Matadouro

"The Texas Chain Saw Massacre" wields an enormous influence over this rural horror comedy; on the whole, "Slaughterhouse" manages to be a reasonably interesting and effectively atmospheric production. The characters are often inane, and the performances aren't so hot for the most part, but that's very much par for the course. *Some* of the characters are pretty damn memorable, especially the homicidal antagonists. There's a fair amount of gore, although the body count may not be high enough to suit some tastes. Writer / director Rick Roessler gives us a taste of what's to come with his pre-credit sequence, then goes through a little bit of set-up, eventually delivering respectable bloody mayhem for 80s horror lovers.

Don Barrett plays Lester Bacon, a demented old farmer about to lose his slaughterhouse to foreclosure. He lives with a massive, mentally impaired son named Buddy (Joe B. Barton), who grunts instead of talks, and who is very handy with assorted killing implements. Buddy also gets along much better with pigs than with people. Lester finds that Buddy has a taste for murder, but implores him to save it for those who deserve it, namely those that are trying to take his business away from him. Soon enough, he starts to enjoy the experience.

Barrett is a delight, and Barton is quite fun to watch, especially in one scene where Buddy goes on a joyride after slaughtering a deputy. The movie gets better as it goes along, culminating in what is actually a solid finale, as four friends that had been filming their own "horror" footage head right into danger by utilizing the slaughterhouse at night. The sequence in which sheriffs' daughter Liz(zie) Borden (Sherry Leigh) is pure TCSM type material.

The fun factor of this rollicking "Do It Yourself" feature is high. The filmmakers seem to be enjoying themselves, so the fans should too.

Seven out of 10.

Don Barrett is certainly one of the funniest actors in history. Just about every word that comes out of this man's mouth is a perverse joke. As for the plot, it was a typical slasher that had pretty good acting, great music, and a sadistic killer in Buddy. The opening credits scene was absolutely beautiful. It'll probably reassure all the vegans out there that they're doing the right thing, though it didn't bother me one bit. ***1/2out of****This film has to be one of my personal favorites and is worth a couple of looks. It certainly deserved the DVD treatment that it got.

This little piece of junk is so much fun, you can't imagine !! Very violent, grim and demented…but covered with black humor and cheerfully twisted characters. 'Slaughterhouse' is set in a quite little American town (of course) called Lakeside. A large chain of abattoirs makes it impossible for modest slaughterhouses to survive. The old butcher Lester Bacon is declared bankrupt and along with his seriously retarded son Buddy, he plans vengeance to all parties involved. 'Slaughterhouse' is very amusing, just because it's so light-headed! This Buddy-character is really great! A big, brainless fatso who can't talk but grunts all the time due to spending his entire youth between pigs. He carries a giant axe throughout the whole movie and butchers people without thinking! Lovely!! Clearly inspired by the notorious Texas Chainsaw Massacre, this Rick Roessler one-man-showed is one of the better slashers produced in the 80's. Best sequence is probably when Buddy joyrides with the car of the deputy and chases his mistress like the lunatic he is! Love this crap!!

Whilst not being the best slasher film around, Slaughterhouse is worth a watch as it has its fair share of splatter and a good atmosphere. There are some good deaths and cheesy moments, such as when the cop bleeds to death from having his hand chopped off. There's also a great scene where a man gets pulped in some sort of meat grinder. The slaughterhouse itself is a great setting for a slasher film, you can almost smell the atmosphere of death surrounding it. People say the ending was rather abrupt, although I think it was cool because it doesn't provide you with the typical Hollywood "happy ending" everyone expects.

Overall, this is an average slasher. It has its good moments but it also has its boring moments. It's worth adding to your collection if you're a fan of the genre.

...and that's not necessarily a bad thing. "Slaughterhouse" follows an aging abattoir owner and his obese, mentally-disabled son, who are fighting off the business's closure at the hands of upgraded, mechanized forms of pig slaughtering. The unhinged father soon begins retaliating against city officials, police, and soon enough, a group of teenagers, who step foot on the property, dispatching them via his ogrous son.

It's quite clear while watching "Slaughterhouse" that the filmmakers were riffing heavily on "The Texas Chain Saw Massacre," and, more often than not, "Texas Chainsaw Massacre 2," given the goofy demeanor the film possesses. Despite this, "Slaughterhouse" also manages to be alternately dark, dingy, and grim at times, so the film offers the audience a little bit of everything-and somehow, it sort of works.

The plot is formulaic as can be, and the set-ups and devices here are well-worn for anyone who has seen a slasher movie. The film threads two narratives together; one of the father and son running the slaughterhouse, and another on a group of teens who eventually end up attending a party that lands them at the slaughterhouse to...well, be slaughtered. It's mindless fun, and is surprisingly quite gory, boasting pretty solid special effects, and crisp, professional cinematography. The acting is decent and appropriately goofy, with Sherry Bendorf providing a likable lead, for as much as the audience is able to be acquainted with her at least.

The film's finale is where the mayhem really lets loose and Buddy, the hulking son, gets to claim some virgin (and non-virgin) blood. The ending caught me off guard a bit, but serves as a fitting conclusion to a film that is full of multitudes. In the end, "Slaughterhouse" is well-made as far as late '80s slasher films go. It is certainly not high art, but it's slickly-made and eccentric enough to warrant interest from fans well-acquainted with the genre. 6/10.