  • Direção
    • Alan J. Pakula
  • Roteirista
    • Matthew Chapman
  • Artistas
    • Kevin Kline
    • Mary Elizabeth Mastrantonio
    • Kevin Spacey
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,7/10
    8,7 mil
    SUA AVALIAÇÃO
    • Direção
      • Alan J. Pakula
    • Roteirista
      • Matthew Chapman
    • Artistas
      • Kevin Kline
      • Mary Elizabeth Mastrantonio
      • Kevin Spacey
    • 58Avaliações de usuários
    • 22Avaliações da crítica
    • 39Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Vídeos1

    Trailer
    Trailer 1:46
    Trailer

    Fotos77

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    Elenco principal49

    Editar
    Kevin Kline
    Kevin Kline
    • Richard Parker
    Mary Elizabeth Mastrantonio
    Mary Elizabeth Mastrantonio
    • Priscilla Parker
    Kevin Spacey
    Kevin Spacey
    • Eddy Otis
    Rebecca Miller
    Rebecca Miller
    • Kay Otis
    Forest Whitaker
    Forest Whitaker
    • David Duttonville
    E.G. Marshall
    E.G. Marshall
    • George Gordon
    Kimberly McCullough
    Kimberly McCullough
    • Lori Parker
    Billie Neal
    • Annie Duttonville
    Benjamin Hendrickson
    Benjamin Hendrickson
    • Jimmy Schwartz
    Lonnie R. Smith Jr.
    • Dr. Pettering
    • (as Lonnie Smith)
    Joe Mulherin
    • Bo
    Rick Hinkle
    • Singer in Mahoney's Band
    Artis Edwards Jr.
    • Atlanta Police Officer
    Jerry Campbell
    • Prison Guard
    Ginny Parker
    • Martha
    Judson Vaughn
    Judson Vaughn
    • Max Roth
    Ed Grady
    Ed Grady
    • Mr. Watkins
    Suzanne Stewart
    • Mrs. Watkins
    • Direção
      • Alan J. Pakula
    • Roteirista
      • Matthew Chapman
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários58

    5,78.6K
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    Avaliações em destaque

    6namashi_1

    A Decent Thriller!

    Alan J. Pakula's 'Consenting Adults' is A Decent Thriller! It has some catchy moments & convincing performances working for it.

    'Consenting Adults' Synopsis: A man is falsely accused of murdering his neighbor's wife.

    'Consenting Adults' has its share of minuses, but what makes most of the goings-on work, is its brisk Screenplay Written by Matthew Chapman. It has some good, catchy moments, that are note-worthy. Alan J. Pakula's is perfect. Cinematography is good.

    Performance-Wise: Kevin Kline is excellent. Has there ever been a better scene-stealer? Kevin Spacey makes a good menace, although he's been better. Mary Elizabeth Mastrantonio is fabulous in a performance that ranks amongst her finest to date. Rebecca Miller is highly effective. Forest Whitaker is believable.

    On the whole, 'Consenting Adults' has merits.
    2rcraig62

    Poor Hollywood cop-out of an interesting premise

    "Consenting Adults" simply proves what a Hollywood screenwriter can do when given a big budget, big stars and no imagination. Kevin Kline and Kevin Spacey play suburban neighbors who become unlikely friends then slowly descend into episodes of criminal mischief and debauchery.

    The picture starts off well enough. We're introduced to Kline and his wife (Mary Elizabeth Mastrantonio) and their musically gifted daughter. He's a composer of commercial jingles who appears to be placid and content in his boring, upper-middle-class ways. Then Spacey and his stunning wife (Rebecca Miller) move in next door, and Kline's character is suddenly awakened: Spacey is a real schmoozer, a "financial adviser" with a sharp mind and an engaging personality; Miss Miller is a bombshell, and one can sense that Kline wants a piece of her. The tension and complications build until Spacey suggests to Kline a one-night stand of wipe-swapping, each man accosting the other's wife, half-asleep in bed, so they are unaware of the identity of the lover (in theory, anyway). Kline refuses, but Spacey and the idea keep gnawing at him, and eventually, craving a scrap of excitement in his dull life, he gives in. The final consummation between Kline and Miller is a lovely shot; his bare body caught in shadows in front of a glittering window-dressing, partially lit by street lamps. Unfortunately, that's where the movie ends.

    A few hours later, Miss Miller turns up dead, bashed with a baseball bat, and Kline, having had sex with her is cast as the murderer. From this point, nothing in the story appears to make much sense; its as though the screenplay was flowcharted by a computer programmer. This happens, then this, then this. Human emotions are never considered, and the movie becomes an acted-out cartoon, each actor assuming a caricature of something that fits a framework; any chance for texture in the performances is completely destroyed.

    The plot is full of holes, and sometimes, in a truly suspenseful picture, the audience is willing to overlook it. Not this time. It's all so by-the-numbers, you can virtually guess what will happen next even though you don't understand why. If the dead girl wasn't Spacey's wife, then who was she? Why didn't Kline recognize her as a different girl when he rushed into the bedroom? (Do all vapid blondes look that much alike?) Why does Mastantonio immediately discount her husband's plea of innocence? (so much for 14 years of marriage) If she's so much happier with Spacey, why does she agree to play the tape? I considered that she might toss it in the lake they were standing by, but I knew she wouldn't. Then the computer program wouldn't run.

    There's not much to like about the performances in this thing. Kevin Kline, it's been my long-held opinion, is only good when he's acting up a storm. When he plays a regular person, he's just boring, he radiates very little presence to the audience. He's not a convincing Everyman, as Jimmy Stewart was, he's just dismal and you don't really care whether he clears his name or not. The boringness is not so evident in the first part of the film (in fact, it fits), but once his life is on the line and he has reach to down deep for some reserve of passion, it isn't there. He's not compelling enough to be The Man Caught in the Web (he'd be lost in a Hitchcock picture). Kevin Spacey is superb in the early scenes as the sleazo Eddie, and he gives the picture its only zing; he has the right admixture of charm and smarm to draw you in and make you wary at the same time. But by the end, he's just another psychotic killer and his eyes gleam freakishly like Nicholson's in "The Shining". If there's such a thing as a cardboard cutout of a deviant, this is it. Audiences may like Forest Whitaker's subdued performance as a polite southern gentleman sniffing out the scam (he's like the Lovie Smith of insurance investigators), but it belongs in another movie.

    A good movie could have been made from this material. From the crucial point of the wipe swap, it could have been a character study on how lives are destroyed by this kind of self-indulgent behavior, or at least a better thriller, with Spacey leading Kline into deeper and more diabolical adventures. But "Consenting Adults" is straight from the textbook, and a cursory-level high school textbook at that.
    68-Foot

    A case of murder, with clever beginning but un-clever, unsatisfying resolution.

    Kevin Kline is cleverly framed for the murder of his best friend's wife, with a seemingly airtight case against him. Equal cleverness in working out this story seemed called for. Instead, the frame-up basically unravels by improbable happenstance and concludes with trite Hollywood-isms, finally throwing in the towel with a few assault-weapon blasts. Real subtle, yes?

    Not too bad a way to pass the time, but ultimately a let-down.

    Fans of Forest Whitaker ("The Crying Game") will be pleased to see this talented actor appearing as a very southern, shy, soft-spoken insurance investigator.
    6mjw2305

    It wasn't bad

    Consenting adults has a strong cast, a decent script and a deeper than expected story, that builds and sustains enough tension throughout; without sinking into as much sexually explicit detail, as the title may suggest.

    Kevin Kline, Kevin Spacey, Mary Elizabeth Mastrantonio and Rebecca Miller all portray there characters well, with Spacey and Miller stealing most of the credit.

    Consenting Adults is a reasonably safe choice for most thriller fans, it's not the best out there; but its entertaining and intriguing enough to please.

    6/10
    8HotToastyRag

    Fun, steamy mystery

    I know this movie has had a lot of mixed reviews, but I really liked it. It had me on the edge of my seat the whole time, and it had just the right amount of mystery, excitement, sex, violence, and drama to make me want to rent it again. It might not be the best movie to pick to watch with your married friends, but for a group of girls or guys to watch separately, it'll make for a very interesting evening!

    Kevin Kline and Mary Elizabeth Mastrantonio are a married couple in the suburbs who like to play it safe. Their neighbors, Kevin Spacey and Rebecca Miller, are a bit more reckless. Sometimes friendships with yin and yang balance themselves out, with the reckless friend pulling the cautious one out of his comfort zone, and the shy one keeping the daring one from getting into trouble. That's what Kevin 1 thinks will happen when the foursome become friends. There's a bit more spice than he bargained for when Kevin 2 suggests they swap wives for one night.

    There's also a lot more to the plot than I've just told you, but it's a lot more entertaining when you watch it rather than read it. What are you waiting for? Grab your gal pals and a cocktail shaker and get ready for a bumpy ride!

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    Enredo

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    Você sabia?

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    • Curiosidades
      One of a cycle of thrillers made during the early 1990s which were set around husband and wife characters. The films include Malícia (1993), O Engano (1991), Busca Mortal (1991), Pensamentos Mortais (1991), Obsessão Fatal (1992), Acima de Qualquer Suspeita (1990), Tão Culpado Como o Pecado (1993), Dormindo com o Inimigo (1991), and Um Beijo Antes de Morrer (1991).
    • Citações

      Eddy Otis: [whispering in the dark] Did you know that I can see things, Priscilla. I can see things nobody can. I'm so good at predicting, that I can read tomorrow's headline. A man last night broke into the home of his ex-wife, and killed for the third and last time. Arriving tragically too late, Eddy Otis, the woman's... the dead woman's friend, shot and killed him. The man, Richard Parker, was already wanted in connection with several other murders. Oh yes, he's here. Priscilla, he's in the house right now, wondering when he should make his final move. Why? Because I wanted him to. He's my puppet. Here he comes. Come on, Richard. Come to papa.

    • Conexões
      Featured in Siskel & Ebert & the Movies: The Public Eye/Candyman/Under Siege/A River Runs Through It/Night and the City (1992)
    • Trilhas sonoras
      No Headstone On My Grave
      Words and Music by Charlie Rich

      Produced by Joe Mulherin

      Performed by Suzie Rose (as Q Rose)

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    Perguntas frequentes19

    • How long is Consenting Adults?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 23 de abril de 1993 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Consenting Adults
    • Locações de filme
      • Atlanta, Geórgia, EUA
    • Empresas de produção
      • Hollywood Pictures
      • Touchwood Pacific Partners 1
      • Permut Presentations
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 18.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 21.591.728
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 5.023.467
      • 18 de out. de 1992
    • Faturamento bruto mundial
      • US$ 21.591.728
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 39 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Stereo
    • Proporção
      • 1.85 : 1

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