Aventura Mortal

Very handsome film with great lead actors and superb cinematography SLATE WYN AND ME is a completely unknown film anywhere, even in Australia where it was made. Released for about 7 days and tossed away by the defunct local distributor of usually-crap movies, the infamous Filmways Distribution, SW&ME has three great looking lead actors who really don't have much to do except run from the law and pose in the sunlight. It is almost a James Dean sort of film made in OZ. The superb Simon Burke from DEVILS PLAYGROUND, the amazing handsome Martin Sacks later seen in the hilarious LOVE IN LIMBO and the ever breathtaking Sigrid Thornton from THE MAN FROM SNOWY RIVER are the main reason to reappraise this on-the-run drama set in rural Victoria. On a big movie screen it is exceptionally pleasing to watch, even if the story is slight trite or thin. Maybe a DVD rescue will allow a new generation to find it: BADLANDS in Oz, folks.

Here's an OK little flick that will let you check your brain in at the cloakroom as you enter the theater. Doesn't appear to have pulled much in the way of user-votes but don't let that deter you.

Simon Burke and Martin Sacks are the Slate and Wyn of the title, a couple of small-time hoods who bungle a robbery, accidentally killing a cop and are then are forced to kidnap the only eye-witness to their crime. Believe me, you could do worse than kidnapping Sigrid Thornton (especially at the age she was when this little caper was filmed!)

On the lam in the Aussie outback, directionless and having no back-up plans they do what comes naturally - they fall in love with Miss Thornton and find themselves well and truly at competitive loggerheads,

Director Mclennan adapted the screenplay himself from the original novel entitled "Slate and Me and Blanche McBride" by Georgia Savage. Some good cinematography from David Connell and Trevor Lucas chips in with an appropriate musical score.

Maybe no BUTCH AND SUNDANCE but still a likeable enough little homegrown fable.

The Memory Hole has claimed this well-crafted Australian film that employs the anti-war movement encompassing the Viet-Nam "conflict" as food for its themes and plot, presenting action upon two continents from 1966 until 1982. The screenplay, co-written with bite and taste by Paul Davies and director David Baker, depicts events in the young lives of Niel (Paul Williams) and Eric (Brandon Burke), including their tangled friendship in addition to their relationships with Fennimore (Sigrid Thornton) and Patricia (Judy Morris) in a climate of social and cultural upheaval that marked the period in Australia as it did throughout most of the developed world. Niel is a conservative law student and Eric a rebellious painter as action opens in Ballarat, moves to Melbourne, then to a Vietnamese combat zone, finishing back in Melbourne after 16 years, an obviously large expanse of time to present complex subject matter, but it is successfully accomplished here and with only a moderate budget, to boot. Direction by Baker is consistently inventive from the opening frames, and additionally presents a point of view, combining a polished mise-en-scène with adroit use of montage to portray the struggles of the principal characters in search of moral truths among the chaos that rages about them during an era of international discord. The acting is impressive by all throughout the production, with creative character development allowed by the director, and contributions by specialists are noteworthy, specially from Bruce McNaughton for inventively lit cinematography, Robbie Perkins for his production design and Thornton's arresting apparel, Chris Neal for an artful score, and nearly perfect editing by Don Saunders. There are some shortcomings with continuity, to be expected in a case of such ambitious undertaking, but these are offset by able writing within a neatly balanced script, and some lumpish handling of extras is minimal considering the limited resources available. Many may not recall or be aware of the important role that Australia played in Vietnam, that included drafting of civilians into military service; this is an interesting background for a work that focuses upon the conceits of friendship and romantic love, doing so with imposing technique to a satisfying aesthetic result.